This collaboration between dancer Douglas Wright and director Gregor Nicholas was one of a series of music and movement-based shorts that established Nicholas’ reputation. A dramatised film noir sequence leads to a cross-dressing dance duel between Wright and Debbie McCulloch, shifting between an Orwellian cityscape and retro nightclub. Wright choreographs the bodies, and Nicholas the bold and sensual visual rhythms (shot by Stuart Dryburgh). Nicholas went on to direct high profile commercials and movie Broken English. Wright passed away in 2018.
Record label Flying Nun is synonymous with Kiwi indie music, and with autonomous DIY, bottom-of-the-world creativity. This collection celebrates the label's ethos as manifested in the music videos. Selected by label founder Roger Shepherd: "A general style may have loosely evolved ... but it was simply due to limited budgets and correspondingly unlimited imaginations."
Pacific 3-2-1-Zero is a record of a performance of the eponymous work by renowned percussion group From Scratch. The work was devised in 1981 as a protest against nuclear testing and waste dumping in the Pacific. Ring-leader Phil Dadson, his players and their instruments — from whirling PVC pipes to biscuit tin lids — are arranged in the shape of the peace symbol. From Scratch's rhythms are cut with footage and facts of nuclear testing by director Gregor Nicholas to make for a resonant statement. The film won the Grand Prix at Midem’s 1994 Visual Music Awards.
This feature documentary from director Pietra Brettkelly (A Flickering Truth) follows Chinese fashion designer Guo Pei as she aims to join the exclusive world of Paris’s Chambre Syndicale de la Haute Couture. Brettkelly traces the designer’s Cinderella story from Mao’s China to Paris fashion shows and the Met Gala fundraiser event in New York, beginning with pop star Rihanna modelling a 27kg canary yellow gown in 2015. Yellow is Forbidden was selected for the 2018 Tribeca Film Festival (the first Kiwi film to screen in its main competition) and the NZ International Film Festival.
In this episode, Nia (Shania Gilmour) spends a day in the sun with her friend Hazel (Jessica Woollam). As the girls' imaginations and the show's distinctive animation run wild, the pair have adventures in New York, Sydney and Paris, and star in their own explosive action movie. But things turn cloudy when Hazel reluctantly reveals that she has to move back to Australia, leaving Nia to deal with the thought of losing her best friend. Nia's Extra Ordinary Life uses a diary format to help take us inside Nia's head.
The ‘OE’ is a Kiwi rite of passage, but for those travelling in a Kombi van, the trip can feel “like mixed flatting in a space the size of a ping-pong table” (Peter Calder). In Kombi Nation, Sal sets off to tour Europe with her older sister and friend; they’re joined by a dodgy male and a TV crew, recording the shenanigans. Shot guerilla style after workshopping with the young cast, Grant Lahood’s well-reviewed second feature anticipated the rise of observational ‘reality TV’, but its release was hindered by the collapse of production company Kahukura Films.
Aged 101 when interviewed for this series, Auckland-born Laurence Reynolds was a Major in the British Army during World War II. Reynolds was studying medicine in the UK when war broke out. Here he recounts his wartime service, from running a hospital in Iraq and dealing with malaria (almost dying of it himself), to romance on home leave, and facing polio and ambushes while working as a doctor in Quetta and Bannu (in what is now Pakistan). Post-war, Reynolds went on to pioneer coronary rehabilitation, including helping establish the first coronary care unit at Greenlane Hospital.
Love, Speed and Loss is an extended documentary about racer Kim Newcombe, who turned heads in the 1970s on a König motorbike he developed and designed himself. Built around home movie footage and interviews with his charismatic, straight-talking widow Janeen, the film charts the couple's travels in Europe, and triumph on the track. Newcombe was killed racing in 1973, and posthumously finished second in that year's World 500cc Championship. Love, Speed and Loss won best documentary at the 2007 Qantas TV Awards and three Air NZ Screen gongs.
This David Farrier-fronted documentary traces the history of New Zealand's national anthem. Farrier dives into the archives to tell the story of the Thomas Bracken poem set to music by John Joseph Woods; and a band of 2011 musos have a bash at updating it. The patriotic ditty was first played at an Olympic medal ceremony when our rowing eight won gold in 1972, displacing 'God Save the Queen'; and it was adapted into Māori as early as 1882 but a te reo version still caused controversy in 1999. The doco screened on TV3 the day before the 2011 Rugby World Cup final.
This Māori Television series follows South Auckland dance crew The Palace as they prepare for the World Hip Hop Dance Championships, and a shot at their fourth title. This first episode films open auditions where dancers, including two gay brothers from Tokoroa, hope to join 'The Royal Family'. Led by choreographer Parris Goebel — who talks here about her method and early days — the crew have won global fame, including bringing its 'Polyswagg' to the hit video for Justin Bieber’s Sorry. There are also scenes of Goebel choreographing 2015 Kiwi movie Born to Dance.