In the early 1970s expat broadcaster Michael Dean took Aotearoa’s pulse, as it loosened its necktie and moved from “ice-cream on mutton, swilled around in tea” conservatism, towards a more cosmopolitan outlook. Dean asks the intelligentsia (James K Baxter, Tim Shadbolt, Peter Cape, Shirley Smith, Bill Sutch, Ian Cross, Peter Beaven, Pat Hanly, Syd Jackson, Hana Te Hemara) for their take. The questions range from “what does the family in Tawa sit down to eat these days?” to the Māori renaissance. Dean had made his name in the 60s, as a high profile broadcaster with the BBC.
In this edition of the National Film Unit's long-running newsreel series 2000 people attend the opening of Palmerston North's brand new railway station (with up-to-the-minute signals, communication technology and cafeteria); under the watchful eye of Prime Minister Keith Holyoake a fashion show is held in Wellington to display New Zealand styles for Australian buyers; and the Osbourne family (complete with toddler) travel the country in a caravan with their road-marking business (and Mum still finds time for the housework too).
This 1959 Pictorial Parade edition begins with the opening of the ‘Milson Deviation’: a rail bypass which diverted trains from the Palmerston North CBD. Then it’s to Hastings for the National Ploughing Championship, where the prize is a silver plough modelled on the first (Pākehā) plough used in NZ. Lastly, the Echo (a flat-bottomed Kauri scow that sailed between Wellington and Blenheim) turns a wetter furrow and sails up the Opawa River. With the onset of competition from ferries the Echo was retired in 1965; she’s now ‘on the hard’ on the Picton Foreshore.
The format for New Artland was to film a leading Kiwi artist devising an artwork, in collaboration with a community that they have some kind of bond with. In this episode host Chris Knox meets Karl Maughan, known for his vibrant paintings of garden flowers. Maughan returns to Palmerston North's Freyberg High School (where he was encouraged to enrol at Elam School of Art) and enlists 20 students over a week to make a 30 metre long mural. He explains why rhododendrons are his main subject, and gets permission from the principal to help the kids graffiti the art block.
The Big Art Trip hosts Douglas Lloyd-Jenkins and Nick Ward start this leg of the journey in Palmerston North, where they meet Centrepoint Theatre artistic director and actor Alison Quigan and sculptor Robert Jahnke. Next it's Wellington, and a chat about the bucket fountain in Cuba Mall, before they visit painter Marianne Muggeridge and drop in on Circa Theatre co-founder and actor Grant Tilly, who shares his secret passion for box making. They finish up with theatre-centric band Cloudboy, who discuss their music and their move from Dunedin to Wellington.
The tables are turned in the second episode of this online comedy as Sid (Byron Coll) get tongue-tied while being interviewed about being a sexy new doco maker. Sid exhorts his fellow residents to star in a recreation of the town’s battle against a Belgian petrochemical corporation, but actor Molly (Gentiane Lupi) takes direction a bit too enthusiastically. Don Longridge deadpans as deaf Mr Baker, whose fart gag permeates a pair of near wordless scenes with Sid and Bella (Vanessa Stacey). Woodville was selected for London’s Raindance Festival in 2013.
The second part of this 1982 series on the history of aviation in New Zealand hang glides to the 30s golden age where world famous flying feats (from the likes of Aussie Sir Charles Kingsford Smith and NZ aviatrix Jean Batten) inspired a surge in aero and gliding clubs and the beginning of commercial domestic flights and aerial mapping. War saw Kiwis flying for the RAF and modernised an ageing RNZAF, taking it from biplanes to jet aircraft. Presented by pilot Peter Clements, the series was made for TV by veteran director Conon Fraser and the National Film Unit.
This 1944 newsreel documents arrivals at a Wellington wharf from the Middle East: New Zealand soldiers and Polish children. For the refugees it was the conclusion of an epic wartime survival tale: an exodus from Poland via Siberian labour camps, to being greeted by Prime Minister Peter Fraser in NZ. The Poles then take the train past waving crowds to their new home: a camp in Pahīatua. Twenty years later the children were revisited in Kathleen O’Brien’s classic 1966 documentary The Story of Seven-Hundred Polish Children.
Fifteen wannabe comedians combat nerves and a tight deadline in this first episode of talent quest So You Think You're Funny. The first task for judges Jon Bridges, Raybon Kan and Paul Horan is to eliminate five contenders from the line-up. The contestants are given a few days to write and practise a short set, before performing it in front of a live audience at Queen Street's Classic Comedy Bar. This scenario would be terrifying for most, and it confirms a harsh truth that Horan offers early on: "If the audience hates you, there's not a lot we can do'. One hundred people originally auditioned.
Looking at New Zealand was an early NZBC “pictorial magazine” show which explored “New Zealand’s backyard”. Produced by Conon Fraser, it was a staple of Sunday night 60s TV. In this edition the narrator introduces NZ’s unheralded scenic wonder: “its girls”, as he meets some of Miss New Zealand’s 1969 contestants. The women talk about their interests (“I adore frilly nighties”) and occupations (typist) in a style that is more Stepford Wives than Kate Sheppard. Miss Auckland Carole Robinson (not seen here), would go on to win Miss Photogenic at that year’s Miss Universe pageant.