With its video filmed in a cramped Auckland flat, 'Pedestrian Support League' was the lead single off Street Chant’s long-awaited second album, Hauora. As the band play on, a psychedelic array of everyday kitchenware flies by in the background. The claustrophobic flat is appropriate — lead singer Emily Littler describes the lyrics as about “just your typical Kiwi shithole flat life filled with paranoia, depression and anxiety.” The album received critical praise upon its release, and the single was was one of five finalists for the 2016 APRA Silver Scroll Songwriting award.
Martin Crowe is one of New Zealand's greatest batsmen, scoring more than 10,000 runs in international cricket. Crowe scored 17 test centuries for the Black Caps — a record for Kiwi cricket at the time. But at the peak of his stellar career, he struggled with anxiety and life outside of cricket. In this episode of The Nutters Club, the TV arm of a radio show, Crowe has an intimate chat with hosts Mike King and Dr Dave Codyre, speaking about poor self-image, fear of failure, his cancer diagnosis and his realisation that "love transcends all". Crowe died in 2016, aged 53.
Peter Meteherangi Tikao Burger (Ngāi Tahu, Rangitane) can thank a childhood lisp for his busy career as a screen director today. Having been sent to speech lessons, he found himself in the wrong class, and discovered the joys of performance in a drama class at a young and impressionable age. Since then, Burger has directed numerous film and television productions, including Until Proven Innocent, which won five Qantas awards in 2009, The Tattooist, Fish Skin Suit, short film Turangawaewae, staring the late Wi Kuki Kaa, as well as the TV series Outrageous Fortune, Go Girls and The Cult.
Smash Palace is a Kiwi cinema classic and launched Roger Donaldson's American career. Al Shaw (a brilliant, brooding Bruno Lawrence) is a racing car driver who now runs a wrecker's yard in the shadow of Mount Ruapehu. His French wife Jacqui is unhappy there and leaves him, taking up with Al's best mate. When she restricts Al's access to his young daughter, his frustration explodes and he goes bush with the girl, desperate not to lose her too. "There's no road back" runs the tagline. New Yorker critic Pauline Kael called the film "amazingly accomplished".
Crush is a tale of simmering sexuality set in Rotorua. Moral or sexual ambiguity pervades the narrative of conflicted desire. Its mix of blocked-up writer, spurting mud-pools, infatuated teen, eel farm, American femme fatale (Marcia Gay Harden), noir motels, limp pongas and wheelchairs, plays out in a symbolic NZ landscape not seen before (or since). Director Alison Maclean's debut feature (which she co-wrote with Anne Kennedy) played in competition at the Cannes Film Festival.
This classic short film provides an unusual showcase for Don McGlashan and Harry Sinclair, the founders of musical theatre group The Front Lawn. The slice of life narrative unravels like a baton relay; the duo play every character, revolving around pedestrians on Auckland's Karangahape Road. Walkshort was directed by editor Bill Toepfer. Sinclair went on to do some directing of his own (Topless Women Talk about their Lives), while McGlashan would pay musical tribute to another famous Auckland street, Dominion Road. Costa Botes writes about Walkshort here.
Producer Bridget Ikin has made a habit of championing Antipodean women filmmakers with original visions, from Alison Maclean (Kitchen Sink) to Jane Campion (An Angel at My Table) and Australian Sarah Watt (Look Both Ways). Since leaving New Zealand in the early 1990s, Ikin has been influential in Australian television and film, including programming public broadcasting network SBS.