Stalin’s Sickle takes Kiwi suburban paranoia to unexpected places as nine-year-old Daniel imagines his neighbour is feared Russian dictator Joseph Stalin. Set amidst 1962 Cold War conservatism, Daniel spots the south seas’ Stalin at church, spies on him to confirm his suspicions and schemes to send him on his way. But Daniel’s civil defence plan goes awry, leaving him with a worse threat to deal with. Based on the short story by Michael Morrissey, the Costa Botes-directed film won the Grand Jury Prize at Clermont-Ferrand Short Film Festival.
This classic kids’ adventure tale follows a 13-year-old boy on a quest to find his father, missing amidst the 1860s Otago gold rush. When it launched in September 1976, the 13 part series was the most expensive local TV drama yet made. Under the reins of director Tom Parkinson, the series brandished unprecedented production values, and panned the Central Otago vistas for all their worth. Its huge local popularity was matched abroad (BBC screened it multiple times); it showed that NZ-made kids’ drama could be exported, and helped establish the new second television channel.
Punk rock was breaking and musical styles changing, but in New Zealand country music was appointment viewing at 7pm on Saturday. That's Country ran from 1980 to 1984. Hosted by one-time pop singer Ray Columbus, the show featured both local and international talent including Suzanne Prentice, Patsy Riggir, Emmylou Harris and George Hamilton IV. An American offer to buy the show and install a US presenter were resisted. Instead the show was sold to a Nashville cable TV network, in a New Zealand first; That's Country soon had an audience of 30 million in the States.
MyStory was the first “mobisode” funded by NZ On Air. It tracks a group of young people in their ‘gap year’ between high school and university as they discover one of their friends has gone missing. The 40 x two-minute episodes screened on C4, and was able to be downloaded daily to 3G phones on the Vodafone network, or watched (as a weekly collection) on the C4 website on Sundays. Created by Gibson Group producer Bevin Linkhorn, the series was directed by Peter Salmon.
New Plymouth born Katie Wolfe has made the transition from actor to director. After leading roles in Marlin Bay, Cover Story, and Mercy Peak she stepped behind the camera in 2002, directing on Shortland Street. In 2008 she directed her first short film This Is Her, which screened at festivals around the globe. Wolfe's adaptation of Witi Ihimaera novel Nights in the Garden of Spain screened on TV in January 2011.
Craig Little was one of the first local television stars created by the highly successful regional news shows in the 70s and 80s. In 1970, he took over the presenter’s role on Auckland’s This Day but resigned three years later, tired of constant public attention. He also presented Top Town and New Faces, and worked in radio. Little ran his own PR company, and held positions in Auckland local government.
Roger Hall began writing and acting on television in the late 60s. In 1976 his debut play Glide Time became a sell out. Later Hall turned this satire of civil servants into Gliding On, arguably New Zealand's most successful sitcom to date. Play Middle Aged Spread became a movie in 1979. Hall went on to write marital comedy Conjugal Rights for England's Granada TV, and further shows in NZ. He remains the country's most successful playwright.
The great outdoors and the arts are what most inspires sound recordist turned documentary director John Hagen. He learnt the ropes at Avalon television studios, before venturing out on his own as a director. Alongside arts shows like Frontseat and New Artland, Hagen has celebrated Kiwi architecture in The New Zealand Home and recreated hazardous pioneer journeys in popular series First Crossings.
John Bates is a documentary director whose low profile and natural modesty belies his talent. His award-winning documentaries range across many iconic New Zealand people and events, including the 1951 waterfront dispute, the 1975 Māori Land March, late photographer Robin Morrison, and the history of television itself.