Opening with an image of Orpheus floating on the water, this inspired doco climaxes with a contender for NZ's most eyeopening montage yet. Loaded with examples of the infinite ways the human voice can make music, the film sees host Julian Waring introducing choirs, opera, balladeers and protest singers. Along the way Michael Heath recreates a performance by Florence Foster Jenkins, a worryingly close cousin of Asian-New Zealand songbird Wing. The mash-up finale uses 2000 photographs to summarise two decades of music, in a scene that must have blown minds in the suburbs.
In 1991 Push Push’s 'Trippin' reign at the top of the charts was ended by a synth-reggae cover of Johnny Nash soul song ‘Tears on my Pillow’. The number one debut from The Parker Project was followed by this single, also released on Trevor Reekie's Pagan label. It made it to number 24 in the charts. The video, directed by Peter Cathro (I Love My Leather Jacket), was from the first year of NZ On Air funded music videos. It cuts between black and white shots of the singer making his way to an Auckland school hall, and colour images of him singing with the backing of a Samoan choir.
Using music to bring home an important message is an age-old technique, used to good effect here by Senior Constable Bryan Ward and Bobby, his talking police dog. Joined by a bunch of enthusiastic kids and members of emergency services, they make some moves while reworking lullaby 'Twinkle, Twinkle, Little Star' into a road safety message. Producer and children’s TV icon Suzy Cato is among those making a direct appeal for drivers to slow down on roads, before a final karaoke verse which viewers can sing along to at home.
A beautiful Wellington day greets passengers from the Southern Cross at the start of this 1950s magazine film. Seen here on her maiden voyage around the world, the cruise ship Southern Cross was built to carry immigrants from Europe. Meanwhile, students at what was then New Zealand's only fully residential teachers' college (near Auckland) are seen studying, before taking time off for dancing and sport. A trip to New Caledonia rounds up the report with the unveiling the Cross of Sacrifice, a memorial to the 449 Kiwis who died without a grave in the South Pacific during WWII.
A hunter heads home, to add his latest catch to an extensive wall of animal trophies. Then he sets about making some music. But things do not go to plan: with a mouse loose in the building, the chase is on. The third film by Kiwi king of the kooky, director Grant Lahood was nominated for Best Short Film at the Cannes Film Festival, and took away a special technical award. It was also judged best short film at the 1993 NZ Film and Television Awards. The Singing Trophy was filmed at Kahutara Taxidermy museum in the Wairarapa.
Every year around Christmas time, the Auckland Domain is lit up for a star-filled night of free Christmas celebrations. Hosted by Jay Laga’aia, this 2000 edition of the concert has “more than 300,000 people” gathered for an evening of songs, carols and fireworks. Kicking off with a Christmas rap from Anthony Ray Parker and kids, the celebrations go long into the night. Stepping up to the mic are everyone from Tina Cross, Frankie Stevens and Ainslie Allen, to the cast of Shortland Street and Mai Time. The evening is capped off with a fireworks display and the arrival of Santa Claus.
Recorded in varied locations across New Zealand, Praise Be mixed choral contributions and biblical readings. Though its siblings Country Calendar and Fair Go are even older, Praise Be ranked among New Zealand’s longest-running television shows. The Sunday worship show played from 1986 to 2016, apart from two years off air in the mid 2000s. Veteran broadcaster Graeme Thomson presented the show for its first two decades, before he passed away in 2008; then the show was hosted by Chris Nichol, a Presbyterian minister and veteran of TVNZ’s Religious Programmes Unit.
Directed by Tainui Stephens, this 1990 TVNZ series surveyed Māori contemporary music. This second episode looks at the showband era (1950s - 70s), when musicians mixed genres (electric guitar, rock’n’roll) with Māori culture, to make a unique contribution to Kiwi show business. Acts like The Howard Morrison Quartet, The Māori Volcanics, The Quin Tikis and The Māori Hi-Fives took songs from marae to international cabarets. Music historian Chris Bourke praised the series for marking the role of showbands in the whakapapa of entertainers from Billy T James to Rim D Paul.
This NFU film presents the funeral of Tongan Queen Sālote Tupou III in December 1965. Queen Sālote had a special bond with New Zealand — she studied at Auckland Diocesan School, spent summers in NZ and lived her last days at 'Atalanga, the Tongan residence in Auckland. Among the 50,000 mourners at her funeral in Tonga were NZ Governor General Sir Bernard Fergusson, Prime Minister Keith Holyoake and Norman Kirk. Tongan tradition holds that the casket must never pass through a gateway; 108 pall bearers carried it over walls in a procession to the royal tombs.
Got a major live event you want to put on television? Ron Pledger has long been one of the first people to get on the phone. The MBE-awarded director has commanded live coverage of Sir Edmund Hillary’s funeral, Kiri Te Kanawa in concert, This is Your Life and roughly 20 Anzac Day ceremonies. His screen career also encompasses church choirs, Canadian soap operas, the infamous GOFTA awards, and the madness of Top Town.