In this film, late choreographer Douglas Wright's work Gloria is captured on camera by Alun Bollinger, in a rare directorial effort from the legendary Kiwi cinematographer. Antonio Vivaldi's Gloria RV589, a hymn praising the birth of Christ, plays behind a yellow and black flurry of limbs and gestures. The journey from gymnastic leaps to rest, marks the cycle of life. The work was shot soon after Wright returned from his dance OE and formed the Douglas Wright Dance Company. The screening attracted attention from morals groups worried about nudity on television.
In 1989 dancer Douglas Wright returned home to choreograph and form his own company. This half-hour TV documentary, marking the launch of his work Gloria, looks back on a blossoming career that began at 21 — when he took up ballet to overcome a heroin addiction. After becoming a star with Limbs, Wright joined prestigious troupes in London and New York. Now, as opening night looms, he is acutely aware of the danger of pushing his dancers too hard as he fights to get the best out of them on an ambitious, demanding piece. Douglas passed away in November 2018.
Pop rock anthems like 'Are You Old Enough' made Dragon stars in Australasia in the late 70s, but the band dissolved in 1980. In 1982 they reformed and a reunion tour saw them back in the spotlight. In this excerpt from a Shazam! special on music across the ditch, Phillip Schofield chats with band members Robert Taylor and Paul Hewson about their musical direction ("more keyboards") and the challenges of making it in Australia ("you’ve got to work hard"). A clip from the video for hit single 'Rain', which peaked at number two on the Australian charts, concludes the story.
In this episode of the influential NZ architecture series, dapper tour guide David Mitchell looks at the 'Christchurch Style'. He begins with the humble baches on Taylor's Mistake's cliffs, before focusing on the Euro-influenced brutalism of Miles Warren and the "flamboyant" practice of Peter Beaven (earthquake victims SBS House, and Lyttelton Tunnel's "fifth ship" are featured); and the cottage's modern descendent: Don Donnithorne's post-war home. Warren intriguingly compares his process designing Christchurch Town Hall with Jørn Utzon's Sydney Opera House.
Don McGlashan has won the prestigious APRA Silver Scroll award twice. In 2006 Miracle Sun gained him another nomination. McGlashan's lyrics evoke a mythical summer and directly reference Opo, the 'friendly' dolphin whose visits to Opononi in the mid 1950s became the stuff of Kiwi legend. The song's sweeping chorus is bittersweet, and a lap steel guitar adds a slightly mournful tone. The black and white video mixes National Film Unit footage of Opo charming holidaymakers, with shots of McGlashan and his band heading to the Hokianga and playing a gig for locals.
This high energy clip, set in the WWII era, comes complete with gas masks, red lipstick, nylon pantyhose and Jimmy the Dwarf as a WWII fighter pilot. With a great concept and execution, clever editing and a big budget look, the boys have a world class product to be proud of.
Clash of the Codes was a made-for-TV series that pitted teams representing various sports against each other in a series of devised physical challenges. In this final episode from the first series, rowing and canoeing are the frontrunners, with plenty of Olympic podium experience on both teams (Ian Ferguson, Eric Verdonk and Chris White, plus world champ sculler Phillipa Baker). They tackle a steep bush rescue and the army confidence course at Whangaparaoa Peninsula. A young Marc Ellis (rugby) gets early practice playing the larrikin onscreen.
This fourth episode in Prime’s series on Kiwi television history series charts 50 years of sports on TV. Interviews with veteran broadcasters are mixed with clips of classic sporting moments. Changes in technology are surveyed: from live broadcasts and colour TV, to slo-mo replays and CGI graphics. Sports coverage is framed as a national campfire where Kiwis have been able to share in test match, Olympic, Commonwealth and World Cup triumphs and disasters — from emotional national anthems and inspirational Paralympians, to underarm deliveries, snapped masts and face-plants.
Haunting Douglas is a documentary portrait of dancer and choreographer Douglas Wright. It weaves interviews with footage of past performances, and extracts from his autobiography; from drug addiction and illness, to determination and triumph on the New York stage with the Paul Taylor Dance Company. Award-winning director Leanne Pooley captures Wright's resilience: "I need to make things to feel that I can cope with whatever reality is. For me, dancing, performing for people, is the ultimate mystery and the ultimate joy." Wright passed away in November 2018.
Aussie import Alison Mau has been a regular on New Zealand television for more than 20 years, across news, current affairs, and lifestyle programmes. After first crossing the ditch she appeared as host of business show Made in New Zealand, before moving to late night news shows Eyewitness and Newsnight. Mau was a presenter on Breakfast, and part of the original team on TVNZ’s primetime show Seven Sharp.