After being fired from his first New Zealand film Under the Southern Cross in the late 1920s, American director Alexander Markey returned to make Hei Tiki. Following a sometimes tense shoot, mostly around Taupō, he departed Aotearoa, leaving badwill and fears he'd stolen a number of taonga in his wake. Inspired partly by Māori legend, Hei Tiki sank quickly when finally released in 1935. This documentary features extensive clips from the movie, plus interviews with surviving cast and crew — including co-star Ben Biddle, and pioneering cameraman Ted Coubray.
Tiki Taane spent 11 years helping provide the deep trench Kaikoura rhythms of Salmonella Dub, before going it alone in 2007. Distancing himself from dub, his rebirth on debut solo album Past, Present and Future saw Taane embracing his roots, with traditional Māori instrumentation and underlying hip hop and funk prominent on staunch statements like 'Tangaroa'. Past, Present and Future surged to number one, and single 'Always on My Mind' lingered in the charts for 40 weeks, including two weeks at the top.
It's the holidays: time to let your hair down, have a swim, give in to your appetite...and have a boogie. From Kings to The Clean, from 'Ten Guitars' to 'Trippin', let NZ On Screen supply the music, with this epic playlist of classic Kiwi party songs. In the backgrounder, music fan and publicity maestro Nicky Harrop takes us through the tracks, before bidding adieu to NZ On Screen.
NZ On Screen has selected this collection of 30 Kiwi love songs, which spans 50 years of music. The list ranges widely — from an early Loxene Golden Disc winner for Ray Columbus and the Invaders, to Dragon in the 70s, and in the 80s, everyone from Blam Blam Blam to Prince Tui Teka. Entries from later decades include Tiki Taane and Unknown Mortal Orchestra. That's not even the half of it: along the way, check out a trio of classics whose take on romance is positively oceanic: 'Anchor Me', 'Sway' and 'Not Given Lightly'.
In April 2011, singer Tiki Taane was handcuffed, arrested and spent a night in the cells after performing a number by American rappers NWA as police visited his performance at Tauranga’s Illuminati club. The charges were later dropped and Taane remained resolutely unapologetic. This defiant song, recorded a month later at the same venue, is his musical response to the ordeal. Armed only with an acoustic guitar — the protest singer’s weapon of choice — he asserts his refusal to be silenced while firing a broadside at police, the media and politicians.
The fourth single from Tiki Taane’s first solo album, ‘Always on My Mind’ is an unadorned, heartfelt love song featuring Tiki accompanying himself on acoustic guitar. It became his breakthrough hit, a chart topper and the first Kiwi digital single to achieve platinum sales. The video is one continuous shot set in an imagined “Heathcote Valley Hall” (a nod to the Christchurch suburb where Tiki grew up) with Tiki unplugged, a shimmering floor and a backdrop inspired by Elvis Presley’s legendary 1968 Comeback Special. It won Best Solo Video at the 2008 Juice TV Awards.
Muscular and intense, this challenging (and presumably autobiographical) short film boldly brings to life an epiphany, and the impetus to rebuild following dark personal struggle. "Tangaroa has opened and revealed so many emotions, so many stories, so many images for me that I had to shoot a video for this powerful piece of music. It has become a catalyst for change within my life. A tool to help unlock and understand the past, present and future." Tiki Taane - April 09
“The big ALL FUN show for the whole family to enjoy!” said the ads for this musical comedy, which was one of only two Kiwi features made in the 1960s. Moving from Sydney to a Rotorua music festival, it follows the romance between a lively drummer (Gary Wallace) and Judy (Carmen Duncan), and the hurdles they face to stay true. That's only an excuse for a melange of madcap musical fun. Made by John O’Shea for Pacific Films, the movie featured performers Howard Morrison (who sings in this excerpt), Lew Pryme and Kiri Te Kanawa, plus distinctive graphics by artist Pat Hanly.
Directed by Tainui Stephens, this 1990 TVNZ series surveyed Māori contemporary music. This second episode looks at the showband era (1950s - 70s), when musicians mixed genres (electric guitar, rock’n’roll) with Māori culture, to make a unique contribution to Kiwi show business. Acts like The Howard Morrison Quartet, The Māori Volcanics, The Quin Tikis and The Māori Hi-Fives took songs from marae to international cabarets. Music historian Chris Bourke praised the series for marking the role of showbands in the whakapapa of entertainers from Billy T James to Rim D Paul.
This 2012 documentary explores the economic and creative potential of one of the icons of New Zealand’s forest: the kauri. Logging and fire have destroyed 95% of Aotearoa’s great kauri forests (this film was made before kauri dieback disease became a major threat). Director Mathurin Molgat poses a solution to the tree’s survival: commercial harvest. He frames the film around Laurie Williams, who makes guitars from the wood. In this excerpt, musician Tiki Taane talks about Tāne Mahuta, and a tree is prepared for felling. The film screened at a number of festivals in the United States.