This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
Forget who shot JR or what was under the hatch ... where were you when Thingee's eye popped out, 'O' was for 'awesome', or Bob "stormed out of the bracken like a yeti" to bop Rod in the 'Tumble in Taupō'? From Wainuiomata to Guatemala this Top 10 presents the most viewed clips from the previous NZ On Screen Legendary Moments collections (in descending order).
In 2012 an unusual world first won overseas media attention: Campbell Live followed two rescue dogs as they attempted to drive a car. The dog story was an example of a New Zealand story going viral around the globe. This collection offers other stories that won overseas attention: a royal baby's encounter with a Buzzy Bee; an American tourist going missing off the Cook Strait ferry; Coronation Street stars; celebrity sheep Shrek (in clip two of Eating Media Lunch) and David Lange's famous line about uranium (in clip three of Revolution).
Presented by an animated pencil, but no less authoritative for it, From Len Lye to Gollum traces the history of Kiwi animation from birth in 1929, to the triumphs of the Lord of the Rings trilogy. The interviews and animated footage cover every base, from early pioneers (Len Lye, Disney import John Ewing) to the possibilities opened by computers (Weta Digital, Ian Taylor’s Animation Research). Along the way Euan Frizzell remembers the dog he found hardest to animate and the famous blue pencil; and Andrew Adamson speculates on how ignorance helped keep Shrek fresh.
In this highlights special culled from the first four years of Eating Media Lunch, presenter Jeremy Wells manages to keep a straight face while mercilessly satirising all manner of mainstream media. Leaping channels and barriers of taste, the episode shows the fine line between send-up and target. The 'Worst of EML' tests the patience of talkback radio hosts and goes behind the demise of celebrity merino Shrek; plus terrorist blooper reels, Destiny Church protests, Target hijinks, and our first indigenous porno flick (you have been warned: not suitable for children).
In this reality show Phil Keoghan (The Amazing Race), ambushes contestants and bids them to overcome a challenge with limited time (three days) and resources. This episode ditches the self-help aspect and ups the machismo by having a freezing worker, southern shepherd, champion rower, trans-Atlantic race winner, Kiwi league legend, and ex-Mr New Zealand compete in old school elimination challenges for NZ's 'toughest man' title. Future Olympic champ Eric Murray is the young buck wrestling for the hardman mantle with wily Mark 'Horse' Bourneville.
In this 2013 short, a possum-trapping nature boy is challenged when a woman moves into a house on the edge of the bush, looking for a fresh start. Cinematographer Ginny Loane captures the wintry central plateau landscape where the fable of life and death plays out. Director Leo Woodhead co-wrote the script with Paul Stanley Ward; the result followed Woodhead’s short Cargo (2007) to the Venice Film Festival, and won the Jury Prize at the 2014 Hong Kong Film Festival. Director Andrew Adamson (Shrek) called it “a well structured, beautifully shot narrative.”
As a bitter civil war tears apart the lives of his students, an isolated English school teacher in Bougainville (House star Hugh Laurie) finds a unique way to create hope; 14-year-old Matilda (Xzannjah Matsi) is enthralled by his Charles Dickens-infused disaster survival lessons. The life during wartime tale was directed by Kiwi Andrew Adamson (Shrek), and adapted from the 2006 Booker Prize short-listed novel by Lloyd Jones. Adamson spent time in Papua New Guinea, as the teen son of missionary parents. Laurie and Matsi won best actor gongs at the 2013 Moa Awards.
Andrew Adamson, NZOM, began his career at Auckland computer animation company The Mouse that Roared. After moving to the States and working in visual effects, he won fame in 2001 after co-directing Shrek, the first film to win an Academy Award for best animated feature. Adamson has returned home to shoot the first two installments of the Chronicles of Narnia, followed by Lloyd Jones novel Mister Pip.
Martin Blythe’s work as a publicist includes the Transformers and Shrek franchises. Long ago he directed cult car culture film Queen Street, before deciding filmmaking was far too egotistical an exercise. Kiwi-born Blythe went on to gain a PhD in film and TV, review films for The Listener, and write 1994 book Naming the Other: Images of the Māori in New Zealand Film and Television. He has been based in LA since 1984.