Collection

Black Gold

Curated by NZ On Screen team

For a small country from the edge of the world, achievements on the Olympic stage are badges — silver fern-on-black — of national pride: precious moments where we gained notice (even if it was Mum’s anthem playing on the dais). This legacy collection draws on archive footage, some rarely seen, to celebrate the stories behind Kiwis going for gold.

Weekly Review No. 431

Short Film, 1949 (Full Length)

This edition of the NFU’s long-running Weekly Review series firstly looks at making of apparel for the 1950 Empire Games, including singlets "dyed in the traditional black". Then it’s down to Wellington Zoo to meet their new elephant, Maharanee; and across the harbour to examine earthmoving efforts to alter the Hutt River's course and save Barton’s Bush from being swept away. Lastly, it’s up Mt Egmont (aka Mt Taranaki) to follow good keen rangers trapping possums and shooting goats — some hiding up trees — to protect the native forest and slopes from erosion.

Memories of Service 5 - Joan Butland

Web, 2017 (Full Length Episode)

Joan Butland forged her father’s signature to join the Women’s Land Service. Her parents had already stopped her from becoming a nurse, so nothing was going to get in her way this time. Coming from a farm, her transition to the service was easy. But at just 17, her slight frame raised eyebrows among burly farmers, especially when it came to harnessing horses and driving four-horse teams. Butland shows pride in her home front contribution to World War ll in this interview, although in common with other former Land Girls it was only formally recognised in 2015.

Lucy Lewis Can't Lose - Series Two

Web, 2017 (Full Length Episodes)

Fresh from embarrassing the principal (Miranda Harcourt) on national television in season one of web series Lucy Lewis Can't Lose, Lucy Lewis (Thomasin McKenzie) discovers the school has gone Instagram crazy in series two. With her peers hooked on finding out who is labelled best and worst dressed, the fashion apathetic Lucy takes it upon herself to rid the school of this new cyberbullying…with some unintended results. When the whole school turns on her, Lucy's mates Ruby (Celia MacDonald) and Dave (Rāhiri Wharerau) help with a grand plan to set things right.

Don’t Get Caught - Cadbury Creme Egg

Commercial, 1985 (Full Length)

In this 1985 Colenso commercial, a Creme Egg is a guilty pleasure behind raised desk lids for two school kids. Courtesy of some smooth copywriting, the narrator lets on that the cherubic girl and devious boy are doomed by the “smooth shell of Cadbury dairy milk chocolate and the irresistible creamy flowing yolk that will ultimately give them away!” The Murray Grindlay composed chorus “don’t get caught" (with egg on your face) entered Kiwi pop culture. Variations of the commercial ran until 1996; in 2016 stuntwoman Zoe Bell later shared her fondness for the product on Instagram. 

Hillary - First Episode (excerpt)

Television, 2016 (Excerpts)

This excerpt from the acclaimed miniseries about Kiwi mountaineer and philanthropist Sir Edmund Hillary includes his 1930s childhood in sleepy Tuakau, and scenes from the 1940s, when his desire to join the war effort clashes with the beliefs of his pacifist father. Ed's young life is sketched in three chapters: a stolen library book ignites a passion for the mountains, teenage Ed experiences the grandeur of Mt Ruapehu, and adult Ed (played for the remainder of the series by Andrew Munro) grows restless with life as a beekeeper while being labelled a coward for his family's war stance. 

Ready to Roll - Nice One Stu excerpts

Television, 1975 (Excerpts)

After-school show Nice One was a popular classic of NZ childrens television, with the show's signature theme tune ("Nice one Stu-y!") and Stu's thumbs-up salute, totemic for kids of the 70s. Host Stu Dennison played a cheeky, long-haired schoolboy who delighted children and infuriated adults with his irreverent antics. But Dennison developed the persona in short live segments for Ready to Roll (shot live at Avalon Studios, excerpted here). Prototype Stu is seen being a truant, reciting rude poetry, singing 10cc and ribbing Roger Gascoigne and 70s metrosexuals. 

Great War Stories 4 - Falaoa Tosene

Television, 2017 (Full Length Episode)

When 150 Niuean men were shipped off to Auckland en route to the Western Front, they had no idea what lay ahead. This Great War Story features the granddaughter of one of them, and the historian who researched his journey. Falaoa Tosene was “volunteered” to the NZ Māori Pioneer Battalion as a labourer. Unfamiliar food, uniforms and boots for men who had never worn shoes were the first shocks. In France, they faced freezing temperatures and disease. Tosene was hospitalised with trench foot. He survived, thanks to a former missionary, but 30 of his comrades died.

Extraordinary Kiwis - Trelise Cooper

Television, 2005 (Full Length)

Fashion designer Trelise Cooper battles the clock in this Extraordinary Kiwis episode following a day in her life. With a major Australian show pending, make-up, music and more than 500 garments need to be ready (as well as her own wardrobe). Other areas of her business also need attention with local buyers and a sponsor to meet, and a school uniform design to present. Cooper is a whirl of activity, and a taskmaster to herself and her staff. But she also needs to make time to be a wife and a mother — and those trademark curls don’t look after themselves.

Memories of Service 2 - Tom Beale

Web, 2016 (Full Length)

Like many others who signed up at the beginning of World War II, Tom Beale was looking for excitement, travel and the glamour of the uniform. Where he ended up was Guadalcanal in the Solomon Islands. A Leading Aircraftman (a junior rank in the air force), Beale served alongside Americans and Australians as they fought to push the last remaining Japanese soldiers off the island. Daily Japanese bombing raids added to the discomfort of fighting in the tropics. Returning home, Beale found it difficult to settle and re-enlisted, ending up in Japan as part of the occupation force.