After Governor Hobson’s stroke, Willoughby Shortland stepped in and sent the Treaty south in the hope of more signatories. This fourth episode of comedian Mike King’s Treaty discovery series searches for where the sheet was signed on the Manukau Harbour. King learns of an (unfulfilled) ancient prophecy, and why Ngāti Whātua chief Apihai Te Kawau agreed to sign. King then heads across the harbour and uses his mission as an excuse to visit the Kāwhia Kai Festival, where he learns about the influence of the incoming “great white wave” on signatories.
In 1865, Wellington became the Kiwi capital. In the more than 150 years since, cameras have caught the rise and fall of storms, buildings, and MPs, and Courtenay Place has played host to vampires and pool-playing priests. Wind through our Wellington Collection to catch the action, and check out backgrounders by musician Samuel Scott and broadcaster Roger Gascoigne.
It seems a fascination with going fast is built into human DNA. Covering distance in the shortest amount of time has long captured our imagination. From muscle-powered freaks of nature (thoroughbred horses, falcons, Peter Snell) to motorhead mayhem, from Formula 1 legends to front-running design innovation, this collection celebrates the particularly Kiwi 'need for speed'.
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
Douglas Lloyd Jenkins and Nick Ward's arts road trip reaches Wellington where Jacob Rajan and Justin Lewis of Indian Ink Theatre Company discuss their acclaimed play 'Krishnan's Dairy'. Dancer Ross McCormack reflects on his journey from building site to dance school; and percussion group Strike incorporate movement and staging into their work. Ceramic artist Raewyn Atkinson is exploring the textures of Antarctica and there's a visit to the Dowse Art Museum to meet jeweller Peter Deckers and to view an exhibition of textile designer Avis Higgs' work.
This documentary showcases some of the tricks of the trade used by Peter Jackson in the making of his first feature — the aliens-amok-in-Makara splatter classic, Bad Taste. Compiled following the film's 1988 Cannes market screening, it's framed around an extensive interview with a 25-year-old Jackson at his parents’ Pukerua Bay home. These excerpts offer fascinating insight into his ingenuity: from building a DIY Steadicam, to the making of the infamous sheep-obliterating rocket launcher scene, to PJ musing on the impetus that being an only child provided him.
Howard Morrison gets the surprise of his life in this emotional reunion of his showbiz friends and whānau. Veteran This Is Your Life presenter Bob Parker consults his big red book to revisit all of Morrison's major career milestones. Known as 'The Sinatra of New Zealand' and 'Ol' Brown Eyes', Morrison was a New Zealand entertainment icon. The show brings back his first singing teacher, his Mum, Kahu, his sisters and many friends from the industry. The show is a roll call of major NZ entertainment figures who come to pay tribute to 'Mr Entertainment'.
Screened on a TVNZ arts show, this documentary looks at how the strings were pulled on Peter Jackson's low-budget puppet movie Meet the Feebles. An old Wellington railway shed fizzes with energy and imagination as a team peppered with future Oscar-winners crafts the gleefully subversive Muppets parody. Jackson muses on his influences, processes and propensity for "savage humour" in a fascinating interview. Included is footage of his childhood films — war movies and stop motion animation made with his first 8mm camera. Richard King writes about Meet the Feebles here.
John Clarke was one of New Zealand’s best-loved comic performers. His 1970s farming character Fred Dagg became an icon of Kiwi comedy. Clarke worked as a comedian, actor, writer and director. His satirical television series The Games was an Australian Film Institute award-winner. Although based in Australia since 1977, he lent his unmistakeable comic voice to Kiwi TV comedies bro’Town and Radiradirah. In a departure from our usual ScreenTalk format, this extended audio interview was produced and recorded by Andrew Johnstone and Richard Swainson with the assistance of Hamilton Community Radio and The Film School.
It was the summer of 1970, six months after Woodstock; local media hyped this Phil Warren-promoted two-day music festival as New Zealand’s version. Despite promises of revolution, it was more low-key with 1500 music fans bussing out to the Swanson holiday park for — as MC Peter Sinclair introduced it — “36 hours of non stop top pops of New Zealand’s top bands”, from psych-rock to gospel. The big star was sometime Bee Gee Robin Gibb, whose high pitch was infamously welcomed with a thrown tomato. This footage was captured for TV by the NZ Broadcasting Corporation.