In the early stages of World War I, New Zealand artist Edith Collier joined a group of women artists who left London to capture Ireland on canvas. Their destination: Bunmahon, a poverty-stricken fishing village on Ireland’s southern coast. Michael Heath’s second documentary on Collier sees him visiting Bunmahon with cameraman Stephen Latty. Guided by Collier’s paintings and sketches, they talk to locals about her visit, and life in Ireland 100 years ago. They also capture persuasive evidence of their own, attesting to the area’s often melancholy beauty.
This first episode of the award-winning Māori Television series looks at the influence of the idea of 'the village' on Māori architecture. Architect Rau Hoskins is guide; he ranges from traditional designs, such as Rotorua's Whakarewarewa thermal village, to Rua Kenana's extraordinary circular meeting house — with its club and diamonds decor — built on an Urewera mountainside. Hoskins ends up at Wellington's 26 metre high Tapu Te Ranga Marae, made from recycled car packing cases. The episode won Best Information Programme at the 2011 Aotearoa Film and TV Awards.
From the icons (Sky Tower, Otara Market, Rangitoto, The Bridge), celebs, clans and stereotypes (Jafas), to the streets (Queen St, K Road), and Super City suburbs (Ferndale, Mt Raskill, Morningside), this collection celebrates Auckland onscreen. Reel through the moods and the multicultural, metro, muggy charms of New Zealand’s largest city. In this backgrounder, No. 2 director Toa Fraser writes about Auckland as a place of myth, diversity and broken jaws.
The adage that in a long-term relationship things can get a little like clockwork is given a twist in Time for Change. A simmering spousal feud between two wooden figurines on the town clock of an Austrian village, comes to a head with unexpected results. Lederhosen, accordions, and desire for a young blonde are oiled with a keen sense of black humour. Made by students in the 3D course that director James Cunningham teaches at Media Design School, the film won viewers online, selection for SIGGRAPH, and a Big Kahuna (best animation) at the Honolulu Film Awards.
Edgar Allen Poe's tales of murder, burial, and ominous ravens have inspired movies, nightmares ... and an eclectic musical suite by saxophonist Lucien Johnson, which he first performed live with Wellington’s Village of the Idiots. With the aid of some home-cooked CGI, director Geoff Murphy mixes concert footage, fantastical imagery, interviews and spoken word to put it on screen. Family and friends help round out the crew. The results echo Murphy's early, genre-stretching days with ensemble Blerta, this time with themes of mortality mixing in with the horns.
This magazine newsreel mixes buried treasure with a classic Brian Brake-shot performance piece. Opener 'The Long Poi' captures a poi dance. In 'The Buried Village' tourists examine fireballs and Māori stone carvings buried in the 1886 Tarawera eruption. The final piece showcases the talents of Kiwi pianist Richard Farrell and director Brian Brake. Brake's moody studio lighting and lively compositions frame this performance of a Chopin waltz. Farrell would die in a UK car accident in 1958 — the same month Brake won his first big spread in Life magazine.
Two presenters are tricked into visiting Rotorua in the fourth series of Māori youth magazine show I AM TV. Host Taupunakohe Tocker excitedly tells Kimo Holtham and Chey Milne they are being sent to Las Vegas, but instead they end up in 'Rotovegas'. Holtham and Milne tour around Rotorua diving for coins at Whakarewarewa Village, eating corn cooked in geothermal water, and meeting locals, including musician JJ Rika. Tocker interviews Tiki Taane and ropes pedestrians in to do air guitar, while Stan Walker shows what it's like backstage at his Auckland concert.
One morning, as kids are stealing apples from an old man’s orchard high above a seaside town, an earthquake hits. No one is hurt, and the townsfolk are non-plussed, but the old man is agitated: he alone is aware of the imminent tsunami and tries to warn the village. Based on a classic Japanese fable, The Orchard was made by one-man band Bob Stenhouse, who had been nominated for an Academy Award the previous decade for pioneer tale The Frog, The Dog and The Devil. Fans of the animator will recognise the lush, luminous hand-drawn style.
Actor Michael Hurst began life in northern England, then moved to Christchurch at age eight. In this Here to Stay episode he looks at the pervasive elements of Kiwi culture that derive from mother England — from roasts, rugby, tea and the Mini, to a language and legal system. In this excerpt Hurst fries up fish'n'chips with Ray McVinnie, stalks deer with Davey Hughes, and explores how class ideals travelled south to Mt Peel and Christ's College .... A chorus of Kiwis, including ex-All Blacks' captain David Kirk and historian Jock Phillips, ponder the influence.
Carl (Australian actor David Wenham) and Julie (Sia Trokenheim, from TV series Step Dave) are an estranged couple whose teen daughter Eve has gone missing in India. Their search takes them from Auckland to New Delhi and the Himalayas, where culture clashes and old wounds frustrate their efforts. The film was directed by Indian Pan Nalin (the acclaimed Samsara) and written by Kiwi Dianne Taylor. Known World was the first product of a New Zealand-India co-production treaty. The team of producers includes Kiwis Kristian Eek and Matthew Horrocks.