For a generation of music fans before the internet, show Radio with Pictures was a vital link to local and international music — and essential viewing before TV2's Sunday night horror movies. Following on from Grunt Machine in 1976, its presenters included Karyn Hay, Dr Rock (Barry Jenkin), Dick Driver Phil O'Brien. RWP's extended run coincided with the rise of MTV and the music video, and a burgeoning 1980s New Zealand music scene. Videos were a staple, but artist interviews also featured. The show also staged a number of Mainstreet concerts featuring leading local artists.
Richard Driver investigates late 80s campus radio for music show RWP, and finds stations that have outgrown modest beginnings. They have longer broadcast hours, a national co-ordinator (former Netherworld Dancing Toy Graham Cockcroft) and a profile in the industry. Further positives include their own style (a certain informality in presentation, perceived as a plus by many) and a commitment to alternative music and local talent. But there are also concerns about estrangement from student associations, and commercial success breeding advertiser pressures.
The legendary Dylan Taite hosts this RWP special on the first Sweetwaters music festival. The event took 12 months and half a million dollars to set up. Headliner Elvis Costello proved media-shy; some heavy-handed attempts to keep the cameras away are seen. Meanwhile, Taite muses on the impact of late 70s bands on the future of festivals. Sweetwaters would go on, although financial problems in 1999 led to the jailing of organiser Daniel Keighley. As this documentary shows, the Ngaruawahia edition attracted an audience of 45,000 concertgoers.
Subtitled 'Waiting for Summer', this Radio with Pictures report looks at live pop music in Auckland in 1982. Chris Knox, Graham Brazier, Hammond Gamble, Ian Morris, Peter Urlich, Michael O'Neill (The Screaming Meemees) and Tony Waine (The Narcs) muse on everything from Auckland vs Wellington, oldies vs youth, to the weather’s impact on songs, and the lack of venues. There are visits to The Gluepot and Urlich’s A Certain Bar. Label directors, booking agents and managers give their (mostly downbeat) take on the state of the scene. Rip It Up editor Murray Cammick talks lyrics.
In April 1984 Billy Idol visited New Zealand to promote his second (and most successful) solo album Rebel Yell. Interviewed by Radio with Pictures legend Karyn Hay, he answers her call for a closing rebel yell, talks about the origins of his name and early hit 'White Wedding'; argues he appeals to the intelligence of his audience; criticises racism towards the United States, a country full of "ordinary people who struggle everyday"; and argues that confidence and "a pretty heavy attitude" are key to survival in a music industry that is more concerned with money than art.
Radio with Pictures producer (and future MTV boss) Brent Hansen talks to David Bowie, while he is in Auckland to star in film Merry Christmas Mr Lawrence. His darker 1970s days behind him, Bowie proves a relaxed and charming interviewee. Following a triumphant Broadway run in The Elephant Man, he discusses stage and screen acting, the use of his music in recent films and his own directing aspirations. Bowie explains the cut-up technique of writing learned from William S Burroughs, and looks forward to making his next album (the hugely successful Let’s Dance).
Richard Driver interviews members of touring Irish band The Pogues for legendary late night music show Radio with Pictures. Despite a daunting reputation, frontman Shane MacGowan is on his best behaviour (and in possession of a very clean pair of heels) as he and bandmates Spider Stacy and James Fearnley expound on the importance (and inescapability) of their Irish roots. MacGowan’s experiences with New Zealanders in London appear to be a private joke, but there’s nothing confusing about their opinions on being produced by fellow musician Elvis Costello.
This selection offers three variations on the opening titles for TVNZ's beloved 80s music show. The theme music is 'This Heaven' by Auckland synth pop act Marginal Era; the mid-80s can also be spotted in the pink colour choice and in the basic computer graphics. Variations among the three sequences lie in the contemporary and vintage artists chosen in the montages of video excerpts — but all are bookended by classic pop images of the Beatles and the Rolling Stones.
English singer/songwriter Billy Bragg chats with Richard Driver in this interview, shot in a pre-bus lane Manners Mall in Wellington, for TVNZ’s hippest music show. They have unlikely company in the form of Alice, an elderly passerby, and the affable Bard of Barking happily includes her in the conversation. With a rare Top 10 hit single on his hands, Bragg discusses commercialism, his brief army career, and writing both love songs and political songs. A pre-concert performance of his track ‘Days like These’, recorded at Victoria University, bookends the interview.
Dylan Taite interviews UK punk rock legends The Clash at Auckland Railway Station during their 1982 Kiwi tour, in this RWP report. Squinting in the sunlight, frontman Joe Strummer is typically passionate about the power of music to effect change, and the importance of them staying together (although guitarist Mick Jones and drummer Topper Headon would be fired within 15 months). With songbook at hand, they perform willing if somewhat ramshackle acoustic versions of Woody Guthrie’s ‘Who's Going to Shoe Your Pretty Little Feet’ and folk standard ‘Shenandoah’.