Jennifer Ward-Lealand is often referred to as acting royalty in New Zealand. Ten years after her first interview with NZ On Screen, Ward-Lealand sits down again to bring us up to date on what she’s been up to over the past decade.
In this 2012 series, media personality Jaquie Brown chronicles a year as a young mother, as she raises her first child Leo. With a single rule — not to offer advice — Brown aimed to document honestly the realities of modern parenting. This first episode looks at everything from worrying nipple advice to installing car seats, from the pelvic floor to the post-baby body. Brown's candid reflections (captured in video diary 'Little Brother') are mixed with experts (Plunket nurses, baby whisperers), and a look at Kiwi child-rearing social history. The show was produced by JAM TV for TV One.
When King George VI died in 1952, the National Film Unit went into the editing room to revisit footage of a royal visit made down under in 1927, before he and his wife Elizabeth had ascended to the throne. The resulting film offers a high speed, whistlestop view of the Duke and Duchess of York's 28 day tour of NZ. "To the accompaniment of many expressions of loyalty and greetings", the pair are kept busy planting trees, opening Karitane homes, fishing, and generally shaking hands. Later plans to return to NZ were cancelled after the King fell ill.
"So the Queen comes to New Zealand. 12,000 miles from the motherland she is not among strangers. She has come to her New Zealand home." When the Queen and Prince Philip began the first tour of NZ by a reigning monarch (soon after her coronation), a National Film Unit crew followed the journey, before condensing 40 days and 46 stops into a mere 25 minutes. Along the way the newly crowned Queen wears her coronation gown to open Parliament, and witnesses geysers, long-jumpers, Māori canoes, plus masses of enthused Dunedinites refusing to keep behind the barrier.
This excerpt from TV One's 6.30PM News shows a famous photo opportunity from the 1983 Royal Tour downunder by Prince Charles and Princess Diana (with the recently issued baby William in tow). The scene of the doting parents and wee Will sitting on the lawn of Government House in Auckland was broadcast around the world. In front of the paparazzi George's future father bites on the iconic antenna of a Buzzy Bee, the heir apparent’s hair is still on his head, and a winsome Diana’s collar is perhaps not of the style that would later typify the 'People's Princess'.
The late 60s saw globetrotting filmmaker Tony Williams shoot and edit two films for Iranian director Mahmoud Khosrowshahi. Here Williams chronicles an east meets west festival held in the Iranian city of Shiraz. Williams’ love affair with music and montage helps lend pace and life to a film whose sonic interests range from Iranian lutes and Indian oboes to American Cathy Berberian, who is busy turning comic strips into song. A glimpse of cosmopolitan Iran prior to the Iranian Revolution, it includes a rare interview with New Yorker classical music critic Andrew Porter.
“I hear the roooolling thunder”. Sir Howard Morrison’s classic bilingual rendition of the popular hymn comes from an October 1981 Royal Variety Performance, in front of Queen Elizabeth II and Prince Philip. Morrison's performance at Auckland's St James Theatre of 'Whakaaria Mai' marked a comeback for the veteran entertainer, who had been out of the spotlight working in Māori youth development. Released as a single a couple of months later, it topped the charts for four weeks, and led to the commissioning of a televised Howard Morrison Special in 1982.
This series was made for Maori TV (Kaupoai means “cowboy”) about the summer rodeo circuit, and the cowboys (and occasional cowgirl) who battle it out with bulls, broncos and each other for the title of Cowboy of the Year. Voiced in te reo, it follows the progress of members of five families from the East Coast (the home of NZ rodeo) including four brothers from New Zealand’s rodeo royalty, the Church family (with their father a 13 time winner). The physical challenges — and toll — are plain to see; but competition, camaraderie and prize money conquer most fears.
Fat Freddy's Drop worked up a reputation for epic live gigs (first captured on 2001 album Live at The Matterhorn) before dropping Based On A True Story. The first local indie album to top the New Zealand charts, it was voted 2005's favourite Worldwide Album by listeners on Gilles Peterson's BBC Radio 1 show. Soul-pop tracks like 'Wandering Eye' and sales of 120,000 plus saw them anointed flagbearers of the 'Wellington Sound'. The band operates as a collective, sharing songwriting credits and royalties equally between all members. To date, the band's four studio albums have all topped the local charts.
Rebecca Gin created a simple but effective black and white video for this charity single, aimed at encouraging young people to ‘Think Twice’ before committing a crime. The line-up of singers and rappers is indeed all-star, and their mass performance footage is intercut with relevant street scenes illustrating the theme. The cast of New Zealand hip-hop royalty features Che Fu, Scribe, P-Money, Savage and DJ Sir-Vere (who initiated the project).