This half-hour film from 1958 documents New Zealanders in Antarctica: researching International Geophysical Year, and supporting the Trans-Antarctic Expedition by laying supply depots for Vivian Fuchs’ overland crossing. National Film Unit cameraman Derek Wright films Edmund Hillary's team, capturing the drama of their (in)famous dash to the South Pole as they roll precariously forward in converted Ferguson tractors — “the best crevasse detectors ever invented” as Hillary notes. Hillary's team got to the South Pole on 4 January 1958, 82 days after leaving Scott Base.
This documentary follows the then world champion All Blacks on a 1989 tour of Wales and Ireland. With star winger John Kirwan as guide, 'The All Black Film Unit' gives a players’ insight into an international tour in pre-professional, pre-media trained times — there’s even a plate of oranges. Match, training, and travel footage is complemented by relaxed encounters with players (Zinzan Brooke mounting a shetland pony has entered rugby folklore). Producer Ric Salizzo repeated the recipe — sports fandom mixed with schoolboy pratfalls — in the successful Sports Cafe series.
The third of Pasta Productions’ popular All Blacks documentaries sees winger John Kirwan provide running commentary on the team’s path to the 1991 World Cup in England: from Argentina to Sydney and Auckland to contest the Bledisloe; from facing bottle and orange missiles in Tucumán to touch on Bondi Beach. JK muses on why coach Alex Wyllie is nicknamed ‘Grizz’, Neil and Tim Finn provide musical accompaniment (“I see black”), and Canterbury Uglies are the training uniform du jour. Meanwhile on-field signs are ominous for the reigning world champs.
The follow up to 1989 tour doco The Good, the Bad and the Rugby sees winger John Kirwan narrate an insider’s guide to the All Blacks’ 1990 tour to France: from Michael Jones negotiating a haircut (“how do you say ‘square top’ in French?”) to 19-year-old Simon Mannix leading a ‘Ten Guitars’ singalong. Footy relics of the era include afternoon test matches, four point tries, placed kick-offs, sneaky ciggies and Steinlager. Producer Ric Salizzo later repeated the Pasta Productions’ recipe — sports fandom mixed with schoolboy pratfalls — in the successful Sports Cafe series.
This long-running chat show gathered a loyal following for its recipe of sports fandom mixed with playful pratfalls. Regulars in the circus wrangled by producer Ric Salizzo included larrikin ex-All Black Marc Ellis, straight girl Lana Coc-Kroft, 'That Guy' Leigh Hart, and Graeme Hill. This 23 November 2005 final features plenty of sporting guest stars and ‘best of’ moments: from World Nude Day to a litany of laddish moments from Ellis. Rumours of presenter intoxication would only have been stirred by the mayhem of the closing set destruction, accompanied by band The Exponents.
This 1992 TV One documentary follows the All Blacks on their first post-apartheid visit to South Africa. The footy tour tomfoolery of producer Ric Salizzo’s earlier All Blacks docos is subbed off for reflections on politics and sport from players — including ex-All Black Ken Gray, who refused to tour the republic in 1970 and joined protesters in 1981. Not all goes to script for a “new South Africa”: the Afrikaans anthem is played before the Ellis Park test, and the All Blacks win. Future South Africa cricket star Herschelle Gibbs is a young coloured player mentored by the ABs.
Colin McKenzie joins Rudall Hayward and Ted Coubray as one of the earliest New Zealanders to make feature films on Kiwi soil. McKenzie was a technical innovator, responsible for a number of international filmmaking firsts. His unfinished epic Salome finally premiered in 1995, six decades after his death.