Writer Janet Frame (1924 - 2004) is an icon of New Zealand literature; her 'edge of the alphabet' use of language has seen her acclaimed as "one of the great writers of our time" (San Francisco Chronicle). This collection celebrates Frame's life and work on screen, from applauded Vincent Ward and Jane Campion translations to a rare TV interview with Michael Noonan.
Māori Television’s award-winning news and current affairs show took its bold name from a colonial government department. This 2017 episode profiles four non-conformists: Mongrel Mob boss Rex Timu’s war on P; Raihania Tipoki's waka protest against East Coast oil surveying; Taranaki mother Tina Tupe's preparations for her own tangi; and globetrotting screenwriter David Seidler. Seidler makes an annual trip to a Tarawera cabin – he has a Kiwi son to a Māori woman – and talks about his Oscar-winning movie The King’s Speech, and his admiration for kapa haka.
Many of Aotearoa’s most successful films have been adapted from novels. This 2006 Artsville documentary looks at the process of turning books into movies. Authors Alan Duff (Once Were Warriors), Tessa Duder (Alex) and Jenny Pattrick (The Denniston Rose) reflect on the opportunity and angst of having their words turned into scripts — and maybe films. Duff reflects on DIY adaptation (What Becomes of the Broken Hearted?). Scriptwriters Ian Mune (Sleeping Dogs), Ken Catran (Alex), Riwia Brown (Warriors) and Geoff Husson (Denniston Rose) provide the adapters' perspective.
Nick Ward is a prolific and award-winning screenwriter. He attracted notice with the hit feature film Stickmen, a Wellington lads-on-the-make tale that potted him the best script gong in the 2001 New Zealand Film and TV Awards. He originated, and then co-wrote, popular recycling relationship comedy Second-Hand Wedding (2008); and wrote the original script for Love Birds (2011). His TV screenwriting credits include Outrageous Fortune, Burying Brian, Nothing Trivial and The Cult. Ward has also worked in front of the camera, co-presenting The Big Art Trip with Douglas Lloyd Jenkins.
Anthony McCarten is an award-winning playwright, screenwriter and novelist, who has directed two of his own movie scripts. His screenplay credits include Bohemian Rhapsody, Winston Churchill film Darkest Hour, and Stephen Hawking biopic The Theory of Everything, which won him a BAFTA award in 2015 for Best Adapted Screenplay. McCarten was interviewed for NZ On Screen when he was in Auckland in 2015, for Script to Screen's Big Screen Symposium.
A dry spell on the acting front saw Albert Belz turn his hand to writing for theatre and television.
The Big Art Trip was a TVNZ arts series that took the form of a road trip around New Zealand visiting artists in their homes or studios. The series featured two presenters — design writer and art historian Douglas Lloyd Jenkins teamed with screenwriter Nick Ward in the first series, and with musician Fiona McDonald in the second. Ward and McDonald were very much the neophytes — the everyperson asking questions on behalf of the audience that allowed Lloyd Jenkins to background, contextualize and explain what was being seen, heard and experienced.
Separation City is a comedy-drama about the complications that ensue as two marriages collapse. Men's groups and midlife crises in contemporary Wellington make up the world in which the multi-national cast explores, in screenwriter Tom Scott's words, "biology and human nature". This feature marks the first solo film script by political cartoonist Scott, who honed his writing skills on a run of TV projects during the two-decade journey to bring the film to the screen. Successful commercials director, Australian-based Kiwi Paul Middleditch, directs.
This second season Big Art Trip episode opens in Wairarapa with hosts Fiona McDonald and Douglas Lloyd-Jenkins marvelling at sculptor Harry Watson’s carved statuettes. In Masterton they visit the Aratoi Museum and drop in on painter Robin White, who discusses her paintings, talks about the years she spent in Kiribati, and about the World War II POW camp in Featherston. In Wellington they catch up with first series' co-host, screenwriter Nick Ward, visit toast mosaic artist Maurice Bennett, watch Katherine Smyth throw a pot, and meet composer John Psathas.
This item from arts show Kaleidoscope looks at pioneering Māori feature film Ngāti. There are interviews with director Barry Barclay, screenwriter Tama Poata, producer John O’Shea and actor Wi Kuki Kaa – who discuss the film’s kaupapa – and a visit to its premiere at Waipiro Bay Marae on the East Coast (where the film was shot). Barclay’s first dramatic feature, Ngāti also marked the first feature film to be written and directed by Māori. Many of the crew were enlisted via a scheme aimed at redressing the lack of young Māori working in the screen industry.