Ebony Society

Short Film, 2010 (Full Length)

The award-winning directing debut of actor Tammy Davis (better known as Outrageous Fortune’s Munter) is a South Auckland-set Christmas tale. Young Vinnie (Darcey-Ray Flavell-Hudson of Ghost Chips fame) and Jonah (James Ru) are bored on the mean streets — tagging, BMX-ing — when Jonah peer pressures Vinnie to join him in breaking and entering a house. When they find more than Christmas pressies inside, it tests mateship, moral codes and festive spirit. Crowned Best Film at Flickerfest, Ebony Society was selected for the Berlin and Sundance film festivals.

Staunch

Television, 1999 (Full Length)

Staunch follows the politicisation of Ariana (Once Were Warriors’ Mamaengaroa Kerr-Bell) a young Māori woman who’s run into trouble with the law. Guided by a sympathetic social worker (Tamati Patuwai) she defends herself against assault charges following a police raid on her home. The Auckland-set TV3 drama was inspired by fact, and co-written by director Keith Hunter and playwright Toa Fraser; it won multiple gongs at the 2002 NZ TV Awards. Staunch was an early screen credit for Fraser (director of feature films No. 2, Dean Spanley, and ballet doco Giselle). 

Shortland Street - First Episode

Television, 1992 (Full Length Episode)

The first episode of Shortland Street starts with a pregnant woman being rushed to the clinic after an accident. Only the doctors are all missing. Visiting doctor Hone Ropata (Temuera Morrison), who is soon to join the team, makes the call to deliver the baby. Head nurse Carrie Burton (Lisa Crittenden) disagrees, and proceeds to mention that Dr Ropata is no longer in Guatemala. This first episode of the five night a week soap screened on 25 May 1992. It would go on to become New Zealand's longest running TV drama (but not our first soap — that was Close to Home).

Series

The Blue Rose

Television, 2013

In this 13 episode series by veteran TV scriptwriters Rachel Lang and James Griffin (creators of Outrageous Fortune, The Almighty JohnsonsOutrageous stars Antonia Prebble and Siobhan Marshall are cast east into Auckland's CBD, where they team up to solve a murder. Along the way the odd couple (office temp and victim's best friend) unite to unravel dubious goings-on in the post-crash Auckland financial world, and team up the people working behind the scenes against the corruption. The 2013 series was produced by Chris Bailey for South Pacific Pictures.

Truant

Short Film, 2005 (Full Length)

Set in gritty backstreets somewhere in downtown Auckland, this short film follows the vicissitudes of Evan, a teenager whose life changes when he skips school and meets a beautiful and troubled stranger. Directed by Michael Duignan (A New Way Home) and produced by Rachel Gardner (Apron Strings, A Show of Hands), Truant is a convincing portrayal of that potent mixture of curiosity and desperation peculiar to adolescence. Truant screened at a number of festivals including the prestigious short film festival in Clermont-Ferrand, France, and the London Film Festival.

Intrepid Journeys - Peru (Ewen Gilmour)

Television, 2004 (Full Length Episode)

In Peru, beauty and poverty go hand in hand. Westie comedian Ewen Gilmour begins his Peruvian journey in Lima, the capital - which he describes as a "sprawling, largely chaotic urban mess". Locals offer drugs and warn of muggers, but there are lighter moments when Gilmour entertains an enthusiastic audience in the city's historic centre, despite speaking only un poco Español. Later the former stonemason is impressed by the precision stonework in the ancient hilltop city of Machu Picchu, and visits locals who live on floating islands of reeds, on Lake Titicaca.

Outrageous Fortune - First Episode

Television, 2005 (Full Length Episode)

This first episode of NZ's most popular and critically acclaimed drama series revolves around Wolf West being sentenced to four years in prison — and his wife, Cheryl, deciding it's time for her and her children to get out of the "family business". Wolf and the local police are dubious. But even this early in proceedings, it would be foolish to underestimate Cheryl. Whether she can take her daughters (ditzy wannabe-model Pascalle and the cunning Loretta) and sons (yin and yang twins Van and Jethro) with her is another matter altogether. And so begins a dynasty.  

Dog Squad - Series Two, Episode One

Television, 2011 (Full Length Episode)

This long-running series tails working dogs and their handlers, who are helping protect New Zealand’s streets, borders, prisons and national parks. This opening episode of the second season sees dog squad member Dan "come a cropper", while chasing thieves; one prison visitor leaves with an unusual gift from inside (while other visitors are worried about their drugs from the night before); and Auckland Airport sniffer dogs snuff out some unwanted imports. Dog Squad's first two seasons were produced by Cream Media, shortly before the company was taken over by Greenstone TV.

Bryan and Bobby - SNAP

Television, 2014 (Full Length)

Aimed at teaching kids to stay safe and do the best for themselves and their communities, Bryan and Bobby offers a friendly face to the New Zealand Police. In this episode Senior Constable Bryan Ward talks to Bobby, his talking pup partner, about the importance of serial numbers and keeping a record of them. With jokes a plenty, often about Bobby’s insatiable appetite, the show keeps things friendly and accessible. Bryan and Bobby have toured schools to promote the SNAP programme, which allows details of assets to be stored online. Children's TV veteran Suzy Cato produces.

Series

Outrageous Fortune

Television, 2005–2010

After her husband is jailed, matriarch Cheryl West (Robyn Malcolm) decides the time has come to set her family on the straight and narrow. But can the Wests change old habits? So begins the six-series long saga of the Westie dynasty. Hugely popular at home (beloved by public, critics and awards-nights alike), and imitated overseas, Outrageous Fortune has been a flag-bearer for TV3 and contemporary NZ telly drama; the series proved — in all its grow-your-own glory — that genre TV in NZ could be so much more than overseas stories pasted to a local setting.