In this colourful video Australian Idol victor Stan Walker works his wardrobe and dance moves at the bottom of Auckland's Point Erin Pool, with help from singer (and aunt!) Ria Hall. Director Shae Stirling doubles up the action, thanks to copious use of split screen. Copy written for the video's premiere on website Stuff describes the song as being about knowing that a relationship is over, but trying to keep it going regardless. In the same year Walker made his big screen debut in hit movie Mt Zion, judged The X Factor NZ and opened onstage for Beyoncé.
Jam TV is a boutique production company owned and run by Melanie Rakena and Jane Andrews. The duo met while working at TVNZ and formed the company to make Intrepid Journeys, the long-running TV ONE show that took local personalities out of their comfort zones and into challenging locations around the globe. Jam has also produced a range of other well-received factual series including Off the Rails, ICE, South, and Off the Radar, as well as the documentary Our Lost War.
Olly Ohlson inspired a generation of kids as presenter of five day a week show After School. His legendary catchphrase 'Keep cool till after school' is still remembered by many.
Being one of Tall Dwarfs’ more experimental tracks, it probably makes sense that the accompanying video would be as perplexing. Chris Knox shows his penchant for bizarre DIY animation as line drawings of creatures morph into lines of lyrics, then into human figures who keep losing their heads. The song itself does little to provide any easy answers, the minimal vocals rumbling out of a swamp of muddy riffs. Both 'Disease Day' songs appeared on 1984 EP Slugbucket Hairybreath Monster, which website All Music called "another chillingly perfect gem".
World-renowned children's author the late Margaret Mahy and television and film producer and director Yvonne Mackay collaborated on a number of screen projects based on Mahy's books and scripts.
Hastings-bred former All Black Josh Kronfeld returns to the 'fruitbowl' of New Zealand to meet immigrants, in this series celebrating diversity. Adversity and sadness are key themes in this episode; an Indian "untouchable" caste family face being separated, after the parents overstayed, while Bosnian rapper Genocide draws on his war-ravaged childhood for inspiration. On a lighter note, Zimbawee-born Sandy Densem creates art using a mollusc shell design popular in her home country, and a South African family keeps tradition alive by making and selling boerewors (sausages) at markets.
Wellington funk, soul, reggae act The Black Seeds manage to cram themselves into a single shot for this episode from a series made for secondary school music students. Bookended by stripped back performances of 'Keep on Pushing' and 'Going Back Home', they explain the development of these songs from their origins as bass grooves. Mike Fabulous has cautionary words for aspiring songwriters about the dangers of overcomplicated song structures while Barnaby Weir reassuringly suggests that virtuosity is not an absolute prerequisite for being in the band.
Barney Blackfoot (Ian Watkin) is a mean stepfather who married Billy and Lucy's mother under false pretenses, later revealing his evil nature. Barney is helped in his exploits by his friend (a moving wardrobe), and together they set out to destroy Lucy and Billy's happy home. Designed in soft sculpture (Cabbage Patch Kids style) and filmed in live action with special effects, this Yvonne Mackay-directed short film is aimed at children and is without dialogue or narration. The early Gibson Group film was scripted by Ian Mune and scored by Jack Body.
This major documentary series chronicles the first half century of Kiwi television. Made for the Prime network (after being declined by TVNZ), it examines the medium’s evolution across seven episodes. After an opening 70 minute overview, individual programmes covered the stories of sport, entertainment, drama and comedy, protest coverage, New Zealand identity and Māori television — with an impressive array of interviews, and 50 years worth of telly highlights. John Bates was nominated for Best Documentary Director at the 2011 Aotearoa Film and TV Awards.
Brent Hansen was a director of iconic 80s music show Radio With Pictures for four years. In 1987 he joined music network MTV in London. By 2003 he had risen to the position of creative president of the entire MTV network outside of America. Hansen finally left MTV in 2006.