Māori Television’s award-winning news and current affairs show took its bold name from a colonial government department. This 2017 episode profiles four non-conformists: Mongrel Mob boss Rex Timu’s war on P; Raihania Tipoki's waka protest against East Coast oil surveying; Taranaki mother Tina Tupe's preparations for her own tangi; and globetrotting screenwriter David Seidler. Seidler makes an annual trip to a Tarawera cabin – he has a Kiwi son to a Māori woman – and talks about his Oscar-winning movie The King’s Speech, and his admiration for kapa haka.
NZ On Screen’s Dunedin Collection offers up the sights and sounds of a city edged by ocean, and famed for its music. Dunedin is a bracing mixture of old and new: of Victorian buildings and waves of fresh-faced students, many of them carrying guitars. As Dave Cull reflects in his introduction, it is a city where distance is no barrier to creativity and innovation.
The decade of fondue and flares also cooked up colour television. Our black and white living room icons — from Selwyn Toogood to Space Waltz — melted into a Kiwi kaleidoscope of Top Town, Grunt Machine, and Close to Home. And 'our stories' and rights fights — boks, hikoi, nukes and 'nam — echoed onscreen (Sleeping Dogs, Tangata Whenua). Ready to roll?
In this 1992 Wild South documentary, pioneering underwater photographers Wade and Jan Doak investigate how fish have evolved over 400 million years on the Northland coast. They explore ocean dwellers off the Poor Knights Islands, where myriad nimble life forms thrive — from radar-like sensory systems and kaleidoscopic colouring, to the intricacies of jaw and fin shape. The Doaks conduct novel experiments to showcase them on camera in this Natural History New Zealand production. This episode was narrated by nature documentary filmmaker Peter Hayden.
One morning, as kids are stealing apples from an old man’s orchard high above a seaside town, an earthquake hits. No one is hurt, and the townsfolk are non-plussed, but the old man is agitated: he alone is aware of the imminent tsunami and tries to warn the village. Based on a classic Japanese fable, The Orchard was made by one-man band Bob Stenhouse, who had been nominated for an Academy Award the previous decade for pioneer tale The Frog, The Dog and The Devil. Fans of the animator will recognise the lush, luminous hand-drawn style.
Described by New Zealand Geographic as the "doyen of New Zealand diving", Wade Doak is an author, marine ecologist and conservationist. Along with Kelly Tarlton he was a pioneer of underwater exploration and filming in Aotearoa. Behind and in front of the camera, he has contributed to documentaries for Wild South and production company NHNZ, and showcased Aotearoa’s undersea world to wide audiences.
Jonno Woodford-Robinson has edited everything from features (Taika Waititi's debut Eagle vs Shark) to commercials (such as Telecom's Meerkats campaign). Woodford-Robinson's other features include Alison Maclean's The Rehearsal, Mahana and pioneering Fijian film The Land Has Eyes. A frequent collaborator with director Jason Stutter, Woodford-Robinson's projects include Stutter's adaptation of novel Predicament. After several nominations, he picked up his first New Zealand Film Award in 2017 for his work as co-editor (with Mike Horton) of Lee Tamahori's rural drama Mahana.
As writer and presenter of The World Around Us, and producer of Looking at New Zealand, Conon Fraser was an early television celebrity. He joined the National Film Unit in 1969 and continued to make films documenting his adopted country’s landscape and history, and New Zealanders’ way of life. Fraser died on 17 June 2014, aged 84.
One of New Zealand’s leading TV actors, Jeffrey Thomas was born in Wales and graduated with a Master of Literature from Oxford University. Since arriving in Wellington in 1976, his credits have included Close To Home, Gloss, Shark in the Park, Mercy Peak, Shortland Street and Outrageous Fortune. In the 80s he starred in a Welsh language drama series. An award-winning playwright, he has also acted extensively on stage.
After stints in the merchant navy and the British film industry, Steve Locker-Lampson began a new life in New Zealand in the 60s, heading the camera department at indie production house Pacific Films. The following decade he forged a reputation as one of the country's pioneer aerial cameramen, and worked behind the scenes on movies Solo and Smash Palace. Locker-Lampson passed away in October 2012.