After bad weather curtailed an ambitious film about Mount Aspiring in 1949, Brian Brake returned to the Southern Alps the following year to shoot Mount Cook — the first NFU film to feature Brake's mountain imagery in glorious blue and white colour. The wait was worth it: the longtime mountain-lover coaxes a succession of breathtaking images of the cloud-piercing mountain — plus a rollicking snow fight scene. The plot, what there is of it, centres on some skiers wandering closer to Aoraki/Mt Cook to get a better look, then demonstrating the joys of descent.
This jaunty early National Film Unit film promotes the alpine scenery of Aoraki/Mt Cook National Park and its recreational opportunities. It includes slalom at the 1946 New Zealand ski champs, ice-skating at Lake Tekapo, comic pratfalls in the snow, a mass snow-fight and ... landscape painting. Dancing at the Hermitage Hotel is "a good way to loosen the muscles after skiing". As well as human interest, the film features the expected majestic mountains, glaciers, and avalanches, as well as curious kea at Ball Hut, and amusing dogs in snow-glasses.
From Māori myth to climbing and photography, to gliding and paraponting around its peak, Aoraki-Mt Cook is vividly captured in all its moods in this award-winning NHNZ portrait. Filmed for the centenary of the first ascent of a mountain that has claimed over 100 lives, it follows mountaineers as they climb toward the summit, re-enacting Tom Fyfe's pioneering pre-crampon route. Climbers, including Edmund Hillary, reminisce about encounters with NZ's highest and most iconic peak; and Bruce Grant takes the quick way down: a vertiginous ski descent.
Wildtrack was a long-running series that infected a generation of kids who grew up in the 80s and early 90s with enthusiasm for all-things native’n’natural. This 1991 Taylormade episode (neon-lit as ‘Wild T’) explores the mountain life of Aoraki-Mt Cook: from Māori myth, to cheeky kea and solar-powered butterflies. Peter Hayden presents from the studio with a homegrown HAL: Archie the computer. Future actor/director Katie Wolfe is the young cub in field: glacier-skiing, hanging from a crevasse, meeting Mt Cook School’s eight pupils, and hugging vegetable sheep.
Brian Brake is regarded as New Zealand's most successful international photographer. But before heading overseas to work for photo agency Magnum and snapping iconic shots of Picasso and the Monsoon series for Life magazine, he was also an accomplished composer of moving images. He shot or directed many classic films for the NFU, including NZ's first Oscar-nominated film.
'No 8 wire' Kiwi ingenuity is defined by problem solving from few resources (No 8 wire is fencing wire that can be adapted to many uses, an ability that was particularly handy for isolated NZ settlers). Embodied in heroes from Richard Pearse to PJ, Kiwi ingenuity is a quality dear to our national sense of self. It has been memorably celebrated, and sometimes satirised, on screen.
This edition of the 1976 adventure series documents a pioneering attempt to fly over Aoraki-Mount Cook by hot air balloon. RNZAF squadron leader Roly Parsons had made the first balloon crossing of Cook Strait the previous year. Director Pamela Meekings-Stewart captures his preparations to take on perilous winds and high altitudes. A first attempt with newbie co-pilot Rolf Dennler sets an altitude record, but crashes near Fox Glacier township, before Parsons pulls on his gold flight jacket for a final attempt at the challenge. Julian Dickon (Pukemanu) wrote the script.
This 1972 National Film Unit production promotes New Zealand’s national parks, from the oldest — Tongariro (established in 1887) — to Mt Aspiring (1964). Besides slatherings of scenic splendour, the film shows rangers clearing tracks, 70s après ski activity on Ruapehu, and school children at Rotoiti Youth Lodge: skylarking, river crossing, and cornflake eating en masse. When this film was made there were 10 National Parks (there are now 14). “In all their variety they’re the heritage of everyone who’s heard the call and felt the freedom of the unspoilt land.”
Made for the 75th anniversary of the Tourist and Publicity Department, this National Film Unit short film surveys New Zealand tourism: from shifts in transport and accommodation, to how Aotearoa is marketed. The "romantic outpost of Empire" seen in 1930s promotional films gives way to a more relaxed, even saucy pitch, emphasising an uncrowded, fun destination. Middle-earth is not yet on the horizon; instead Wind in the Willows provides literary inspiration. Directed by Hugh Macdonald (This is New Zealand), it screened alongside Bugsy Malone and won a Belgian tourist festival award.
In the first of this two-part documentary about Kiwis and cars, actor Rima Te Wiata sets off on a road tour of New Zealand. Starting in the South Island, Te Wiata learns about the first bus tours to Aoraki, which were handled by the Mount Cook Motor Company. Then she travels to Westport via the infamous Hawks Crag, and hears from locals about the difficulties and dangers of transit before the introduction of cars. A trip back up the country takes Te Wiata to Northland, where the locals suggest they may have been better off when the primary mode of transport was by boat.