This best of special culls history and highlights from 40 seasons of the longest running show on NZ television. Farming, forestry and fishing are all on the roster, but this edition is as much about observing people and the land. There is footage of high country musters, helicopter deer capture, floods and blizzards, as well as radio-controlled dogs and mice farmers. Longtime Country Calendar figures like John Gordon and Tony Trotter share their memories, and the show sets out to catch up again with some of the colourful New Zealanders that have featured on screen.
This 1985 promotional film for the New Zealand Dairy Board catalogues diversifying taste in cheese as Kiwis move beyond the big block of cheddar. New varieties — feta, brie, camembert — are pitched as part of an evolution towards a more exotic and ‘gourmet’ culinary culture. A camel-riding Catherine Saunders looks at the process of how cheese is made in NZ; a highlight is the making of blue vein mould, and fondue gets a mention (“gruyère is best”). The film opens with an ad anointing “the great New Zealand 1Kg!” alongside a line-up of iconic Kiwi measurements.
Using plenty of his own photographs to illustrate his story, Errol Schroder takes us back to the 50s, 60s and 70s to provide his memories of being a photographer with the New Zealand Air Force (Schroder also spent three years in the navy). His Air Force career saw him posted through the Pacific and South East Asia. In Vietnam, there are tales of nervous times on American bases, and a hair-raising patrol in an OV-10 Bronco aircraft. Even in retirement, action came Errol’s way — his home was wrecked in the September 2010 Christchurch earthquake.
Winter is going. This impressionistic take on spring in Aotearoa focuses on details of regeneration, from the mountains to the sea. Director Ron Bowie and cameraman Grant Foster capture signs of the season: ice melt like tadpoles under snow grass, gannets nesting on their Cape Kidnappers tenement, fern koru unfurling, kōtuku and royal spoonbills perched in Ōkārito trees like Dr Suess characters, willow buds and kōwhai flowers. And of course, lambs and daffodils. The camera aptly obeys the title to end. Patrick Flynn (Don’t Let it Get You) composed the score.
A pocket survey of the diversity of Kiwi farming circa 1952, this film serves as a booster’s reminder that thanks to self-reliance and research, New Zealand ranks as “one of the world’s great farming countries”. Cameraman Brian Brake captures arresting high contrast imagery: cattle move in silhouette against the sky; dust-caked fertiliser trucks emerge from clouds of lime; shirtless WWII veterans load silage onto harvesters. Meanwhile an upbeat, nationalistic voiceover pays homage to the holy trinity of good pasture, stock and climate.
The final meeting for the 2006 season features in this episode of the Māori TV series following the NZ rodeo circuit. Riders have come to Millers Flat in Central Otago to compete in bareback riding, calf roping and tying, bronco riding, bull riding, steer wrestling and barrel racing competitions. The grand prize of the title of All Round Champion Cowboy is still up for grabs — but there are no certainties in rodeo and champions can be dumped just as heavily as novices (with the possibility of serious injury ever-present in the thrills and spills).
These clips offer up a selection of Kiwi news bloopers. First, Sacha McNeil presents a retrospective of unscripted moments from TV3’s first 25 years of news: newsreaders sneeze and laugh, and reporters face rogue weather, animals, dance routines, and lashings of champagne from Olympic champions. Then presenter Hilary Barry laughs at inappropriate moments on The Paul Henry Show: she starts an extended battle with the giggles while mentioning All Black Waisake Naholo’s broken leg (2015). In 2016 she succumbs to laughter over an emergency defecation situation.
This series was made for Maori TV (Kaupoai means “cowboy”) about the summer rodeo circuit, and the cowboys (and occasional cowgirl) who battle it out with bulls, broncos and each other for the title of Cowboy of the Year. Voiced in te reo, it follows the progress of members of five families from the East Coast (the home of NZ rodeo) including four brothers from New Zealand’s rodeo royalty, the Church family (with their father a 13 time winner). The physical challenges — and toll — are plain to see; but competition, camaraderie and prize money conquer most fears.
Little Bushman muso Warren Maxwell goes west in this edition of The Gravy, to meet a trio of artists creating work in the shadow of Mt Taranaki. Waru Wharehoka, an autistic painter, makes abstract works, is obsessed with weapons and zombies, and takes Maxwell on a paddle beneath New Plymouth. Assemblage artist Dale Copeland scavenges plane wrecks on the mountain and dead friend's teeth for her art. And photographer Fiona Clark discusses why she used colour film to snap her controversial 1975 drag queen images, and using a photo to help save the Waitara River.
The concept for this 2005 Touchdown reality show involved sending a bevy of Kiwi beauties to outback Australia, so they can compete to become "the ultimate Kiwi chick" (and win a $100,000 prize). In this second episode the girls discover that the week’s immunity winner (the 'Boomerang Babe') will have to pick a trio of contestants, so the local townsfolk can vote which one to eliminate. The girls must help host Vadim Dale (reality romance show Outback Jack) brand a calf, where things get bloody; spend a night in the outback alone; and negotiate a hay bale challenge.