“Watch out young love!”. Even in black and white, Alastair Riddell’s pouting David Bowie riff brought a shock of rock'n'roll verve to the ‘New Faces’ talent section of Studio One — a popular TV show more used to singing families and novelty acts. The judges were mostly bemused by the glam rock onslaught and only grudgingly allowed Alastair Riddell's band to get through to the finals (where they buried them). But rock fans took notice of the x-factor and EMI quickly signed the band. Within weeks 'Out on the Street' had become the first local chart topper in three years.
Highlights from the second test of the 1966 Lions tour feature in this National Film Unit newsreel. Soundly beaten in the first test, the Lions took drastic steps for this match at Wellington’s Athletic Park: dropping six players including their captain. On a muddy ground, with the capital’s wind playing its part, the Lions are more competitive — but the All Blacks run out deserved winners with tries to Kel Tremain, Tony Steel and a rampant Colin Meads (but no on-field celebrating). Half-back (future MP and radio announcer) Chris Laidlaw also figures prominently.
New Zealand TV and the space race grew up hand in hand. For 11 years, self-taught astronomer and enthusiast Peter Read explained each new development and talked about what could be seen in the heavens on his monthly show Night Sky. A commercial artist by training, Read painted the set’s early backdrops. He made several trips to the USA to witness launches, interviewed visiting astronauts and, with models in hand, broadcast live on the night of the first moon landing. When it was cancelled in 1974, Night Sky was the country’s longest running show.
This NZBC series from the first great era of TV talent shows (and the heyday of light entertainment on the box) featured three new artists and three new songs vying for the judges' favours each week. Performers include Steve Allen (fresh from the success of his Commonwealth Games song 'Join Together') and actor and singer Annie Whittle; and there's a rare glimpse of singer-songwriter John Hanlon. Auckland band Space Waltz steals the show in the New Faces section, debuting their glam rock anthem 'Out on the Street' to an unsuspecting nation (and judges).
Studio One belongs to a long line of talent shows stretching back to the earliest days of NZ television. In two parts, it featured an original song competition which attracted leading songwriters; and 'New Faces'. The latter was for newcomers to TV, and it introduced novelty acts and brass bands, but was also instrumental in launching the careers of Split Enz, Shona Laing and Space Waltz. Later judges including Howard Morrison, Nick Karavias and Phil Warren could be brutal when they wanted to be — and their catch-cry of "no lurex" became a national mantra.
The new performers section of the NZBC’s TV talent quest concludes after 12 weeks of competition — with an incongruous line-up of finalists including two performing family acts, a soft rock group, a pub band, two cabaret singers and glam rockers Space Waltz competing for a $750 prize. It’s a reminder of the light entertainment industry that dominated TV music shows in the 1970s, but the real entertainment here is watching the judges (Phil Warren, Howard Morrison, Paddy O’Donnell and Nick Karavias) as they bicker, squabble and interrupt each other.
One of Wellington’s leading 60s bands present a dark and troubling tale of revenge via voodoo doll. The clip — made for the Studio One TV show, a regular Avengers' gig — incongruously takes its cues from music video precursors like early Beatles films and The Monkees TV series (where the default position was zany and madcap). It was shot around Oriental Bay, with one fleeting pre-Te Papa harbour vista — but the focus is mainly on the band’s antics. The Avengers gamely enter into the spirit of it all, although four on a motor scooter looks decidedly dodgy.
Maria Dallas' performance of Jay Epae song ‘Tumblin’ Down’ helped make it a top 20 hit in 1966. Impressed with her versatility at the Loxene Golden Disc Award ceremony that year, TV producer Christopher Bourn invited her into a television studio five days before Christmas to perform songs for two 15 minute episodes of her own show, Golden Girl. Over the next year Dallas’ career continued to explode. In between trips to Australia, America and Asia, Bourn got her back to film further episodes, each one featuring four or five songs by Dallas, plus a guest spot by another performer.
A well-known New Zealand television face for over two decades, Elizabeth Bourn provided continuity between shows. At WNTV-1 in the 60s she became known as ‘The Friday Girl’, hosting the network’s early evening shift. From the early 70s she spent 17 years with state TV as a continuity presenter. Her role was to keep evening programmes flowing with programme information, plus occasional weather and news.