In this Christmas special from the long-running disability interests show, the team don festive costumes. Reporter Grant Sharman takes some of the young stars out for a tea party, Curtis Palmer presents his third postcard from Turkey, Northland blind student Aine sings a carol, and we attend the opening of the Mouth and Foot Painters Association exhibition in Christchurch. Meanwhile junior reporter Anthony Jellyman takes us on a tour of the Attitude set with his own camera in hand, and introduces some of the cast and crew.
An elegiac profile of artist Eric Lee-Johnson, by Maurice Shadbolt, is the high point of this NFU magazine film. Johnson gave up a lucrative commercial career to pursue his vision of a New Zealand art moving beyond European tradition; and he is observed chronicling abandoned homesteads and churches, built in remote reaches of Northland's Hokianga harbour by early Pākehā settlers. There's light relief in coverage of a chimpanzees' tea party at Wellington Zoo, while a suitably breathless piece looks at a new industry manufacturing fibreglass boats.
Long before Ghost Chips, even before "don't use your back like a crane", life in Godzone was fraught with hazards. This collection shows public safety awareness films spanning from the 50s to the 70s. If there's kitsch enjoyment to be had in the looking back (chimps on bikes?!) the lessons remain timeless. Remember: It's better to be safe than sorry.
This collection celebrates more of the legendary TV moments that Kiwis gawked at, chortled with, and choked on our tea over. In the collection primer Paul (Eating Media Lunch) Casserly chews on rapper Redhead Kingpin’s equine advice to 3:45 LIVE! and mo’ memorable moments: from a NSFW Angela D'Audney to screen folk heroes Colin McKenzie and the Ingham twins.
In the anthropomorphic (and non-PC) tradition of the chimpanzee tea party and PG Tips ads comes this contribution from the National Film Unit. Here chimpanzees provide safe cycling lessons for children. Chaplin-esque scenes ensue as Charlie the Chimp disregards road-rules: "if that young monkey gets to school in one piece he'll be lucky ... he'll get killed sure as eggs". Directed by pioneering woman filmmaker Kathleen O'Brien — who got the idea after seeing them in a visiting variety act — the film contrasts vividly with the brutality of contemporary road safety promos.
This 2016 short film follows a young woman (Florence Noble, from The Jaquie Brown Diaries) as she deals with debilitating panic attacks. On a road trip to a beach party, a friend (Jordan Vaha’akolo) sympathises with her struggles. Later he comes around for a cuppa to be there for her. Director Rachel Ross based the story on her personal experience of severe anxiety. "I was shocked to hear that people were struggling as severely as I was but kept it quiet. They were ashamed. It was this journey and realisation that catapulted the premise of this short film."
Pioneering series Pukemanu (the NZBC’s first continuing drama) was set in a North Island timber town. Its portrait of the town’s folk offered an archetypal screen image that Kiwis could relate to: rural, bi-cultural, boozy and blokey; viewers and reviewers praised its Swannie-clad authenticity. This first episode sees a culture clash as a motorcycle gang (including a young Bruno Lawrence) comes to town and causes trouble, running Ray (Geoff Murphy) off the road; and stranded townie Diana (Ginette McDonald) falls in love with a local axeman while hunting.
Dropping in on the Americans at the South Pole for afternoon tea, having driven there by tractor, was one of the most unusual events of Derek Wright's career as a National Film Unit cameraman. In his 40 years with the NFU he filled many other roles, from laboratory assistant to producer: but it is for his filming in the Antarctic that he is particularly remembered.
Sarah Peirse is a multi-award winning actor on screen and stage, best known for her portrayals of two very different mothers — the kind-hearted Honorah Rieper in Heavenly Creatures, and the disaffected sophisticate in Rain. Peirse has also won awards for Vincent Ward’s The Navigator, and one of her earliest starring roles: A Woman of Good Character.
Marcia Russell, OBE, blazed a trail for women working in print and screen journalism. Her TV work ranged from reporting and documentary making, to Beauty and the Beast panelist, and a key role in the creation of TV3. She was behind the award-winning Revolution series (surveying 80s Labour government reforms), and contributed to major series Landmarks and The New Zealand Wars. Russell died on 1 December 2012.