This report from 80s current affairs show Close Up introduces the New Zealand public to future Prime Minister Jim Bolger — shortly after the “lightning coup” that saw him unseating urban lawyer Jim McLay, to become leader of the National Party. The focus is on Bolger’s rural roots as a father and farmer. There is also praise from political historian Barry Gustafson, and a mini journalistic joust with ex PM Robert Muldoon, over whether he supports the new party leader. In 1987 Labour was re-elected for another term; Bolger’s party swept to victory in 1990.
Ryan and Betty-Anne Monga, the core of South Auckland “poly funk” band Ardijah, are profiled in this episode from a Māori Television series about leading Māori artists. In this excerpt, they recall their early days, with Betty-Anne as a soloist and Ryan leading a “boys group” covers band with dreams of a residency on the club circuit. Their decision to join forces resulted in a chart hits like ‘Give Me Your Number’ and ‘Time Makes a Wine’, and in the band becoming a family business — with their son playing bass (but only after a rigorous audition).
Papatoetoe-born hip hopper David Dallas (Samoan, European) began his career in duo Frontline. Since going solo, he has released three albums: Something Awesome (2009), The Rose Tint (2011) and Falling into Place (2013). Something Awesome won the Best Urban/Hip Hip Album Tui in 2010 and was shortlisted for the Taite songwriting prize, and the acclaimed Falling into Place was nominated for five Tuis in 2014. Rose Tint was released in the US on NYC’s Duck Down Music label. In Feb 2014 he was featured by Billboard as a Kiwi artist who could make “a Lorde-like leap”.
This Māori Television hit offers a down-home NZ Idol mixed with a little Fear Factor, as off the street talents sing three rounds of karaoke and try to win $1000. Hosts Te Hamua Nikora (Homai Te Pakipaki) and Luke Bird (The Stage - Haka Fusion) coax Lagitoa from Papatoetoe, Samantha from Pakuranga and Renee from Rotorua to belt out their favourite song. The show’s stripped back style allows lots of space for audience reactions (this time at Rotorua's night markets, and in Pakuranga). With encouragements in te reo and English, the contestants feel the fear and sing anyway.