This National Film Unit travelogue, produced for the NZ Government Department of Tourist and Health Resorts, finds post-war Auckland basking in sunshine. Flowers bloom in parks and gardens, city streets bustle and public swimming pools are packed. Trams and flying boats are a reminder of a by-gone era in the city's transportation while a rug factory is a colourful if unexpected inclusion. Last stop is a visit to Kawau Island — home of Governor Grey's Mansion House — where the sun also shines and aquaplaning, sports and bush walks are the order of the day.
In this two-part Lookout documentary from 1983, critic Hamish Keith explores how New Zealanders have housed themselves over the 20th Century. This first part builds to 1935: it begins in Auckland War Memorial Museum, with Keith asking how Kiwis would represent themselves if they were curators in the future. He presents the state house as the paramount Kiwi icon, and examines the journey from Victorian slums and Queen Street sewers to villas, bungalows and suburbia; plus the impact on housing of cars, consumerism, influenza, war, depression, and new ideas in town planning.
This was the 24th edition of New Zealand Mirror, a 1950s National Film Unit series promoting New Zealand to British audiences. The first clip, about rugby's Ranfurly Shield, was deemed “too topical” by the UK distributor, and cut from later editions. The clip in question captures the colour of the national obsession (knuckle bones, livestock parades) at Athletic Park, where Taranaki challenge shield holders Wellington. It was later seen in Kiwi theatres as a short, playing with 1982 rugby tale Carry Me Back. The latter segments show Kaiapoi ploughing, and Wairakei thermal energy.
The Italian Job meets cheap jugs and a student union gig in this early heist tale from Geoff Murphy (Goodbye Pork Pie). The plot follows some university students — short on exam fees and beer money — and their scheme to crack a campus safe. Murphy enlisted $4000 and a bevy of mates (including Bruno Lawrence in one of his earliest screen roles), and made it over nine months of weekends. It sold to local television (as well as the ABC in Australia). Its deliberately low key, naturalistic acting stood in stark contrast to the stage-influenced television dramas of the time.
This June 2013 edition of the TVNZ Pasifika youth show is presented by actor Robbie Magasiva from his base in Melbourne, where he has a role in Australian prison drama Wentworth. Elsewhere the Poly-plethora includes a visit by Pani (Goretti Chadwick) to Armageddon Expo in Hamilton to meet Game of Thrones actor Jason Momoa. Pani makes the hard man with Hawaiian heritage blush, and gets the lowdown on his mako tatau. Niuean artist Kenneth Green also talks about his tattoo; Tiger and Raa visit the school principal; and reggae band Brownhill close with ‘First Love’.
This NFU public safety film takes a jaunty approach to a serious subject as it shows road crossing dangers via bad examples. Mis-steps include walking off the footpath carelessly, crossing the road at oblique angles, 'dithering', and over-confidence. The humour may be physical and the narration pun-filled, but the lessons remain relevant, as pedestrian accidents on Wellington's and Auckland's 21st Century city bus lanes attest. Despite the big question promise of the title there is no Socratic dialogue about crossing the road or any consideration of chickens.
The Cul de Sac is set in a world where the adults have disappeared, and waves of energy destroy anyone caught outdoors. Feisty teen Rose (Greta Gregory) leads a small group of family and friends. Echoing the storytelling style of Lost, the series teases viewers with its gradual reveal of what in hell is going on. Created by Stephen J Campbell (Amazing Extraordinary Friends), the half-hour sci fi adventure ran for three seasons, each with six episodes. The cast included Molly Leishman (Wilde Ride), Peter Feeney as the scientist dad, and (in season one) KJ Apa and Beulah Koale.
Campbell Live launched on 21 March 2005, in a slot following TV3’s primetime news bulletin. Over the next decade it gathered acclaim, awards (including Best News Investigation in its first year) and the odd controversy. Strongly identified with host John Campbell, the show mixed softer stories with a number of pieces of advocacy journalism, including stories on child poverty in low decile schools, and homeowners affected by the Christchurch quakes. News of Campbell Live’s end in 2015 won extensive media coverage, and an unsuccessful petition to keep the show on air.
In late 2012 Campbell Live showed that dogs could be taught new tricks, when canines Monty and Porter got behind the wheel of a Mini Countryman and took it for a racetrack spin. On 10 December in a "world first" live test drive, Monty went solo and Porter (nearly) drove reporter Tristram Clayton around a bend. The following night saw definitive evidence that dogs can turn corners. The stunt was an SPCA campaign to change perception about the intelligence of rescued canines. Animal wrangler Mark Vette trained the driving dogs, who attracted global media attention.
Campbell Live was Three's flagship current affairs programme for a decade. Despite a public campaign to save it, the show ended on 29 May 2015. This final episode presents a greatest hits reel. Alongside acclaimed reporting (Novopay, the Pike River mine disaster and collapse of Solid Energy, the 2011 Christchurch Earthquake) there are campaigns for healthy school lunches, and to get the All Blacks to play in Samoa; plus marvellous moments like the 2011 Rugby World Cup final. An emotional John Campbell tautokos his team, and signs off: "Ka kite anō and a very good evening indeed."