Once upon a time the Kiwi accent was a broadcasting crime, and politicians decided in advance which questions they would answer on-screen. Here is the News examines three decades (up to 1992) of Kiwi TV journalism and news presentation. The roll-call of on and off camera talent provides fascinating glimpses behind key events, including early jury-rigged attempts at nationwide broadcast, Dougal Stevenson announcing the 1975 arrival of competing TV networks, the Wahine, Erebus, Muldoon, turkeys in gumboots, and the tour - where journalists too, became "objects of hatred".
Mixing three separate strands, On an Unknown Beach is a so-called “‘speculative documentary" about journeys into landscapes of ruin. Sonic artist Bruce Russell explores the ruined Christchurch CBD, scientist Di Tracey captures compelling underwater footage while examining coral damage on the seabed, and poet David Hornblow undergoes hypnotherapy to explore his consciousness and past experiences with addiction. The film was made by Adam Luxton and Summer Agnew, whose 2005 documentary Minginui (2005) focussed on an ex-forestry town in the North Island.
TVNZ’s Natural History Film Unit was founded in Dunedin around 1977. The first Wild South documentaries began filming a year later. The slot's initial focus was on New Zealand’s perilously endangered birds, eg the Chatham Island black robin (then the world’s rarest bird). The results won local and international notice, and a loyal audience. Wildtrack was a sister series showcasing natural history for young viewers. Wild South ended in 1997 when the Natural History Unit was purchased by Fox Studios; it later became internationally successful production company NHNZ.
This 2016 Māori Television reality series follows Te Urewera-bred, Cambridge-based bushman Owen Boynton as he travels Aotearoa – from the East coast to the Chathams – exploring traditional hunting techniques and the kaupapa behind them. The focus is on hunting as a way of life and to provide kai, rather than as a recreational pursuit or paleo diet fad. Eight 30 minute episodes of hunting, fishing and bushcraft screened in 2016. Produced by Julian Arahanga and Awa Films, the series sprung from bow-maker Boynton’s large following on Facebook.
This popular series was an early NZBC "pictorial magazine" show that explored "New Zealand’s backyard". Synonymous with producer Conon Fraser, the it was a staple of Sunday night 60s TV. Subjects ranged from Chatham Islands lobster fisheries, to Central Otago frost fires, to Miss New Zealand contestants. The show was praised in a 1968 NZ TV Weekly review as breaking new ground in relying more on imagery and interviewees' reflective voice-overs than (then usual) omniscient narration: "one of the few pure Television productions to have originated within the NZBC."
After years of TV success — often appearing alongside fellow ex All Black Matthew Ridge — Marc Ellis went solo to present this show about New Zealand’s diverse cultural make up. Over the course of the series his adventures include hunting, visiting the Chatham Islands, casting spells with witches, and cutting all his hair off in an attempt to become a vegetarian, celibate, non-drinking Hare Krishna. How the Other Half Lives was made by Ellis’ production company Chico Productions, and produced by Sportscafe creator Ric Salizzo.
Five-part series The New Zealand Wars took a new look at the history of Māori vs Pākehā armed conflict. It was presented by historian James Belich, who with his arm-waving zeal proved a persuasive on-screen presence: "we don't need to look overseas for our Robin Hood, our Genghis Khan, Joan of Arc, or Gandhi". The popular series reframed NZ history, and its stories of Hōne Heke, Governor Grey, Tītokowaru, Te Whiti, Von Tempsky and Te Kooti, easily affirmed Belich's conviction. The New Zealand Wars was judged Best Documentary at the 1998 Qantas Media Awards.
Rod Morris has more than three decades experience as a wildlife photographer and filmmaker. After working on the quest to save the Chatham Island black robin, he joined TVNZ's Natural History Unit (now independent company NHNZ) in 1980. His name is found on more than 30 books, and his photography has helped spur generations of Kiwis to share his passion for the natural world.
The career of pioneering documentarian Bill Saunders began in the early days of New Zealand television. He went on to champion a fly on the wall documentary style and win Feltex Awards for acclaimed films on Moriori, and the elderly. Saunders was the final remaining member of TVNZ’s documentary unit when it was disbanded in 1988, and an outspoken advocate of public service broadcasting until his death in 1995.
Christchurch-raised Anna Cottrell is a prolific documentary maker, with a keen interest in the stories that people tell. Her work ranges widely, from documentaries on immigrants (An Immigrant Nation) and family (Other People's Children), to five seasons of the bite-sized Great War Stories. Cottrell launched her company AC Productions in 2001.