This documentary chronicles a shameful passage in New Zealand race relations: the controversial mid-70s raids on the homes and workplaces of alleged Pacific Island overstayers. Director Damon Fepulea’i examines its origins in Pacific Island immigration during full employment in the 1960s, when a blind eye was turned to visa restrictions. As times got tougher, that policy changed to include random street checks by police, despite official denials. Resistance by activists and media coverage helped end a policy which has had a long term effect on the Pacific Island community.
It’s Samoan Language Week and Tom Natoealofa says “Talofa!” to kick off Tagata Pasifika's Aotearoa award-nominated coverage of the 2011 Polynesian Blue Pacific Music Awards. Natoealofa co-hosts with Angela Tiatia, from the TelstraClear Pacific (now Vodafone) Events Centre in Manukau. The awards honour everything from gospel to urban. Nesian Mystik take out a trifecta including the big one, and Ladi 6 also wins. In the last clip Annie Crummer picks up a Lifetime Achievement gong, and the Ponsonby Methodist Church Choir perform her song ‘See What Love Can Do’.
In this short Gallery interview — broadcast in June 1973 — Peace Media representative (and future TVNZ news boss) Bill Ralston talks about dwindling supplies for two private vessels that had left Aotearoa, to protest upcoming French nuclear testing at Mururoa Atoll. Ralston accuses Prime Minister Norman Kirk of being “a little bit heartless” for not assisting. Actually Kirk was realising plans for the HMNZS Otago to join the vigil. Protest yacht Fri was later stormed by French commandos, and the protests made world news. French nuclear testing in the Pacific finally ceased in 1996.
PI Kiwi Oscar Kightley is a writer, actor, presenter and director. After co-creating The Naked Samoans, he worked with the comedy troupe on five seasons of hit series bro’Town, NZ's first animated show to play in prime-time. Kightley has also worked with the Samoans as an actor and writer in hit feature Sione’s Wedding and its 2012 sequel. In 2013 he took on a serious role, starring as the detective in TV series Harry.
Throughout his 50 year career, John O’Shea was a pioneer and a champion of the independent New Zealand film industry. His name was synonymous with Pacific Film Productions, which he ran for over 20 years after Pacific founder Roger Mirams left for Australia. O’Shea was involved in the establishment of the New Zealand Film Commission, Ngā Taonga and the Wellington Film Society.
Director and photographer Kerry Brown's extended résumé of images began when he was a teenage skateboarder, snapping shots of skater culture. Having directed iconic music videos for many legendary Kiwi bands, including Crowded House (Four Seasons in One Day) and The Exponents (Why Does Love Do This To Me?), he now works as a stills photographer on movie sets across the globe.
John Anderson got busy directing a run of television dramas in the 1980s, including award-winning Polynesian road movie Mark ll, and two of the final works by playwright Bruce Mason. The onetime actor reinvented himself as a documentary filmmaker in the 90s, then relocated to Kiribati, where he worked on more than 400 films covering everything from climate change to dance. Anderson died in Kiribati on 19 August 2016.
Rodney Bryant was one of the stars of the heyday of regional television news. In the early 70s he became a Canterbury institution fronting The South Tonight with Bryan Allpress, and returned to host The Mainland Touch in the early 80s. He moved on to TV talkback, then children’s current affairs with The Video Dispatch, before leaving TV for a twenty year run in communications for the Dunedin City Council.
Derek Morton is one of those happily unsung industry all-rounders who has tried a little of everything: from documentaries and children's TV to underground films, doing time as a cameraman, editor, writer, producer and director (from commercials and docos, to trucking drama Roche), as well as running his own production company.
Alun Falconer started his film career at the National Film Unit in 1946. Early in 1948 he and cameraman Roger Mirams left the NFU and founded the Pacific Film Unit. A year later he went to China where he worked as a journalist and was an eyewitness to the fall of Shanghai. He left in 1950 for London where he returned to film production and later made his name as a television script writer.