Kiwi music legends Toy Love are credited with leading the NZ post-punk sound, delivering a sonic flare from 1979 that scaled charts and smashed Sweetwaters watermelons, before the love ended on a late 1980 NZ tour. In this February 1980 interview for regional show The South Tonight, the band is seen in their Dunedin hometown, preparing for a show at The Captain Cook Tavern. Reporter Keith Tannock asks Chris Knox what he’s rebelling against as the singer chugs a double-barrelled ciggie, and casts shade on boring pub rock music. The band would shortly depart for a stint in Sydney.
Former presenter Derek Payne returns to front the finale of this first (NZBC) run of the Otago-Southland local news show. A report on strippers aside, the emphasis in this ‘best of’ series cull is on (often Pythonesque) humour. Highlights include Kevin Ramshaw’s Sam Spade-style private eye hunting Noddy, Payne walking a famous imaginary dog, a search for news in Invercargill and a reporters’ bloopers reel. An era when newsroom staff were learning their medium in the public eye is evoked, and the opening weather report is a glorious look back at TV’s lo-tech past.
The South Tonight was a Dunedin-filmed regional news show. In these excerpts, Martin Phillipps and The Chills return home from London, and find album Submarine Bells is number one; legendary local band Sneaky Feelings play a last gig; Velvet Underground muse Nico plays Orientation Week; a ball is filmed at Larnach Castle for TV series Hanlon; rhododendron nuts ramble at the Dunedin Botanic Gardens, and Jim Mora visits the Danseys Pass Hotel. Finally there’s a survey of dingy student digs circa 1985 (when rents went as low as $14 a week).
Fresh off roughly a decade of performing overseas, legendary Kiwi rock'n'roller Johnny Devlin sits down with The South Tonight's Spencer Jolly to talk about his Rock Revival tour of NZ. He recounts stories of past tours, where fans ripped shirts off his back, and notes his 1972 tour has also had its moments — some of the entourage were injured on last night's concert. Devlin seems in two minds about continuing touring: he talks about retiring from it if promoters won't pay for his family to join him. Devlin would still be performing when he toured with Ray Columbus in 2006, 34 years later.
By the time she died in 1947 aged 78, expat Frances Hodgkins was recognised as a key figure in British art. Subtitled 'A Painter of Genius', this 1989 Kaleidoscope portrait mixes archival material with recreations of Hodgkins working in England in the 1940s, and being interviewed by Vogue. Her "gypsy" life ranges from a Dunedin upbringing, leaving New Zealand in 1901, to painting and teaching in Europe, and struggles with poverty and health. After embracing modernism in the 1920s, her art combined still life and landscape in original ways. TV veteran (and artist) Peter Coates directs.
This documentary tells the story of the legendary Flying Nun music label up to its 21st birthday. The label became associated with the 'Dunedin Sound': a catch-all term for a sprawl of DIY, post-punk, warped, jangly guitar-pop. The Guardian: "[it's] as if being on the other side of the world meant the music was played upside down". Features interviews with founder Roger Shepherd and many key players, the spats and the glory. The label's influence on the US indie scene is noted, and Pavement's Stephen Malkmus covers The Verlaines' 'Death and the Maiden'.
This NFU film features the 1948 celebrations which marked the centenary of Dunedin's founding. The Edinburgh of the South's Scots heritage figures prominently, with Jock Carlson taking over the more Caledonian parts of the narration from Selwyn Toogood. A tour of the city is followed by extensive footage of the carnival week's centrepiece: an elaborate "cavalcade of progress", as floats trace Dunedin's development over 100 years, before the ambitious light and fireworks finale. In the period the film was made, all of the NFU's colour footage was processed overseas.
Dunedin-based painter Jeffrey Harris is profiled in this episode from an early 80s arts series made for TVNZ. Harris talks about his quest for intensity and impact; and how violence both attracts and repulses him. He also discusses two of his influences at the time — the surrounding landscape (particularly the wilds of Otago Peninsula and Seacliffe, and the older parts of Dunedin) and the photographs, ranging from family portraits to newspaper pictures, that provided the figures that populated his expressionistic works.
The work of Dunedin artist and surfer Simon Kaan explores his Māori (Ngāi Tahu), Pākehā (Scottish) and Chinese heritage. His studio in Port Chalmers is an old fruit shop his Chinese grandfather ran. In 2004 Simon won a three-month residency at Beijing’s Red Gate Gallery. Directed by Andrew Bancroft, this Artsville story follows Kaan on a tour of Beijing markets and galleries, as he prepares for a show opening. Kaan, who also narrates the piece, is able to visit family whenua: the village that his grandparents left behind for New Zealand.
This excerpt from Holmes features a rare interview with author Janet Frame, filmed in 2000 to mark the release of Michael King's Frame biography, Wrestling with the Angel. Reporter John Sellwood visited Frame at her Dunedin home, along with King, who is also interviewed, and provides some valuable perspective on Frame's writing. Sellwood charmed Frame by playing the bagpipes, which reminded her of her father, but she is still a reluctant interviewee, who prefers to chat about lighter topics than reflect on her distinguished literary career.