In this 1985 Colenso commercial, a Creme Egg is a guilty pleasure behind raised desk lids for two school kids. Courtesy of some smooth copywriting, the narrator lets on that the cherubic girl and devious boy are doomed by the “smooth shell of Cadbury dairy milk chocolate and the irresistible creamy flowing yolk that will ultimately give them away!” The Murray Grindlay composed chorus “don’t get caught" (with egg on your face) entered Kiwi pop culture. Variations of the commercial ran until 1996; in 2016 stuntwoman Zoe Bell later shared her fondness for the product on Instagram.
Pre-dating Peter Jackson's arrival (Bad Taste) by three years, New Zealand's first horror movie sees Michael Hurst making his movie debut as he fights mutants (including Bruno Lawrence) on Waiheke Island. Hurst's character is out to avenge the mad scientist who forced him to kill his parents. A grand prize-winner at a French fantasy festival (with cult director Alejandro Jodorowsky on the jury), David Blyth's splatterfest marked the first of many horrors funded by the NZ Film Commission. It was also the first local showcase of the smoothly-flowing Steadicam camera.
In the 1940s and 50s sheep shearers Godfrey and Ivan Bowen developed the 'Bowen Technique', an innovative method involving rhythmical sweeps of the handpiece. The Guardian described Godrey as having arms that “flow with the grace of a Nureyev shaping up to an arabesque”. Here he runs through the 'blows' (strokes) designed to achieve "maximum speed, quality work with a minimum of physical effort". Shearing Technique was originally produced in 1956; this shorter cut screened in New Zealand theatres in 1958 with English coming of age film High Tide at Noon.
With her long flowing hair, Allison Durbin was NZ's late 60s Queen of Pop. A recording artist from the age of 14, she had her biggest hit with 'I Have Loved Me a Man' in 1968. It spent two weeks at the top of the local charts and was the year's Loxene Golden Disc winner. By 1969, Durbin was based permanently in Melbourne where she won Australia's best female artist award for three years running. As the 70s progressed, she moved into country and western but her singing career was derailed by drug addiction and a 12 month prison sentence in 2007.
Hip hop act Upper Hutt Posse is led by Dean Hapeta (aka Te Kupu and D Word), a poet and orator influenced by black American thinkers like Malcolm X. The group set out to fight racial injustice through music. Hapeta's radicalism quickly made him and the Posse into tabloid targets. Their bilingual single ‘E Tu’ became Aotearoa’s first local rap release in 1988. Acclaimed debut album Against the Flow was released on Southside the next year. Their music has incorporated elements of soul, funk and raggamuffin toasting. Members have included Darryl (DLT) Thompson, Teremoana Rapley and Emma Paki.
The Datsuns came roaring out of Cambridge in 2000 with a hybrid of heavy metal and garage rock that quickly earned them international attention, and a major label deal. For this single from their self-titled debut album, they acquired the services of English music video director Robert Hales (who had worked with Stone Temple Pilots and Nine Inch Nails). For this black and white, live performance video, Hales lets the band’s music and their swaggering energy do the talking (with plenty of slow motion shots to accentuate those long flowing locks).
This post war newsreel features footage of Māori Battalion solders returning from WWII onboard the ship Dominion Monarch, into Wellington Harbour. The soldiers are greeted with a huge pōwhiri and ensuing hākari at Aotea Quay where the kaimoana and pia flow freely. The reel then follows the regional celebrations of men returning home in Kuku and Ngaruawahia. The narrator soberly recalls the casualty rate of the Māori Battalion (five men in seven). This footage features in the documentary, Maori Battalion - March to Victory.
This episode of the kids' TV institution celebrates te reo — one of Aotearoa's three official languages — for Māori Language Week. The July 2011 show opens at its Christchurch studio with a haka from Spreydon's kura kaupapa; from there the kōrero — and gunge — flows freely. Bursting with edifying energy it includes the show's trademark games, and The Wobblies, LOL and Family Health Diarrhoea. Australian Idol Stan Walker is the star guest and sings 'Loud' with Camilla the chimp, and NowTube visits an 80s What Now? (Steve Parr, Frank Flash et al). Tu meke tamariki!
A stoic Sean James Donnelly carries on singing while facing an aerial barrage of feathers, fruit, toys and worse, in this dreamy after dark video, directed by globetrotting commercials maker Lawrence Blankenbyl. The calm amidst chaos music clip captures the wistful essence of the song, which preaches rebellion in the chorus, and going with the flow in the verse. 'A Beautiful Haze' is taken from SJD's fourth album Songs from a Dictaphone (2007), which reached number 11 on the Kiwi music charts.
This 1966 NFU film shows highlights of the fourth rugby test between the touring British Lions and New Zealand's All Blacks. Filmed in the days before live telecast of home matches (it was feared attendance would be affected) the Eden Park test features some classical rucking and free-flowing back-line play. A broken collarbone reduces the Lions to 14 men early on (injury replacements were not allowed) and the All Blacks prevail 24-11. Coached by Fred Allen, a great AB line-up (the Meads bros, Tremain, Nathan, Gray, Lochore) won the series 4-0.