This short documentary about freestyle skiing was directed for the NZ Tourist and Publicity Department by Sam Neill (who would shortly achieve fame as an actor). This was one of several docos directed by Neill while at the National Film Unit; other subjects included the Red Mole theatre troupe and architect Ian Athfield. The skiers put on daring displays of their 'art' in locations including Mount Hutt, Queenstown and Tongariro National Park. 70s snow-styles (and beards) abound. The film was translated into French, Japanese, Italian, German and Spanish.
This documentary tells the story of the inimitable kea. The 'Clown of the Alps' is heralded as the world’s smartest bird (its intelligence rivals a monkey’s). Kea are famous on South Island tracks and ski fields for their insatiable (and destructive) inquisitiveness. Curiosity almost killed the kea when it was labelled a sheep killer, and tens of thousands were killed for a bounty. After shots of baby kea being fed, there is extraordinary night footage in clip four of the 'avian wolf' in action. The award-winning film makes a compelling case for the charismatic kea as a national icon.
This long-running reality series, made for TVNZ, follows the lives of dogs and their handlers: "fighting crime, saving lives", and helping protect New Zealand’s streets and borders. The very first episode sees the dog squad diffuse a street brawl in Manurewa, nab a runner from a crashed stolen car, and bust a visitor trying to smuggle contraband into Waikeria Prison in the Waikato. Plus avalanche rescue dogs are trained at Mt Hutt ski resort. This first Dog Squad series was produced by Cream Media (the company was taken over by Greenstone TV in 2010).
Made by Philip McDonald (Such a Stupid Way to Die) for the National Water and Soil Conservation Authority, this award-winning short explores the impact of people on New Zealand’s water cycle. Shots of irrigation, industrial waste and run-off from dairy farming show Godzone’s 1972 waterways to be far short of 100% pure — the closing national anthem played over polluted rivers underlines the point. A young Sam Neill (then working at the National Film Unit) cameos as an eau-so-suave drinker in a scene showing the disconnection between water use and where it comes from.
Director Peter Coates pays tribute to the intelligence and wit of the world’s only mountain parrot in this Survey documentary; as a Christchurch Star review put it, "they must be the least camera-shy birds in creation". The kea’s antics are aided by Ian McDonald’s playful score, plus interviews with expert Dick Jackson, lecturer Les Cleveland, climber John Pascoe, a ranger, a tramper, and a farmer who describes hunting kea — now threatened and protected, but once the subject of a bounty after the opportunistic birds developed a taste for sheep sashimi.
The third part of this NFU series on aviation in New Zealand jets off post-World War II, where wartime aircraft and crew provided a base for the National Airways Corporation (later Air New Zealand). The romance of travelling via flying boat made way for mass global air travel; and NZ tourism and airports rapidly became more sophisticated. Presenter Peter Clements looks at how the NZ environment spurred innovation (ski planes, top-dressing, heli deer hunting), and traces the lineage of contemporary garage aircraft makers to DIY first flyers like Richard Pearse.
This documentary comprehensively traces the history of skiing and winter sports in New Zealand. From Mannering and Dixon, who used homemade skis in an almost-successful ascent of Mt Cook and the hut-building pioneers of recreational ski clubs in their pre-Gore-tex garb, to commercial ski fields and lifts, superb archive footage shows the advances. New Zealand teams at the Winter Olympics in Oslo in 1952 and Sarajevo 32 years later had come some way from the days when carrier pigeons were used to report snow conditions from Canterbury's ski fields to Christchurch.
Michael Firth's follow-up to his 1977 Oscar-nominated ski documentary Off the Edge, but this time with a plot and scripted dialogue. Canadian Matt hitches from Auckland to meet a bunch of Kiwi extreme thrill-seekers at a southern ski field. They throw themselves off volcanoes, glaciers, mountains and into an Iron Man with "get more go" abandon. Cinematographer Stuart Dryburgh's first feature shoot — "I was relatively cheap and I could ski" — is notable for its action sequences (set to an 80s pop soundtrack) and Billy T James as a mad pilot.
In this Māori Television reboot of the classic game show, presenters Pio Terei and Stacey Daniels Morrison take the roadshow to the North Island town of Ohakune, under the foot of Mount Ruapehu. To be able to barter for te moni or te kete, contestants have to successfully answer locally themed questions. In this fifth season episode, contestants — including one who saw Selwyn Toogood in the original show as a six-year old — are quizzed on giant carrots, halitosis, stamps and ski fields. Imagine those famous carrots in the MultiKai cooker!
Wildtrack was a long-running series that infected a generation of kids who grew up in the 80s and early 90s with enthusiasm for all-things native’n’natural. This 1991 Taylormade episode (neon-lit as ‘Wild T’) explores the mountain life of Aoraki-Mt Cook: from Māori myth, to cheeky kea and solar-powered butterflies. Peter Hayden presents from the studio with a homegrown HAL: Archie the computer. Future actor/director Katie Wolfe is the young cub in field: glacier-skiing, hanging from a crevasse, meeting Mt Cook School’s eight pupils, and hugging vegetable sheep.