More than 20 years on, 'Treaty' remains as infectious as it does relevant, mixing haka, hip hop and funk to present a message on Māori sovereignty. Channelling the colours of the Tino Rangatiratanga flag, the video creates a fitting backdrop for lyrics delivered via the stirring vocals of Moana and the Moahunters, verses by rapper Bennett Pomana (Upper Hutt Posse, Dam Native), and elements of traditional performance. According to director Ross Cunningham, the set design was inspired by Ralph Hotere illustrations from a book of Hone Tuwhare poems.
Jock Phillips begins his journey through our Waitangi collection by recalling an awkward encounter with a security guard at the treaty grounds. Wandering 50 years between the first film in this collection and the last, Phillips explores changing attitudes to the Treaty. Discover everything from Mike King on the treaty trail, to trench warfare, waka-building and epic drama.
For this 1987 Kaleidoscope report, architectural commentator Mark Wigley uses Kiwi resort towns as fuel for an essay on local architecture. He visits Waitangi, arguing that Aotearoa should have followed the "rich ornamental example" of the Whare Rūnanga, instead of the restraint of the Treaty House. He praises Paihia’s "cacophony of bad taste" motels. In part two, he compares Queenstown and Arrowtown, and admires a gold dredge and the Skyline gondola. Wigley, then starting his academic career in the United States, would become an internationally acclaimed architectural theorist.
This docudrama follows an imaginary news reporter who travels back in time to cover the days leading up to the Treaty of Waitangi’s signing on 6 February 1840. Dropping the usual solemnity surrounding Aotearoa’s founding document, it uses humour and asides to camera to evoke the chaos and motives behind the treaty. Written by Gavin Strawhan, with input from novelist Witi Ihimaera, What Really Happened screened on TVNZ for Waitangi Day 2011. Its nominations at the Aotearoa TV Awards included Best Drama, director (Peter Burger) and actor Jarod Rawiri (who played Hōne Heke).
This TV drama follows a whānau taking a claim to the Waitangi tribunal, over plans by a Pākehā neighbour to build a resort on disputed land. Ngā Tohu jumps between the present day and 1839/40, when Māori chiefs were canvassed to support the Treaty of Waitangi and a settler makes an equivocal land deal with Chief Tohu (George Henare). The exploration of the Treaty's evolving kaupapa is effectively humanised by an age-old love story, and it scored multiple drama gongs at 2000's TV Awards. Director Andrew Bancroft wrote the teleplay with playwright Hone Kouka.
Despite the misleading numbering, this October 1942 film marked the first of the National Film Unit's long-running Weekly Review series. The NFU had been established a year earlier to promote the war effort via newsreels screened in movie theatres. In a meta first clip, Kiwi soldiers watch an NFU film in a makeshift outdoor cinema. Then war readiness is demonstrated via army exercises — including on Waitangi Treaty Grounds, where “Māori and Pākehā are working together, mounting machine guns for their common defence.” Finally: Red Cross parcels are prepared for NZ prisoners of war.
The TVNZ Leaders Debate for the 2002 General Election attracted controversy for its use of an onscreen graph, which tracked the response of 100 undecided voters in real time. There was concern that the device – aka 'The Worm', first launched in 1996 – would put a focus on populism and TV performance over policy. This post-debate analysis, with broadcaster Peter Williams hosting a panel of political commentators, includes a behind the scenes look at The Worm. Peter Dunne’s later success in the 2002 election was credited in part to his mastery of the line's rises and dips.
Groundbreaking 1971 tele-drama The Killing of Kane tells a story of loyalty and corruption amidst the ‘New Zealand Wars’ of the 1860s. Incorporating documentary ‘interludes’, the story involves the predicament of a pair of Pākehā deserters involved in a attack by Māori resistance leader Titokowaru on a Taranaki redoubt. Stellar performances in the dramatic scenes saw Chris Thomson-directed Kane attract praise. It was the first time the controversial subject of colonial conflict had been portrayed on our TV screens. It was also the first local drama shot in colour.
This NFU mini-biopic eulogises the 19th Century Māori leader Te Rauparaha. The Ngāti Toa chief led his people on an exodus from Kāwhia, to a stronghold on Kāpiti Island where he ruled — via musket, flax trade and diplomacy — over a Cook Strait empire extending south to Akaroa. The free-ranging film includes recreations of the 'Wairau Incident' which stirred fears of Māori uprising amidst settlers; Te Rauparaha’s ignominious 1846 arrest by Governor Grey; and the 1849 reburial on Kapiti of the "cannibal statesman" (evocatively rendered using inverted colours).
In 1977 protesters occupied Bastion Point, after the announcement of a housing development on land once belonging to Ngāti Whātua. 506 days later police and army arrived en masse to remove them. This documentary examines the rich and tragic history of Bastion Point/ Takaparawhau — including how questionable methods were used to gradually take the land from Māori, while basic amenities were withheld from those remaining. The documentary features extensive interviews with protest leader Joe Hawke, and footage from seminal documentary Bastion Point Day 507.