Web series The Factory is the largely light-hearted tale of one South Auckland family, and their love of music — though not everyone in this family agrees which type of music deserves loving the most. A $50,000 talent prize is up for grabs, and the Saumalu family are keen to compete, on behalf of the textile factory where their father and grandfather Tigi work. Only Tigi wants them to perform a traditional Samoan number. The kids would rather freestyle. The 20-part web series was first born as a hit stage musical from theatre group Kila Kokonut Kollective.
In 1865, Wellington became the Kiwi capital. In the more than 150 years since, cameras have caught the rise and fall of storms, buildings, and MPs, and Courtenay Place has played host to vampires and pool-playing priests. Wind through our Wellington Collection to catch the action, and check out backgrounders by musician Samuel Scott and broadcaster Roger Gascoigne.
This musical retooling of the ill-fated love story began life as a concept album by ex Screaming Meemee members Peter van der Fluit and Michael McNeill. In 2010 they sent 38 songs to director Tim van Dammen, who decided to retell Shakespeare's classic romance as "a sort of trash opera — like an updated John Waters type thing". A caravan park is the canvas for a cast of beautiful young things, pop, rap, knives and beer crates. NZ Herald's Dominic Corry praised the film for its "emotionally-assured grasp of what makes this famous story so enduring".
This special edition of the National Film Unit’s monthly magazine series looks at some of the “people, places and events filmed by our cameramen during the years 1941 - 1962”. The NFU’s 21st birthday review — compiled by David H Fowler — ranges from wartime newsreels to the post-war boom (factories, dams, industrial agriculture), from salvos to Peter Snell. Other images include Kiwi soldiers playing rugby in Korea, and cigarettes hanging from the lips of firemen fighting Christchurch's Ballantyne Department Store fire in 1947.
The Dominant Species is a loopy look at the relationship between people and cars in 1975 Aotearoa ... from an alien's eye view. Nifty animation and special effects intersperse the automotive anthropological survey of Mark IIs, VWs, anti-car activism and car-washing. There's a dream sequence involving a ladykilling Jesus Christ atop a car, and Wagner's Ride of the Valkyries scores a rugby match traffic jam (also used in a famous scene in Apocalypse Now). Filmheads will note the tripped out assembly is flush with formative industry talents (see this guide by director Derek Morton).
This National Film Unit magazine film begins with a choir performing the classic 'Pokarekare Ana' in the acoustically-blessed depths of the Waitomo Caves. The second item involves a visit to a toy factory, deep in preparation for Christmas. Disembodied doll heads fill a bin, while elsewhere factory staff add eyes, and blacken the teeth of rocking horses. There are also teddy bears, electric trains and rows of toy trucks. The narrator explains the joy the toys will bring come Christmas: “a production line to delight children everywhere — fantasy from an industrial Santa Claus”.
NFU drama Men and Super Men is a barbed chronicle of a workplace where harmony is a distant dream. Intended as a how-not-to guide for ‘management bodies’, the film sees patronising factory supervisor Ferguson (actor Eddie Wright in fine form) trying to increase productivity by constantly changing systems. Meanwhile a trio on the factory floor (Paul Holmes, Peter McCauley and Close to Home’s Stephen Tozer) react with bullying and barely suppressed defiance. It was an open secret when the film was made that some of the characters were inspired by NFU staff.
A forgotten slice of New Zealand TV history, A Going Concern was the country's second, short-lived soap opera. Launched in July 1975 — two months after rival soap Close to Home — it revolved around the staff of a South Auckland plastics factory. The characters were a mixture of Pākehā and Māori, plus a Brit (entertainer Ray Woolf, in his first acting role). Apart from this 23 second clip pulled from a 1975 variety show, the series is believed destroyed. A Going Concern won solid reviews, but the new channel's limited coverage affected audience numbers; it ended after a year.
This 1949 episode of the National Film Unit’s Weekly Review newsreel series goes on a jaunty whistle-stop tour across the country. It takes off on TEAL’s new flying boat (Ararangi), from Wellington’s Evans Bay on a cruise over to the Marlborough Sounds and back. We then stop to smell the tulips on a South Canterbury tulip farm; before revving up for dusty motorhead bliss in Whanganui as a swarm of motorcyclists contest the Motorcycle Grand Prix. The reel pulls up in an Auckland factory for a fascinating look at the manufacture of glamourous nylon stockings.
This classic soft drink advert saw a supergroup of 80s music talent cooling off ... in a steamy L&P factory. The industrial-strength line-up — When the Cats Away’s Margaret Urlich and a blink or you'll miss her Annie Crummer; Ardijah’s Ryan and Betty-Anne Monga; Erana Clark, Peter Morgan, and DD Smash drummer Peter Warren — belt out a 60s Motown song (produced here by Murray Grindlay). Fane Flaws plays a supervisor loosened up by “the thirst quencher”. ‘Heatwave’ was a hit single in late 1987, with the group named ‘80 in the Shade’. The ad was named the year's best.