Anthony McCarten is an award-winning playwright, screenwriter and novelist, who has directed two of his own movie scripts. His screenplay credits include Bohemian Rhapsody, Winston Churchill film Darkest Hour, and Stephen Hawking biopic The Theory of Everything, which won him a BAFTA award in 2015 for Best Adapted Screenplay. McCarten was interviewed for NZ On Screen when he was in Auckland in 2015, for Script to Screen's Big Screen Symposium.
Many of Aotearoa’s most successful films have been adapted from novels. This 2006 Artsville documentary looks at the process of turning books into movies. Authors Alan Duff (Once Were Warriors), Tessa Duder (Alex) and Jenny Pattrick (The Denniston Rose) reflect on the opportunity and angst of having their words turned into scripts — and maybe films. Duff reflects on DIY adaptation (What Becomes of the Broken Hearted?). Scriptwriters Ian Mune (Sleeping Dogs), Ken Catran (Alex), Riwia Brown (Warriors) and Geoff Husson (Denniston Rose) provide the adapters' perspective.
Māori Television’s award-winning news and current affairs show took its bold name from a colonial government department. This 2017 episode profiles four non-conformists: Mongrel Mob boss Rex Timu’s war on P; Raihania Tipoki's waka protest against East Coast oil surveying; Taranaki mother Tina Tupe's preparations for her own tangi; and globetrotting screenwriter David Seidler. Seidler makes an annual trip to a Tarawera cabin – he has a Kiwi son to a Māori woman – and talks about his Oscar-winning movie The King’s Speech, and his admiration for kapa haka.
To mark 50 years of television in Aotearoa, TVNZ's Heartland channel picked gems from the archive, and surveyed local TV history decade by decade. Each episode in the series featured an interview with a Kiwi TV personality. In this interview from the 1980s slot, comedian David McPhail chats to Andrew Shaw. McPhail describes his involvement in what Shaw calls the "golden age of comedy" (A Week of It, McPhail and Gadsby). He touches on current affairs, screen chemistry, his famous impersonations of Prime Minister Rob Muldoon, and the catchphrase "Jeez Wayne".
The magpie quardle oodled and the narrator uttered, "Welcome to Woolly Valley", in the intro to this children's TV classic. The low-tech puppet show with its rustic charm was familiar to a generation of kids who grew up in the 80s. It follows the lives of woolly-haired farmer Wally and his long-suffering wife Beattie, who live with talking ewe Eunice. Also featured is hippie Tussock, voiced by Russell (Count Homogenized) Smith. Woolly Valley marked an early piece of screenwriting by children's writer Margaret Mahy.
Noel (Patrick Smyth) and Faith (Kate Harcourt) are happily retired; they while away their time digging into the earth beneath their house and sifting for treasure from the knick-knacks and 'thingamajigs' of history. Then a tremor shakes up “Dad’s excavations”. Adopting a low-dialogue storytelling approach, this reflective tale of finding life and meaning in the small things marked a rare screenwriting credit for Vintner's Luck author Elizabeth Knox (collaborating with director Neil Pardington). It screened as part of Kiwi shorts showcase at the 1994 Cannes Film Festival.
The magpie quardle oodled and the narrator uttered, "Welcome to Woolly Valley", in the intro to this children's TV classic. The low-tech puppet show with its rustic charm was familiar to a generation of kids who grew up in the 80s. It follows the lives of woolly-haired farmer Wally and his long-suffering wife Beattie, who live with talking ewe Eunice. Also featured is hippie Tussock, voiced by Russell (Count Homogenized) Smith. Woolly Valley marked an early piece of screenwriting by children's writer Margaret Mahy. This compilation is the entire first series.
Nick Ward is a prolific and award-winning screenwriter. He attracted notice with the hit feature film Stickmen, a Wellington lads-on-the-make tale that potted him the best script gong in the 2001 New Zealand Film and TV Awards. He originated, and then co-wrote, popular recycling relationship comedy Second-Hand Wedding (2008); and wrote the original script for Love Birds (2011). His TV screenwriting credits include Outrageous Fortune, Burying Brian, Nothing Trivial and The Cult. Ward has also worked in front of the camera, co-presenting The Big Art Trip with Douglas Lloyd Jenkins.
Maxine Fleming has been a writer on many of New Zealand’s most-loved TV shows. The beginning of her television career was a baptism of fire as a writer on soap opera Shortland Street. She went on to create or co-create a number of shows including Being Eve, Agent Anna, Burying Brian and 800 Words. Other writing credits include Outrageous Fortune, Mercy Peak and The Chosen. In 2016, Fleming was lured back to Shortland Street as its producer.
James Griffin is the brains behind many successful Kiwi TV dramas and comedies (he co-created Outrageous Fortune and The Almighty Johnsons). He talks in this Funny As interview about failing, succeeding and more, including: Putting together a TV pilot for comedy group Funny Business, while working at TVNZ's drama department Writing comedy scripts for "old school gentleman" Billy T James How he became script editor for 1980s melodrama Gloss in his mid-20s, and drank lots of champagne Being asked to work on a film Pacific Islanders would like, which ultimately became hit movie Sione's Wedding Learning a lot from failing (City Life, Diplomatic Immunity) as "it can teach you a few things if you're smart enough to learn" How infusing comedy into his dramas (Outrageous Fortune, The Almighty Johnsons) "normalised" Kiwis to seeing New Zealand humour on screen