This short documentary follows refugee Mitchell Pham from a Vietnam War prison camp to a new home in New Zealand. Director Sally Tran — a 2013 Killer Films Internship Scholarship recipient — uses an interview with Pham as an adult, and live action mixed with animation to recreate the harrowing childhood journey. DIY more than CGI, the animation process was based on Vietnamese folded paper-craft. Requiring 20 volunteers, the 10,000 animated pieces of paper (and a rich score from The Sound Room) provide suggestive weight to Pham’s story of survival and courage.
This episode from the TV3 series of mini World War I stories looks at Harold Gillies and Henry Pickerill, two pioneers of plastic surgery who grafted “new hope onto despair” for soldiers whose faces had been demolished by war. The short details new methods the pair developed at Sidcup in England, a specialist unit set up by Gilles. It conveys the bravery of the surgeons and nurses in the face of appalling injuries, as well as the courage and “unquenchable optimism” of the patients. Presented by Hilary Barry, Great War Stories screened during 3 News.
This self-funded feature follows the travails of Lexi (Request Ahomana), a young Pacific Island Kiwi cleaning for a bitter elderly woman, and struggling to find her identity in the town of Oamaru. A meeting with a young man (Dean Hanns) provides her with a prospective ride out of town — but obstacles on that road include the young man's past, the gambling addict sister she shares a flat with, and finding the courage to chase her dreams. Lexi marks the first feature film written, directed and produced by Wayne Turner. In the excerpt, Lexis argues with her sister.
This item from arts show Kaleidoscope looks at Vincent Ward's first two features, Vigil and The Navigator. The director talks about the madness of the Cannes Film Festival, echoes Jack Nicholson's view that women are "a lot smarter than men", and explains why a nuclear sub turns up in The Navigator. He visits his parent's Wairarapa farm, where they remember him as a straightforward and easygoing child. Fiona Kay provides unsparing memories of starring in Vigil as a child, and the film's co-writer Graeme Tetley admires Ward's courage in tackling "big issues" like guilt and betrayal.
In Samoan-born director Sima Urale's first feature, two mothers from very different Aotearoa cultures find the courage to confront the secrets of the past, in order to set their sons free. Hard-working Lorna runs an old-fashioned cake shop and lives with her unemployed son. For Anita, star of an Indian cooking show, things come to a head when her son decides to meet her estranged sister Tara, who runs a no-frills curry house. Apron Strings debuted in the Discovery Section of the 2008 Toronto Film Festival. It won four Qantas awards, including for actors Jennifer Ludlam and Scott Wills.
Half a decade before the electronic beats of Oceania, Hinewehi Mohi's debut single is a gentler, more soulful affair — with the constantly moving close-ups of director Niki Caro's video underlining the song’s heartfelt simplicity. Co-written with Doctor Hone Kaa and Ardijah founding member Jay Dee, the song pushes the importance of rising above adversity, and having the courage to evolve as a people and a nation. The latter would be challenged seven years later by another te reo performance from Mohi — of the national anthem at a rugby test match.
This music video features Satellite Spies as the headline band at a high school ball. Unusually for a local music video made in the 80s, it features a scene-setting intro sequence before the song begins: amidst the excited throngs, a boy struggles to work up the courage to ask his crush for a dance. The second single off the band's debut LP Destiny In Motion, 'I Wish I'd Asked' failed to chart, despite the band agreeing it was the standout song. After hearing the track, Mark Knopfler gave Satellite Spies the nod to support Dire Straits when they played in New Zealand in 1986.
Merata Mita’s Patu! is a startling record of the mass civil disobedience that took place throughout New Zealand during the winter of 1981, in protest against a South African rugby tour. Testament to the courage and faith of both the marchers and a large team of filmmakers, the feature-length documentary is a landmark in Aotearoa's film history. It staunchly contradicts claims by author Gordon McLauchlan a couple of years earlier that New Zealanders were "a passionless people".
Journalist turned media trainer Allison Webber began in television at a time when women were more likely to be making the tea than making programmes. After working alongside names like Brian Edwards and Ian Johnstone, she became part of a new generation of women producers and directors who changed the shape of what went on air, especially with her ground-breaking documentary series Expressions of Sexuality.
Award-winning singer and actor Annie Whittle has tried most things in the entertainment business and has been successful at all of them. She has appeared in a range of home-grown TV shows including A Week of It, The Makutu on Mrs Jones, The Billy T James Show, Heartland, Shortland Street, and Outrageous Fortune. She has also graced the silver screen in the feature films Trial Run and The World’s Fastest Indian.