This Wild South documentary opens with the haunting call of the kōkako ringing out over the forest canopy at dawn. The film tells the story of Aotearoa’s "avian squirrel" and its struggle for survival — living with introduced cats and rats, while the remnants of its North Island rainforest home face logging. The songbird is framed as an icon of both conservation loss and hope. The script is by poet Brian Turner. The use of composer Hirini Melbourne’s score (with lyrics in te reo) was praised by award judges at British nature film festival Wildscreen.
In this full-length Heartland episode, Gary McCormick travels to the Hokianga in Northland, where he attends the annual rowing regatta in the town of Horeke. Locals compete in ironman (swimming, running and... woodchopping), before McCormick delves into the region’s logging past and sees local bone carvers at work. He also visits the Motuti Marae, then drives on to Panguru where he interviews local resident and Māori land march leader Dame Whina Cooper. The programme (gently) reflects on Māori and Pākehā race relations in the area.
Award-winner Hidden Places: Ōkārito marked an early milestone for the Natural History Unit (later to become NHNZ) — it was part of the first series made by the unit. The 15 minute episode follows birds, such as white heron, Russian godwits and royal spoonbills, all of them flocking to Ōkārito's "unique world of sea, lagoon, rivers and forests". Logging of kahikatea, the tallest endemic forest tree, also features. Robin Scholes, later to produce movie Once Were Warriors, wrote and directed this episode. It won Best Documentary at the 1979 Feltex Television Awards.
This 2012 documentary explores the economic and creative potential of one of the icons of New Zealand’s forest: the kauri. Logging and fire have destroyed 95% of Aotearoa’s great kauri forests (this film was made before kauri dieback disease became a major threat). Director Mathurin Molgat poses a solution to the tree’s survival: commercial harvest. He frames the film around Laurie Williams, who makes guitars from the wood. In this excerpt, musician Tiki Taane talks about Tāne Mahuta, and a tree is prepared for felling. The film screened at a number of festivals in the United States.
Haunui Royal directs this 1999 documentary on the people who live in the Far North, and their guardianship (kaitiakitanga) connection with the land and sea. Royal looks at how this traditional ownership is under pressure: from urban sprawl, pollution, and changing land use. Kaitiaki include farmer Laly Haddon, fisherman Rick, paralegal Ani Taniwha (whose work with ōi (shearwater) helped deepen her connection to the land); Ngāti Kuri members looking after Te Rerenga Wairua (Cape Reinga), and a group of rangatahi from Auckland.
An old woman (Olive Bracey) recounts to her nephew (actor Martyn Sanderson) memories of her life in Hokianga. The film is a mix of personal return journey for Sanderson and an affectionate record of his spirited aunt (she's "the one who ate wheatgerm" in the family). Autumn Fires mixes conversations, photos, and dramatisations of romantic letters. Sanderson rambles on the farm, picks mussels in bull kelp sandals, muses on industrial agriculture and on the "unambitious peaceful life". Directed by Barry Barclay, the elegiac film screened in TV1's Scene series.
Like the digital ‘mash-up’ concept to come, this 1970 film uses content from more than one source to create something new. In this film collage, relics of visual and material culture from New Zealand museums are combined to evoke life in earlier eras. These objects — from moa skeletons, to scrimshaw, to a stereoscope, and surveys of Māori culture and sex appeal (!) — are mixed with historical footage (including turn of the century Queen Street) and a classical score. Another Time was directed by Arthur Everard for the National Film Unit.
Godzone is “timber country” in this seventh slot in the New Zealand Now series. The NFU film looks at the world of the Kiwi bushman, as milling is providing the raw material for a postwar housing boom. The narrators provide a good keen guide to life in the remote and tiny (six houses) North Island town of Oraukura, where timber men fell giant native trees during the day and split kindling after work. For the men it’s a hard, but good life; for their wives it’s “pretty dull”. The Axemen’s Carnival in Taumarunui features OSH-unsanctioned woodchopping in socks.
This 1985 New Zealand tourism promo showcases Aotearoa society and industry. As the title suggests, the NFU-made film offers an impressionistic take on the subject. Bookended by a dawn and dusk chorus, the narration-free survey cuts between primary products (milk, logs, wool etc) and their manufacturing processes, and then shows people at work and play — from futures traders to pounamu carvers, contemporary dancers to cricketers. Date stamps of the era include a mass aerobics class, hydroslide action, and saxophone and guitar solos on the soundtrack.
Kauri stand amongst the giants of the tree world, able to grow more than 50m tall and girths of up to 16 metres, and live over 2000 years. This NFU film looks at the ancient conifer and its relationship with people. A thoughtful narrative traces the kauri's utility, and contemporary efforts to preserve remaining trees — the tree’s timber and gum fuelled colonial growth, but milling devastated the great northern forests. Archive footage evokes the pioneer days: kauri dams, woodsmen dwarfed by felled trunks, and Dalmatian gum hunters scaling sky-scraping trunks.