It's hard to reduce legendary band Split Enz down to a single sound or image. Soon after forming in 1973, they began dressing like oddball circus performers, and their music straddled folk, vaudeville and art rock. Later the songs got shorter, poppier and — some say —better, and the visuals were toned down...but you could never accuse the Enz of looking biege. With Split Enz co-founder Tim Finn turning 65 in June 2017, this collection looks back at one of Aotearoa's most successful and eclectic bands. Writer Michael Higgins unravels the evolution of the Enz here.
One of NZ television's more notorious episodes, the 1987 Gofta Awards start promisingly with an extended montage of Auckland scenes (just before the share market crash) but it's downhill from there. Presenters Leeza (Entertainment This Week) Gibbons and Nic Nolan look bizarre in silver suits; an underfed and over excited audience grows more and more vocal; special guest John Inman (Mr Humphries from UK sitcom Are You Being Served?) is heckled; and things come badly unstuck as timing issues see winners turned away as they try to collect their awards.
Band Spats demonstrated they could write a catchy song with 'New Wave Goodbye'. But it needed the addition of singer Jenny Morris, a name change to The Crocodiles and a track called 'Tears' for the public to really sit up and take notice. In the video, drummer Bruno Lawrence hangs around next to a shady lamp post while Morris passes by, and the band's bubblegum coloured costumes positively shine against an all white set. After reaching number 17 on the NZ singles charts, 'Tears' won the APRA Silver Scroll songwriting award for 1980.
'Something in the Water', from singer-songwriter Brooke Fraser's third album Flags, is a giddy, infectious love song with a rollicking country/folk setting. It was voted Most Performed Song of the Year at the 2010 APRA Silver Scrolls. The partly animated video, made by the Special Problems production team of Campbell Hooper and Joel Kefali, loosely recasts the song as Homer's Odyssey with a multi-costumed Fraser as Penelope waiting for her Odysseus to return from across the water (but not above a playful poke of the tongue to finish off proceedings).
At high school Craig Parker was "the world's most uncoordinated kid". After discovering that taking drama would mean less time in PE, he picked acting. The decision launched a 30+ year career around the globe. His screen roles include Shortland Street, Mercy Peak, and TV movie Shackleton's Captain. Since winning a keen fan base for a bit part in Lord of the Rings, he has also acted in Spartacus and Reign.
Special effects man and designer Richard Taylor got his break making puppets for 1980s comedy series Public Eye. He has gone on to become a key part of the Weta effects empire, supervising the creation of orcs, zombie mishaps and miniature cities for movies and TV shows. A passionate advocate for Kiwi talent, Taylor and his team have scored five New Zealand screen awards, four BAFTAS and five Academy Awards.
Danielle Cormack has showcased her naturalistic, seemingly effortless acting style on both sides of the Tasman. After roles in TV soaps Gloss and Shortland Street, she began a run of big screen starring roles — Topless Women Talk About Their Lives, The Price of Milk and Via Satellite (playing twins). On Australian TV, Cormack has starred as a prisoner (Wentworth), crime lord (Underbelly: Razor) and barrister (Rake).
The founding member of Oscar-winning special effects house Weta Digital, George Port laboured for seven months solo on the digital effects for Peter Jackson’s Heavenly Creatures. He went on to found Auckland effects company PRPVFX, which has supplied special effects for Xena: Warrior Princess, Rain of the Children and Green Lantern.
Legendary filmmaker Rudall Hayward, MBE, directed seven features over five decades — decades in which the concept of Kiwi movie-making was still an oxymoron, or meant a foreigner was in charge. Inspired by NZ’s cross-cultural history, Hayward remade his own Rewi’s Last Stand in 1940. Later he married Rewi star Ramai Te Miha, launching a filmmaking partnership that lasted until Rudall’s death in May 1974.
One of the earliest New Zealand women to work in movies, the late Hilda Hayward collaborated with her husband Rudall on four silent feature films in the 1920s. Author Deborah Shepard argues that her coverage of the 1932 Auckland riots make her New Zealand’s first known camerawoman. Hilda Hayward passed away in 1970.