In this 2012 series, media personality Jaquie Brown chronicles a year as a young mother, as she raises her first child Leo. With a single rule — not to offer advice — Brown aimed to document honestly the realities of modern parenting. This first episode looks at everything from worrying nipple advice to installing car seats, from the pelvic floor to the post-baby body. Brown's candid reflections (captured in video diary 'Little Brother') are mixed with experts (Plunket nurses, baby whisperers), and a look at Kiwi child-rearing social history. The show was produced by JAM TV for TV One.
This short documentary observes a day in the life of Auckland’s David Lange Care Home. Near wordless, the impressionistic film tracks the residents, workers, sounds and rhythms of a world many New Zealanders inhabit: aged care accommodation. Directors Nick Mayow and French-born Prisca Bouchet met while working as editors; both have grandparents in rest homes. Today follows on from their award-winning doco Le Taxidermiste. Chosen for the London Short Film Festival, Today was made as part of Loading Docs, a series of shorts created for online screening.
Years before it became a national health crisis, star UK broadcaster David Frost hosted this audience discussion on NZ’s “battle of the bulge”. And far from his later interrogation of Nixon, Frost’s form here is loose and relaxed. Analysis makes way for his wry examinations of such du jour weight-loss products as portable saunas, laxative pills, “Easy-Slim” underwear, and the Slendermatic: a muscle vibration unit modelled by a bikini-clad lass reclining on a sheepskin rug. This was one of six Frost Over New Zealand specials filmed over a whirlwind four-day shoot.
"After living on the street for 20 years, we're now tasting what it's like to live like kings. We're sleeping in fancy sheets, drinking champagne and living in mansions ... and we're f***ing loving it." This Loading Docs short film turns its lens on Cowboy and a group of homeless people for whom the 2010 Christchurch earthquake presented a luxury squatting opportunity. Director Zoe (Day Trip, The Deadly Ponies Gang) McIntosh's thought-provoking look at an aspect of the city where she studied screened on TV’s 20/20 and was shared by the UK’s Daily Mail.
This March 1976 Encounter item catches up on athlete Peter Snell while studying human performance at University of California, Davis — 12 years after his double Olympic triumph in Tokyo. When world champion mile runner John Walker turns up, Snell takes him for a jog, and puts Walker through his paces in the Human Performance Laboratory. The pair muse over life, sport, success, choosing your future, and which of them is the best. The master counsels his heir on the upcoming Montreal Olympics, after Walker expresses fear at becoming the “biggest failure in history".
Tough Act follows the 2005 intake of first-year acting students at Toi Whakaari, New Zealand's most famous drama school. This episode concentrates on two group assignments: a performance describing the students' journey after being accepted into the school, and a performance in te reo, using song and movement. The pressure involved in creating, rehearsing and performing to deadlines reveals striking personality differences within the class. This episode was one of two nominated for Best Children's Programme at the 2007 Air New Zealand Screen Awards.
Director Justin Pemberton takes this love song by Paul Casserly and Fiona McDonald (from fourth Strawpeople album Vicarious) and transforms it into an exercise in noir influenced, brooding unease. His video takes place over a night at a rural motel (with McDonald as a receptionist, and Casserly up to no good with a range of medical equipment). A tarot card-reading, yoga-practising new-ager, a traveller with unexplained cages, and random appearances from stringed instrument-playing senior citizens contribute to the growing sense of disquiet.
A salient public safety segment in this edition of the National Film Unit’s long-running magazine series looks at 'prudence at home', and the ways that stoves, jugs and fires can be dangerous to children. Other segments include a visit to a Gisborne health camp where youngsters are finishing their seven week course of dietary and exercise lessons. And a jaunt to Canterbury’s frozen Lake Ida for skating, pies, and ice hockey concludes that ‘winter can be fun’. A car-drawn toboggan looks it — though the ice rescue demonstration will not convince all viewers.
Comedian Billy T James presents an introduction to The America’s Cup as Team New Zealand challenges for The Auld Mug for the first time. Billy T visits Fremantle in Western Australia — where the Cup is being contested — and meets members of the NZ team including skipper Chris Dickson and backer Michael Fay. Rules and strategy are explained and there’s occasional product placement for sponsor Sony. Billy’s sense of humour is never too far away but this is a largely-factual exercise from a time before The America’s Cup was (briefly) “New Zealand’s Cup”.
As a trench coat-clad protagonist enters the room, the jazzy soundtrack and copious shadows promise a claymation exercise in film noir. But the room advertised in director Barry Prescott’s first short film is no ordinary rental. It soon becomes apparent that a more unusual threat is responsible for the lack of furnishings and tenants — and it threatens the man and his oversized revolver. Television has been accused of rotting brains, but this short takes the allegation to the next level. Unfurnished Room for Rent screened at the Palm Springs and Seattle film festivals.