This Way of Life

Film, 2009 (Trailer and Excerpts)

Filmed over four years, This Way of Life documents the story of Hawkes Bay hunter and horse wrangler Peter Ottley-Karena, wife Colleen (Ngāti Maniapoto), and their six children. Intercut with Peter's articulate bush philosophy, it captures the family's romantic, dignified relationship to each other and to the natural world. Ever-present amongst the challenges their commitment to a 'simple life' faces is Peter's broken relationship with his step-father. Life received a special mention at the Berlin Film Festival; Variety called it "resonant and stunningly shot".

Collection

The Florian Habicht Collection

Curated by NZ On Screen team

Florian Habicht first won attention for 2003's Woodenhead, a fairytale about a rubbish dump worker and a princess. By then Habicht had already made his first feature-length documentary. Many more docos have followed: films that celebrate his love for people, and sometimes drift into fantasy. In this collection, watch as the idiosyncratic director meets fishermen, Kaikohe demolition derby drivers (both watchable in full), legends of Kiwi theatre and British pop, and beautiful women carrying slices of cake through New York. Ian Pryor writes here about the joys of Florian Habicht.

Norwester - Wind of Contrasts

Television, 1990 (Full Length Episode)

This documentary, made by TVNZ’s Natural History Unit (now NHNZ), charts the progress of the nor'west wind from its formation in the Tasman Sea across the Southern Alps to the Canterbury Plains and the east coast of the South Island. Along the way it dumps metres of precipitation on West Coast rain forest and snow on the Alps, then transforms to a dry, hot wind racing across the Plains. The film shows the wind's impact on the ecosystem and farming and muses on the mysterious effect it can have on humans. It screened as part of the beloved Wild South series.  

Questions for Mr Reynolds

Television, 2007 (Excerpts)

John Reynolds is one of New Zealand's most talked-about contemporary artists. His diverse practice takes in painting, photography, clothing, tattooing and landscaping. Director Shirley Horrocks frames the film as a series of questions. The answers reflect Reynold's exuberant personality, his strong family life, his sense of humour, and his adventurous art-making. Following a year in his life, the film observes him as he makes and debuts a work (Cloud) at the 2006 Biennale of Sydney, and takes time out to appear in an episode of bro'Town.

Aeon

Short Film, 2004 (Full Length)

Wellington is given the Baraka 'time-scape' treatment in this short film by Richard Sidey, made while studying at Massey University. There's no characters or conventional narrative, but the life cycle of a city is captured in a Koyaanisqatsi-like compilation of day and night-time scenes. Clouds scud by in hyper-time-lapse and slow-motion, and Wellington landmarks (harbour, bucket fountain, turbine etc) are seen anew, cut to a soundtrack by percussion group Strike. The tone poem won best student film at the American Conservation Film Festival 2007.

Solid Water Liquid Rock

Television, 1993 (Full Length)

This 1993 documentary surveys the world’s southernmost volcano, Mount Erebus. Cameras travel to never before filmed depths, 400 metres below the sea ice. They also go 3500 metres above sea level into the erupting crater. The film charts what is able to survive in the otherworldly environment, from seals to moss. Solid Water was the third part of an acclaimed Wild South trilogy on Antarctica, which helped establish a relationship between Discovery Channel and TVNZ’s Natural History Unit (later NHNZ). It was awarded for Best Camera at the 1994 New Zealand TV Awards.

Interview

Philly de Lacey: On the challenges of making crime shows...

Interview, Camera and Editing – Andrew Whiteside

Philly de Lacey is the Managing Director of production company Screentime NZ. Screentime has produced a number of crime documentaries and dramas, and De Lacey has been involved with many of them as Executive Producer. Her credits include documentary series Police Ten 7, Water Patrol and Marae DIY; and the dramas Bloodlines, Siege, Safe House and Underbelly: Land of the Long Green Cloud.

Interview

Esther Stephens: On being a curious — rather than ambitious — actor…

Interview, Camera and Editing – Andrew Whiteside

Actor and singer Esther Stephens made her television debut as Olivia on popular show Go Girls. Since then Stephens has acted on TV both here and across the Tasman, including Westside, When We Go to War, the Kiwi version of Underbelly, and in NZ/Australian co-production 800 Words.

Interview

Will Hall: On goodies, baddies and a dodgy Aussie...

Interview, Camera and Editing - James Coleman

Will Hall fell into a screen career by accident after hanging out with filmmakers at Lincoln University - an unlikely scenario given his study towards a commerce degree. Since then, Hall has forged a career both in front of and behind the camera. Hall’s introduction to trans-Tasman film work had some teething problems, but on returning to NZ he landed a key role in The Insiders Guide to Happiness. Roles in Eagle vs Shark, Shortland Street and tele-feature Bloodlines followed, as well as Underbelly - Land of the Long Green Cloud and Nothing Trivial. Hall also co-produced and acted in his own feature film Netherwood, described as NZ's first modern day western thriller.

Interview

Dan Musgrove: From PVC-clad teen to Westside bigot…

Interview, Camera and Editing – Andrew Whiteside

Dan Musgrove loves playing bad guys and has managed to do so in shows such as Underbelly NZ – Land of the Long Green Cloud, Go Girls and Westside. When not being bad, he has acted in fantasy programmes (Legend of the Seeker), got a girl pregnant (Piece of My Heart), and climbed a mountain (Beyond the Edge).