For this stylishly shot video, the ghosts of Goodnight Nurse rise from their coffins to perform a song about obsession, and dancing with the Devil. Reflecting the band's own obsession with horror imagery, the setting is a moon-lit hillside, surrounded by gravestones. The video won Best Rock Video at the 2005 Juice TV Awards, and was a finalist for Video of the Year. After the group's passing, each player stayed involved in music; lead vocalist Joel Little would rise up again to co-write Lorde's Grammy award-winning hit Royals. Director Jonathan Gerrard remembers making the video here.
Veteran entertainer Ray Woolf has appeared on television and film as a pop singer, song and dance man, TV host and actor. Starting out as a singer, Woolf made a splash on television in the swinging 60s music shows C’mon and Happen Inn. His career took an unusual direction when he turned up as co-host on the long-running children’s show Play School. Showing his versatility as a performer, Woolf also hosted his self-titled chat show The Ray Woolf Show, and has appeared in a number of TV dramas such as Xena, Marlin Bay, Street Legal, The Strip, and Nothing Trivial.
Growing up around stage shows and TV studios, Dai Henwood knew from early on that he wanted to be involved in comedy.
Kim Harrop describes writing scripts as "the most exhilarating/ challenging/ enlightening/ masochistic/ addictive thing in the world." Harrop spent eight years writing for long-running soap Shortland Street. She has developed several programmes (First Crossings, The NZ Home), as well as writing and producing internet hit The Coffin Club and co-creating black comedy series Fresh Eggs with Nick Ward.
Briar March released her first feature-length documentary, 2004's Allie Eagle and Me — about artist Allie Eagle — the same year she got a Bachelor in Fine Arts from Auckland University's Elam School of Fine Arts. Her global warming documentary There Once Was an Island (2010) was invited to 50+ festivals, and won a raft of awards. After studies at California's prestigious Stanford University and a string of short films, the Fulbright scholar returned downunder, and directed social housing documentary A Place to Call Home. In 2017 she helmed musical short The Coffin Club, which won six million+ views online.
After first picking up a guitar while growing up in South Africa, Tom Fox went on to become a session guitarist and award-winning music producer. Emigrating to New Zealand in 2003, he met Kiwi musician Marshall Smith, and they set up company The Sound Room in Auckland. Since then the duo have collaborated on music and sound mixes for almost every type of screen project, from a long run of commercials, to arcade games and documentaries — including award-winning Cambodian tragedy Brother Number One and the quirky, music-heavy Hip Hop-eration and The Coffin Club.
Producer Julia Parnell’s CV boasts a diverse range of credits — from comedy (Wayne Anderson: Singer of Songs) to sport (Wilbur: The King in the Ring), music (The Chills - The Triumph & Tragedy of Martin Phillipps) and te ao Māori (Restoring Hope). Parnell’s production company Notable Pictures is behind a run of award-winning short films (Dive, Friday Tigers), plus long-running mini-documentary series Loading Docs.
Murray Newey produced New Zealand's first horror film - Death Warmed Up, and went on to win international investment in four Kiwi-made features: Moonrise, Never Say Die, teen tale Bonjour Timothy and award-winner The Whole of the Moon.
Alyx Duncan has brought her skills in dance and filmmaking to art galleries and short films. Her Asian-themed video for Minuit's 'Fuji' turned many heads. Eye-opening short The Tide Keeper won awards in three countries. Duncan's choreographic work has been showcased in a number of ad campaigns. Mixing documentary and drama, her feature The Red House won acclaim after opening at the 2012 NZ Film Festival.
Mark Lapwood began a career of taking pictures at his local newspaper in Palmerston North. At 20 he relocated to Sydney, slowly working his way up the ladder to become a cinematographer. Graduating from the Australian Film TV and Radio School in 2000, he shot his first feature soon after: Indian drama Maya. Three years later he was based in India and filming across the globe. Lapwood returned to NZ in 2011.