The subjects covered in this Asia Downunder episode range from how pig cells can be used to treat diabetes (Street Talk gets some public feedback on the issue) to the issue of illegal home satellite dishes. Operation Restore Hope's charity work in the Phillipines is examined and there are profiles of a father and daughter team of chefs, and of Asian rock band Infinite Flying Kick. Street Talk asks "are boy racers a menace to society?". Meanwhile in the kitchen Asia Downunder veteran Bharat Jamnadas cooks spicy corn fritters.
This edition of New Zealand Stories follows a group of Australasian and German doctors on a regular charity trip to the Philippines. Specialists on the mission spend six intensive days examining and operating on around 100 children who cannot afford medical care. As Auckland-based plastic surgeon Tristan de Chalain explains, the treatment typically involves fusing together parts of the lips and/or roof of the mouth which failed to join before birth. Operation Restore Hope's repeat visits mean the team can return for those not yet healthy enough to be operated on.
Presented by Jayne Kiely, this series catches up with couples from earlier reality series Weddings (1999), to see what married life has delivered. This episode revisits Barbara and Stu, who decided he wanted to cross-dress for the wedding; Christian couple Michael and Fiona, who believed in abstinence until marriage; and Chris and Jackie (whose mother was terminally ill). Affairs, death, the weight of reality TV stardom and nightclub ownership all provide challenges to true love. The original Weddings series (also presented by Kiely) followed couples on their journey to the altar.
This post-war Weekly Review boards a RNZAF Dakota flying “the longest air route in the world”: a weekly 17,000 mile ‘hop’ taking mail to Jayforce, the Kiwi occupation force in Japan. Auckland to Iwakuni via Norfolk Island, Australia (including a pub pit-stop in the outback), Indonesia, the slums of Singapore, Saigon, Hong Kong; then Okinawa, Manilla and home. Director Cecil Holmes’ pithy comments on postcolonial friction and rich and poor avoided censorship, but won a warning not to rock the boat. The next year he was controversially sacked from the National Film Unit.