This collection celebrates rugby in New Zealand as it has been seen onscreen: from classic bios and tour docos, to social history, dramas and protest. In the accompanying backgrounders, broadcaster Keith Quinn looks at the on air history of rugby in NZ; and playwright David Geary asks if rugby is a religion, and argues it is a good test of character.
Billy Taitoko James is a Kiwi entertainment legend. His iconic ‘bro’ giggle was infectious and his gags universally beloved. This collection celebrates his screen legacy, life and inimitable brand of comedy: from the skits (Te News, Turangi Vice), to the show-stealing cameos (The Tainuia Kid), and the stories behind the yellow towel and black singlet.
In the beginning — of both movies and books — is the word. Many classic Kiwi films and television dramas have come from books (Sleeping Dogs, Whale Rider); and many writers have found new readers, through being celebrated and adapted on screen. This collection showcases Kiwi books and authors on screen. Plus check out booklover Finlay Macdonald's backgrounder.
The 1951 waterfront dispute, the occupation of Bastion Point, halting the 1981 Springbok tour, the campaign to become nuclear-free, the foreshore and seabed controversy…New Zealand has a long history of public protest. This collection pays homage to the Kiwi fighting spirit, and willingness to stand up for a cause. From in-depth documentaries, to profiles of some of our most recognised activists, it also includes a great line-up of New Zealand’s protest songs.
This collection shows the screen icons from the decade of Springboks, sax and the sharemarket crash. The world champ All Blacks' jersey was loose, socks were red and shoulders were padded. On screens big and small Kiwis were reflected ... mullets n'all: from Bruno and the yellow mini, to Billy T's yellow towel, Karyn Hay's vowels, Poi-E, Gloss, Dog and more dogs showing off.
Some of the great names of All Blacks rugby appear in this documentary, which was made before the 2003 World Cup. They tell the story of the highs and lows of New Zealand’s national game across a century of tours. From cruel violence in the early days to the skills of a top team in full flight, The Test provides the views of players, commentators and coaches. This excerpt concentrates on sometimes bruising encounters between the All Blacks and the Springboks, from the 1920s up to 1956. The Test was named Best TV Sports Programme at the 2003 Qantas Media Awards.
Some argue that if the 1981 Springbok rugby tour of New Zealand had been halted from the outset, the impact on the hearts and minds of South Africans would not have been as profound. This Leanne Pooley-directed film aims to show how events in Aotearoa (captured in Merata Mita's documentary Patu!) played out in South Africa; how the tour protests energized blacks, shamed the regime, and provoked democratic change. Says Archbishop Desmond Tutu: "You really can't even compute its value, it said the world has not forgotten us, we are not alone."
TV movie Rage recreates the 1981 Springbok tour, which saw violent clashes between protestors and police. Ryan O'Kane (Second Hand Wedding) plays the protestor whose girlfriend (Maria Walker) is actually an undercover cop who has infiltrated the anti-tour movement. The script was written by Tom Scott — who protested, in-between writing a humour column in The Listener — and his brother-in-law Grant O'Fee, who was a detective sergeant in Wellington. Rage was nominated for five NZ TV Awards, including Best One-Off Drama, Director (Danny Mulheron) and Actor (O'Kane).
This final edition of the 1992 celebration of New Zealand Rugby runs from grand slam success to the cusp of the professional era. But in-between, rugby and politics combusted. When the Springboks, representing apartheid South Africa, toured NZ in 1981, barbed wire, flour bombs and riot police were match fixtures. Kiwis were either for or against. The tour’s aftermath and public disillusionment with the sport found relief in 1987, when the All Blacks won the first Rugby World Cup; three undefeated years followed. Three NZRFU centennial tests close the series.
In this Kaleidoscope report, Lorna Hope profiles poet, novelist and critic CK Stead as he resigns from his position as a Professor of English at Auckland University to write full time. Stead is filmed teaching, writing (at his Karekare bach), at home in Parnell, and at Frank Sargeson’s Takapuna house. He discusses his academic career, family life, walking for inspiration, and how he began writing as a teen. He also mentions his novel Smith’s Dream (adapted into 1977 feature film Sleeping Dogs), and how its themes are echoed in the 1981 Springbok Tour protests, where Stead was arrested.