In this short report for a 1990 edition of Holmes, Dylan Taite rocks back the clock to talk to New Zealand music pioneer Johnny Cooper. John Dix’s recently published history of NZ rock’n’roll Stranded in Paradise had resurrected interest in Cooper, the Wairoa-spawned singer who gained notice with a Bill Haley cover, then gave NZ its first homegrown rock’n’roll song with his tale of a Whanganui pie cart, 'Pie Cart Rock'n'Roll'. Aptly, Taite interviews Cooper at a Queen St cart where Cooper unslings his guitar once more: “Let’s rock and roll around the old pie cart!”
Auckland Museum's Volume exhibition told the story of Kiwi pop music. It's time to turn the speakers up to 11, for NZ On Screen's biggest collection yet. Turning Up the Volume showcases NZ music and musicians. Drill down into playlists of favourite artists and topics (look for the orange labels). Plus NZOS Content Director Kathryn Quirk on NZ music on screen.
This series was made for Maori TV (Kaupoai means “cowboy”) about the summer rodeo circuit, and the cowboys (and occasional cowgirl) who battle it out with bulls, broncos and each other for the title of Cowboy of the Year. Voiced in te reo, it follows the progress of members of five families from the East Coast (the home of NZ rodeo) including four brothers from New Zealand’s rodeo royalty, the Church family (with their father a 13 time winner). The physical challenges — and toll — are plain to see; but competition, camaraderie and prize money conquer most fears.
In this Māori TV series about the NZ rodeo circuit, the action has come to Outram in Otago for the final meeting of the year. Competition has been close throughout the season — and the race for the title of All Round Champion Cowboy (and “The Buckle” trophy) is wide open, with at least three of the four Church brothers still in contention. Competition is fierce inside the ring, but, outside it the riders are happy to swap tips; and when the last steer has been roped and bronco ridden, there’s nothing for it but to “dress up flash and have a party”.
The final meeting for the 2006 season features in this episode of the Māori TV series following the NZ rodeo circuit. Riders have come to Millers Flat in Central Otago to compete in bareback riding, calf roping and tying, bronco riding, bull riding, steer wrestling and barrel racing competitions. The grand prize of the title of All Round Champion Cowboy is still up for grabs — but there are no certainties in rodeo and champions can be dumped just as heavily as novices (with the possibility of serious injury ever-present in the thrills and spills).
The second season of comedy web series The Māori Sidesteps sees the now established band (who still work at Pete’s Emporium) facing a plethora of absurd challenges. Hoani questions his heritage and joins another, much whiter, band, Jamie faces marriage trouble, and Lemmi’s Samoan roots leave him in very hot water. Meanwhile Riki faces delusions of living in the Old West, Kelly gets the band an uncomfortable booking at a “birthday”, and Dollar$ faces competition as the band’s manager from the enigmatic Maui (Te Kohe Tuhaka).
Māori Battalion - March To Victory tells the story of the New Zealand Army's (28th) Māori Battalion, which fought in campaigns during World War ll. Director and writer Tainui Stephens sets out in the feature-length documentary to tell the stories of five men who served with the unit, and also "capture how they felt about it". Narration by actor George Henare, remembrances, visits to historic sites, archival footage, and graphic stills create a respectful and stirring screen testament to the men who fought in the Battalion. Stephens writes about the film in the backgrounder.
“The funniest, liveliest, most exuberant film ever made in New Zealand”. So said critic Nicholas Reid, a year after Came a Hot Friday became 1985's biggest local hit. Though Billy T’s loony Mexican-Māori cowboy is beloved by fans, he is but one eccentric here among many — as two scheming conmen hit town, and encounter bookies, boozers, country hicks, nasty crim Marshall Napier, and Prince Tui Teka playing saxophone. Until the arrival of The Piano in 1993, Ian Mune and Dean Parker’s award-loaded adaptation remained NZ's third biggest local hit. Ian Pryor writes about the film here.
This episode of Koha is an examination of the Māori feature film industry, from the pioneers of the silent era up to feature film Mauri. Reflection on international screenings of groundbreaking feature Ngati frames interviews with Witarina Harris, Ramai Hayward, Barry Barclay, Wi Kuki Kaa and Merata Mita. Barclay talks of the importance of Māori telling Māori stories. “We’ve seen heaps of pictures of cowboys and Indians eh, but they’re always made by the cowboys.” Includes footage of The Devil’s Pit, Rewi's Last Stand, Ngati, The Governor, and Mauri.
Cohen Holloway began singing and doing impersonations at high school. He went on to showcase his John Campbell impression on bro'Town and sketch show Facelift. After studying acting at Toi Whakaari, he won a Qantas Award in 2009 for TV drama Until Proven Innocent; Holloway starred as the falsely-imprisoned David Dougherty. Since then Holloway has played a gang member in Boy and a real estate agent in Māori TV hit Find Me A Māori Bride, and starred as a dodgy cowboy in Western Good for Nothing. In black comedy Fresh Eggs, he is a well-meaning husband caught up in a run of unfortunate deaths.