In this highlights special culled from the first four years of Eating Media Lunch, presenter Jeremy Wells manages to keep a straight face while mercilessly satirising all manner of mainstream media. Leaping channels and barriers of taste, the episode shows the fine line between send-up and target. The 'Worst of EML' tests the patience of talkback radio hosts and goes behind the demise of celebrity merino Shrek; plus terrorist blooper reels, Destiny Church protests, Target hijinks, and our first indigenous porno flick (you have been warned: not suitable for children).
When television fails to go to plan, polished professionalism can collapse into laughter, awkward pauses and the occasional bruise. Audiences can find both laughter, and even a measure of comfort, as they witness things falling apart. We're reminded that no one is perfect, even the beautiful people. NZ On Screen's Bloopers Collection includes presenters and actors reacting to booboos by giggling, dancing, and more. There are famous falls, lost eyeballs and many cameos — from Hilary Barry to the cast of Shortland Street, to a menagerie of animals and children's TV hosts.
Animated plasticine. Talking chickens. Dancing Cossacks. Plus old favourites bro'Town, Hairy Maclary and Footrot Flats. From Len Lye to Gollum, feast on the talents of Kiwi animators. In his backgrounder to the Animation Collection, NZ On Screen's Ian Pryor provides handy pathways through the frogs, dogs and stop motion shenanigans.
Onehunga born jazz and cabaret singer Ricky May hosts his own NZ TV special after 20 years of performing in Sydney. With help from special guests including Norman Erskine, Susan Dalzell and Jamie Rigg, May turns in polished big band versions of standards including ‘Running Bear’, ‘Hit The Road Jack’ and ‘Mack the Knife’. The show is long on music and short on patter, but May does talk about how he explains his Maori heritage to overseas audiences — and he acknowledges those origins with a medley of ‘Pokarekare Ana’ and ‘Hoki Mai’. Ricky May died in 1988.
Punk rock was breaking and musical styles changing, but in New Zealand country music was appointment viewing at 7pm on Saturday. That's Country ran from 1980 to 1984. Hosted by one-time pop singer Ray Columbus, the show featured both local and international talent including Suzanne Prentice, Patsy Riggir, Emmylou Harris and George Hamilton IV. An American offer to buy the show and install a US presenter were resisted. Instead the show was sold to a Nashville cable TV network, in a New Zealand first; That's Country soon had an audience of 30 million in the States.
The first part of this controversial, no-holds-barred portrait of Robert Muldoon — the dominant figure of 20th century NZ politics — traces his rise to power. In one of the show’s most contentious themes, Neil Roberts and Louise Callan explore the effect that the death of Muldoon's father from syphilis may have had on his political career. Interviews with colleagues and family members cover his childhood, war service, early years as a husband and father, his immersion in the National Party and the relentless, divisive style that saw him become Prime Minister in 1975.
This 1975 general election leaders' debate sees Prime Minister Bill Rowling (Labour) square off against contender Robert Muldoon (National) in front of a panel (Bruce Slane, Gordon Dryden, David Beatson). Rowling had been in the job a year, after the death of Norm Kirk, and Muldoon paints him as a drifter in the face of the first oil shock. It was one of three pre-election specials made for NZ TV’s new second channel. This is filmed in black and white, but during this campaign National exploited newly-arrived colour TV via the infamous ‘Dancing Cossacks’ ads.
Roger Donaldson is notable for spearheading the New Zealand film renaissance with Sleeping Dogs (1977). He has been busy directing in Hollywood for much of the period since. Donaldson's first Kiwi story since acclaimed drama Smash Palace (1981) was Burt Munro biopic The World’s Fastest Indian (2005) — the most successful New Zealand film on home soil until the arrival of Taika Waititi's Boy in 2010.
Simon Coldrick first encountered an editing suite while living in his native England. He moved downunder in 2005 and set up Auckland post-production company The Bigger Picture. Coldrick went on to edit Emmy-nominee The Golden Hour, acclaimed big-screen documentary Tickled, and award-winning docudrama Erebus: Operation Overdue. In 2019 he co-directed rugby documentary By the Balls.
Richard Bluck began working as a cameraman at the Avalon Television Centre in the 1970s. Alongside a host of other projects, he has brought his skills as director of photography to features Black Sheep, What We Do in the Shadows, Second-Hand Wedding and many short films.