Using plenty of his own photographs to illustrate his story, Errol Schroder takes us back to the 50s, 60s and 70s to provide his memories of being a photographer with the New Zealand Air Force (Schroder also spent three years in the navy). His Air Force career saw him posted through the Pacific and South East Asia. In Vietnam, there are tales of nervous times on American bases, and a hair-raising patrol in an OV-10 Bronco aircraft. Even in retirement, action came Errol’s way — his home was wrecked in the September 2010 Christchurch earthquake.
From those who joined up in World War ll to the relative youngsters who saw action in Vietnam, this selection of clips is collected from the fourth series of interviews with ex-servicemen sharing their memories of service. The stories of these men and women range from the comical to the horrific. Age has taken its toll on their bodies but the memories remain sharp. Made by director David Blyth (Our Oldest Soldier) and Hibiscus Coast Community RSA Museum curator Patricia Stroud, the interviews are a valuable record of WWll and conflict in South East Asia.
Described by New Zealand Geographic as the "doyen of New Zealand diving", Wade Doak is an author, marine ecologist and conservationist. Along with Kelly Tarlton he was a pioneer of underwater exploration and filming in Aotearoa. Behind and in front of the camera, he has contributed to documentaries for Wild South and production company NHNZ, and showcased Aotearoa’s undersea world to wide audiences.
Brother of pioneering aviator Jean Batten, Rotorua-born John Batten began acting in films while living in the United States. By the 1930s he was winning starring roles in England, including The Great Game and submarine drama Men Like This. Later he appeared in his only known New Zealand film, Rudall Hayward short Song of the Wanganui. Batten passed away in England in 1993.
James Cunningham made a name for himself after creating a run of stylish CGI-animated shorts — from 1997‘s Delf, and Cannes-selected Infection, through to acclaimed WWI tale Poppy. Now teaching 3D animation at Auckland’s Media Design School, Cunningham is also directing live action shorts, while developing a CGI feature with producing partner Paul Swadel.
John Maynard is a highly successful producer of more than 30 years experience, both here and across the Tasman. He is recognised for his support and encouragement of emerging talent, often with risky and original films. Notably, he helped launch the feature filmmaking careers of directors Vincent Ward and Jane Campion.
Cinematographer Stuart Dryburgh has helped create some of the most iconic images of New Zealand cinema: the girl with a mop of red hair, standing at the end of a country road in Angel at my Table; the piano on a deserted beach in The Piano, and the charged kitchen scenes of Once Were Warriors.
Ronald Sinclair began his movie career at age 11 as Ra Hould, when he appeared in Down on the Farm (1935), a contender for New Zealand’s first feature-length drama made with sound. The following year he went to Hollywood, where MGM changed his name to Ronald Sinclair for movie Thoroughbreds Don’t Cry. After war service with the US Army he worked for more than two decades as a film editor.