After a young woman (Denise Maunder) falls pregnant, she decides to go against the tide of advice from her family and unsympathetic welfare authorities by keeping her baby. Misery and hardship ensues. Director Paul Maunder brought kitchen sink drama to NZ television with this controversial National Film Unit production. The story can claim to have effected social change, stirring up public debate about the DPB for single mothers. Keep an eye out for a young Paul Holmes as a wannabe lothario. Maunder writes about making it in this piece. Costa Botes writes about it here.
Gibson Group series Frontseat was the longest-running arts programme of its era. Hosted by actor Oliver Driver, the weekly series aimed a broad current affairs scope at the arts. The first excerpt asks the question "is there really an art boom, and if so, why aren't the artists benefiting?" Art dealer Peter McLeavey, late artist John Drawbridge and others offer their opinions. The second clip asks whether NZ really needs eight drama schools. Richard Finn, Miranda Harcourt and newcomer Richard Knowles (later a Shortland Street regular) are among those interviewed.
Made before websites like Airbnb spurred a massive jump in homestay-style accommodation options, this documentary from 2000 visits New Zealanders who have chosen to open their houses to tourists. From Warkworth to Stewart Island, from farm stays to a gay-friendly house in Golden Bay, Kiwis talk about the positives of homestays — and the long hours. Two of the couples mention how their own relationship benefits from having visitors. Narrated by Jim Mora, The Real New Zealand was directed by Shirley Horrocks (hit documentary Kiwiana).
The final episode of the first season of this colonial comedy tackles the Treaty, as settler Henry Vole argues that his land (purchased off a bloke he met at a bar in Tauranga) is fairly his. The pros and cons of a treaty are debated: “where all Māori may benefit from the administration that gave us the 18 hour working day for children”. Te Tutu counters with a Martin Luther King dream: “where the English are not marginalised in Aotearoa simply because they are a minority … where the English language won’t be lost because we’ll have Pākehā language nests …”
This NFU documentary looks at working lives of a crew of Wellington rubbish collectors aka 'the dusties'. With an insightful dustie narrating, the film follows the team on their rounds, beginning early morning with the seagulls at the depot. Then it's into the trucks and off to face occupational hazards: irate householders, sodden winter sacks, and notoriously steep hills. Our dustie muses on everything from health benefits and job perks (discarded beer, money and toasters!) to cleanliness. This classic observational film ends with a tribute folk song.
Summertime daylight saving was reintroduced in New Zealand on a trial basis in 1974, for the first time since 1941. In this NZBC clip newsreader Bill Toft announces that clocks will be put forward one hour on 3 November. Despite concerns — dairy farmers fretting about having to rise in the dark all year; worries about effects on young body clocks, chooks' egg-laying and carpet fade — the change became permanent in 1975. Citing benefits to recreation and tourism, the Government has since extended the daylight saving period twice, lastly in 2007.
This 1982 Radio with Pictures report surveys the Dunedin music scene, and the bands who are starting to be grouped together under the label ‘the Dunedin Sound’. Critic Roy Colbert discusses the influence of punk pioneers The Enemy and Toy Love, and the benefits of being outside fashion. A roster of future Flying Nun notables are interviewed, including David Kilgour, Shayne Carter, and Jeff Batts (The Stones). Martin Phillipps is psychedelic, and Chris Knox dissects the new bands’ guitar-playing style (without using the word "jangly"!). And then there’s Mother Goose.
Self-described as “Ewen Gilmour’s not-so-special”, this episode from stand-up showcase Pulp Comedy praises Gilmour's beloved West Auckland. Waitakere mayor Bob Harvey even presents his Cultural Ambassador with the coathanger to the city. Nothing escapes the late comedian’s warm-hearted bogan barbs, from cerebral palsy to the Avon River. Also included are an ode to hitchhiking, George Mallory’s claims to have beaten Hillary, the love-making benefits of a goatee, flying high, stoned semen, westie Halloween and using the SPCA as a cattery.
Winemaker Lionel Collard broke new ground in the 1980s when he began inviting Kiwi artists to decorate his wine labels — breaking the trend of plain, to the point text. Collard started with Billy Apple. Later artists to feature on Collard Brothers bottles included Pat Hanly, Philippa Blair, Gavin Chilcott and Carole Shepheard. They talk about their art in this documentary. Wine writer Keith Stewart praises the art-infused labels for embodying the idea that winemaking is an artform. Wine seller Joe Jakicevich vouches for the commercial benefits of the vibrant, eye-catching labels.
Phillip Schofield introduces The Mockers at this benefit concert at the Christchurch Town Hall, which was later broadcast on Schofield's youth music show Shazam!. Their first album has just gone straight into the Top 10 and the band are well on their way to becoming pop stars, with Andrew Fagan, resplendent in red frock coat and bare chest, very much out front as one of Kiwi music's great showmen. Six songs are featured — including the hits 'Woke Up Today', 'My Girl Thinks She's Cleopatra', 'Alvison Park' and the title track of the band's 1984 album Swear It's True.