This Depression-era road movie tails teen runaway Kate (Greer Robson) as she tags along with World War I veteran Patrick (Aussie actor Peter Phelps) — himself on the run after assaulting a repo man. The odd couple relationship grudgingly evolves as they often narrowly escape the law, and head north across the southern badlands. Director Sam Pillsbury's on the lam tale won wide praise, with Kevin Thomas in the LA Times calling it "pure enchantment". Robson's award-winning turn as the scamp followed up her breakthrough role in Smash Palace.
Illustrious Energy sees Chan and his older mate Kim prospecting for gold in 1890s Otago. Marooned until they can pay off their debts and return to China; they’ve been fruitlessly working their claim for 12 and 27 years respectively. Chan faces racism, isolation, extreme weather, threatening surveyors, opium dens and a circus romance. The renowned feature-directing debut of cinematographer Leon Narbey provides a poetic evocation of the Chinese settler experience; especially vivid are Central’s natural details — desolate schist and tussock lands, rasping crickets.
Fresh from larger than life comedy Came a Hot Friday, Ian Mune made an abrupt turn to horror with his second feature as director. Friday alumni Phillip Gordon joins a brat pack of young Kiwi actors. Going bush, they meet gun-totting cattleman Bruno Lawrence and a young woman. He is not happy. In this clip, the group begin to crack under the strain of being hunted. Originally written by American Bill Baer, the film was pre-sold to an investor in the United States. Mune's LA agent later told him that letting the dog die didn't help the film's commercial chances in the States.
The last novel by Ronald Hugh Morrieson revolves around a freezing plant worker (Peter McCauley) in an interracial marriage. For this little seen movie adaptation, the role of an English remittance man was expanded in an attempt to cast Peter O'Toole (New Zealand-born Bruce Spence got the role). Morrieson's view of small-town Aotearoa is a dark one, as he explores racism, violence, suicide and blackmail. Bruno Lawrence contributes to Jonathan Crayford's jazz-tinged score, and features in the wedding band. The freezing works scenes were shot at the defunct plant in Patea.
A culture clash story by Witi Ihimaera inspired this comic drama, which marked the directing debut of screen veteran Larry Parr. Set in the mist-shrouded Taranaki hamlet of Whangamomona in the 1940s, the short film focuses on the conflict between a local tohunga, Mr Hohepa (Sonny Waru) and feisty Pākehā Mrs Jones (Annie Whittle) — as viewed by the young boy who helps deliver her mail and groceries (Julian Arahanga, in his screen debut). The locals think Hohepa has placed a makutu (or curse) on Mrs Jones. But could more basic human emotions be at work?
In the wake of the Allied invasion of Normandy, US soldier Saul (Usual Suspect Gabriel Byrne) meets Belle, alleged to be a Nazi collaborator. He offers to stay in her cottage as Résistance accusers circle. The tragic tale of moral ambiguity during wartime was adapted from a novel by Kiwi MK Joseph. Filmed in France in 1988, director Larry Parr’s feature debut was troubled by the withdrawal of a French partner and bankruptcy of the US distributor; after film festival showings it screened on NZ television in 1995. French actor Marianne Basler won a 1992 NZ Film Award as Belle.
Constance centres on a young woman who attempts to escape the staid world of 40s Auckland, by embracing glamour and passion. After meeting a photographer, her aspirations of stardom are brutally fractured. Directed by Bruce Morrison, the movie echoes the style of Hollywood melodrama, while simultaneously critiquing the dream. Donogh Rees was widely praised in the title role as a protagonist who lives in a fantasy world, with one review describing her as “New Zealand’s answer to Meryl Streep”. New York's Time Out called the film "lush and exhilarating".
Stunt driver Judd (US Oscar winner Cliff Robertson) and his mechanic Casey (ex child star Leif Garrett) are in NZ racing 'Shaker' — their pink and black Trans-Am — when they're enlisted by scientist Dr Christine Ruben on a fast and furious dash from Dunedin. Unknown to the Yanks, Ruben (Lisa Harrow) has stolen a deadly virus that she's aiming to smuggle to the CIA, and away from the NZ military — who plan to use it for bio warfare! Touted as "fantasy car violence", the chase and stunt-laden Run was one of dozens of films sped out under an 80s tax break scheme.
“The funniest, liveliest, most exuberant film ever made in New Zealand”. So said critic Nicholas Reid, a year after Came a Hot Friday became 1985's biggest local hit. Though Billy T’s loony Mexican-Māori cowboy is beloved by fans, he is but one eccentric here among many — as two scheming conmen hit town, and encounter bookies, boozers, country hicks, nasty crim Marshall Napier, and Prince Tui Teka playing saxophone. Until the arrival of The Piano in 1993, Ian Mune and Dean Parker’s award-loaded adaptation remained NZ's third biggest local hit. Ian Pryor writes about the film here.
Gary McCormick heads west to Raglan, to ask "What goes on here? Why do people live here? What do they do?". To find out he goes surfing on the famous left-hand point break, hangs with hippies and Dave McArtney, catches Midge Marsden and the Mudsharks at the Harbour View Hotel, and discusses land rights with kaumatua Sam Kereopa. The recipe — McCormick as genial small town anthropologist discovering the locals — earned this a 1989 LIFTA award, and inspired long-running series Heartland. McArtney composed the soundtrack; Finola Dwyer (An Education) produces.