Keith Quinn is part of the fabric of Kiwi TV and sporting history. On hand to commentate and write about many of our key sports moments - rugby and otherwise - over almost four decades, Quinn called his first rugby match for TV in 1973, and was part of the 2011 Rugby World Cup team for Māori Television.
After starting in radio, comedian Tim Batt found his place with podcasts, including The Worst Idea of All Time — New Zealand’s most globally successful podcast. He discusses podcasts in this Funny As interview, and also talks about: Watching a “painfully shy” Guy Williams perform his first stand-up show His first radio job, learning from legendary DJ Kevin Black The challenges of being a political comedian in a small democracy Comedians moving into the commentary space, and whether that's good for society Working with comedian Guy Montgomery on The Worst Idea of All Time How 7 Days made it respectable to be a comedian in New Zealand Being "livid" when youth channel TVNZ U was cancelled — after “honing some of the best comedians in our part of the world”
Being Chinese: A New Zealander’s Story author Helene Wong grew up in 1950s Aotearoa, and has worked in the arts as a performer, writer, and film critic. She discusses her varied career in this Funny As interview, including: Growing up with radio comedy, being the class clown at school, and realising that you could make people laugh with voices and accents The university capping review being a revelation and a liberation — presenting an opportunity to deal with issues and being more than just "prancing about on the stage" How the introduction of television meant being able to see politicians — "their physicality, their flaws and their body language" – providing wonderful source material for satirists Working with Roger Hall, John Clarke, Dave Smith and Catherine Downes on university revue One in Five, and mimicking three-screen promotional film This is New Zealand to open the show Working for Prime Minister Robert Muldoon in the 70s as a social policy advisor – despite spending “the previous few years having a lot of fun satirising him”– and feeling that he had a "kind of dark force field around him" Reaching a turning point in comedy about Asians in New Zealand; Asians have started to "take back the power" and "as opposed to encouraging audiences to laugh at us, we’re now getting them to laugh with us"
Jono Pryor and Ben Boyce both got their starts in TV comedy after stints at broadcasting school, before joining forces in 2012 to create long-running hit show Jono and Ben. Here they talk about their careers, including: Hating M*A*S*H but loving SportsCafe — and how Jono and Ben was a loose version of Marc Ellis and Matthew Ridge's TV partnership, only without the athleticism or business smarts Early forays into broadcasting, including a young Jono harassing Mai Fm DJ Robert Rakete until he was allowed on the radio, and Ben Boyce’s haphazard attempt at rugby commentary as a 19-year-old Ben discusses early creative endeavours including making movies on a farm as a kid, writing the "show us your crack" advert, and creating an early version of Pulp Sport at broadcasting school The perks of working with your best mate everyday on Jono and Ben, and getting to see younger talents from the show succeed — e.g. Guy Williams, Rose Matafeo, Laura Daniel and Jordan Watson (How to Dad) The challenges of transitioning from their 10pm time slot after 7 Days, to an hour of prime time at 7:30pm — and how Jono and Ben was hitting its stride in its seventh and final season How the internet is changing how comedy is viewed, and the difficulty of advertising executives always requesting “a viral video”
Weekly media commentary show Media Take focussed on the week's news and new media developments. Frontman Russell Brown and a team of panellists analysed how certain issues were presented. In front of a live studio audience they covered traditional outlets (TV, radio and newspapers) and also looked at the internet, advertising, PR and new technology. The show began life as Media7 on digital channel TVNZ 7; it shifted networks to TV3 after TVNZ-7's 2012 shut down, and was reborn on Māori Television in 2014 for four seasons as Media Take.
Wellington Paranormal was dubbed 'Police Ten 7 meets The X-Files' . These excerpts from episodes three and five of the first season demonstrate the show's mix of deadpan commentary with (sometimes) mysterious subject matter. Officers O'Leary (played by Karen O'Leary) and Minogue (Mike Minogue) deal with two call outs. A report of a pale, translucent figure floating 'airily' around a Lower Hutt car park is the definition of an 'open and shut 'case, but a stake out in a supposedly haunted house isn't so straightforward. Officer Minogue's enthusiasm for tasers comes a cropper too.
Man. Dog. Sheep. This was an unlikely formula for Kiwi TV gold. A Dog's Show was familiar as a homespun in its long-running Sunday slot. The show featured sheepdog trials from around the country, with commentary provided by the wise, bearded John Gordon. In the final from a 1981 series, four farmers wield sticks and whistles, and put their dogs through their paces to wrangle the "sticky sheep". It's 1981, but the only riots here are ovine. Trivia: the opening tune is a version of the song 'Flowers on the Wall', also used in the film Pulp Fiction.
Private Journeys / Public Signposts turns the camera on photographer Ans Westra. Dutch emigree Westra has captured iconic images of New Zealanders since the late 1950s, expressively observing Aotearoa societal changes, particularly Māori urban drift. This film explores her remarkable life and work, and includes commentary from family and friends, fellow photographers, and colleagues, as well as discussion of the Washday at the Pa controversy. Luit Bieringa, curator of Westra's retrospective photo exhibition, directed the film, his first.
Competing canines on primetime TV invoke memories of the heyday of A Dog's Show in this TVNZ series. Tux was presented and produced by dog lover Mark Leishman, with his faithful golden Labrador companion Dexter (until the latter's death in 2000). Jim Mora provides a genial and pun-filled commentary as obedience tests and obstacle courses challenge the teams of dogs, and exasperate (and occasionally delight) their owners. Titbits come in the form of dog lore and trivia, advice from pet psychologists and canine funniest home videos.
In this episode of Fourth Estate, journalism lecturer Brian Priestley ruefully brings down the curtain on state TV's media commentary show. After 12 years of scrutinising newspapers, radio, magazines and TV, Priestley offers parting awards for "the most memorable people, programmes or papers since 1976". He also gently snipes at the decision to can his show (which he points out still rates as well as Miami Vice). While full of praise for the achievements of some outlets and journalists, Priestley sees a difficult future ahead for a media under threat from trivialisation and superficiality.