Poet Hone Tuwhare was born in the far north, near Kaikohe, but forced by poverty to leave as a child. "75 years after Hone Glenn Colquhoun (doctor, poet, Tuwhare fan) wrote a poem in the Listener inviting him back." Hone accepted the invitation and this documentary is a record of his March 2002 Hokianga homecoming, taking in song, readings and plenty of laughs and kai moana. Silver-haired Tuwhare is irresistible, crooning Sinatra, charming school children with bawdy jokes or channelling the fire of his most famous poem: "For this is no mere axe to blunt!"
On 8 June 1987 Nuclear-free New Zealand became law. This collection honours the principles and people behind the policy. Prime Minister Norman Kirk put it like this: "I don't think New Zealand's a doormat. I think we've got rights — we're a small country but we've got equal rights, and we're going to assert them." In the backgrounder, journalist Tim Watkin explores the twists and turns of Aotearoa's nuclear history.
In this episode of the long-running nature programming slot on TV One, naturalist David Bellamy visits New Zealand’s “dinosaur forest” — Whirinaki. Bellamy brings his famed nature-boy enthusiasm to “a living cathedral that dates back 200 million years”. He explores the North Island forest’s “big five”: 60m+ rimu, mataī, kahikatea, miro and tōtara trees; and the ecosystem that they reign over, from kākā parrots to giant tree ferns. The intro is by Gael Ludlow and features the fondly-remembered Jean Michel Jarre synthpop track that was Our World’s signature.
This National Film Unit documentary records the 18-month-long building process of a waka taua (war canoe): from the felling of the trees — opening with an awe-inspiring shot of the giant totara selected by master carver Piri Poutapu — to the ceremonial launch. The waka was commissioned by Māori Queen, Te Arikinui Dame Te Atairangikaahu, and built at Tūrangawaewae Marae. The Harry Dansey-narrated film was significant in showing the importance of the canoe-building kaupapa alongside the everyday lives of the workers (at the freezing works, the pub).
Godzone is “timber country” in this seventh slot in the New Zealand Now series. The NFU film looks at the world of the Kiwi bushman, as milling is providing the raw material for a postwar housing boom. The narrators provide a good keen guide to life in the remote and tiny (six houses) North Island town of Oraukura, where timber men fell giant native trees during the day and split kindling after work. For the men it’s a hard, but good life; for their wives it’s “pretty dull”. The Axemen’s Carnival in Taumarunui features OSH-unsanctioned woodchopping in socks.
This 1962 National Film Unit production is a comprehensive survey of the history and (then) state of Māori carving. Many taonga are filmed on display at Wellington’s Dominion Museum, and the design aspects of ‘whakairo’ are examined, from the spiral motif to the origin of iconic black, red and white colouring. Finding reviving tradition in new “community halls”, the film shows the building of Waiwhetu Marae in Lower Hutt in 1960, recording the processes behind woven tukutuku panels and kowhaiwhai patterns, as the tapping of mallets provides a percussive presence.
This 1997 Inside New Zealand documentary looks at the evolution of modern Māori political activism, from young 70s rebels Ngā Tamatoa, to Te Kawariki's protest at Waitangi Day in 1995. Directed by Paora Maxwell, it is framed around interviews with key figures (Syd Jackson, Hone Harawira, Ken Mair, Mike Smith, Annette Sykes, Eva Rickard, Joe Hawke). The interviewees explore events, and the kaupapa behind their activism, from thoughts on sovereignty, and the Treaty of Waitangi, through to symbolism (tree felling, land marches) and being kaitiaki of the environment.
This edition of the NFU’s long-running Weekly Review series firstly looks at making of apparel for the 1950 Empire Games, including singlets "dyed in the traditional black". Then it’s down to Wellington Zoo to meet their new elephant, Maharanee; and across the harbour to examine earthmoving efforts to alter the Hutt River's course and save Barton’s Bush from being swept away. Lastly, it’s up Mt Egmont (aka Mt Taranaki) to follow good keen rangers trapping possums and shooting goats — some hiding up trees — to protect the native forest and slopes from erosion.
As an eight-year-old, a postage stamp of the giant kauri Tāne Mahuta offered English TV presenter David Bellamy his first introduction to New Zealand. In this episode of Moa’s Ark, Bellamy attempts to hug the nearly 14 metre girth of the tree, and explores Aotearoa's ancient forests and the fight to save them from destruction — including campaigns to save Whirinaki and Puerora Forests, when protestors chained themselves to enormous totara to prevent their milling. The episode also features a extraterrestrial underwater forest, deep under Milford Sound.
Central Otago’s broad, dry landscape is dominated by an extreme climate; it is scarred by wind, ice and industry. Deep mining shafts and long rusted sluicing guns pepper this second stage of Peter Hayden’s traverse across latitude 45 south. He visits the quartz covered Mt Buster, NZ’s highest diggings, where unseasonal blizzards often claimed miners’ lives. The layout of Naseby’s graveyard yields information on the hierarchy of the goldfields. The flora includes mountain totara, carnivorous sundews and a heather variety that grows horizontally. Hayden won a GOFTA award for his script.