This classic soft drink advert saw a supergroup of 80s music talent cooling off ... in a steamy L&P factory. The industrial-strength line-up — When the Cats Away’s Margaret Urlich and a blink or you'll miss her Annie Crummer; Ardijah’s Ryan and Betty-Anne Monga; Erana Clark, Peter Morgan, and DD Smash drummer Peter Warren — belt out a 60s Motown song (produced here by Murray Grindlay). Fane Flaws plays a supervisor loosened up by “the thirst quencher”. ‘Heatwave’ was a hit single in late 1987, with the group named ‘80 in the Shade’. The ad was named the year's best.
This National Film Unit travelogue, produced for the NZ Government Department of Tourist and Health Resorts, finds post-war Auckland basking in sunshine. Flowers bloom in parks and gardens, city streets bustle and public swimming pools are packed. Trams and flying boats are a reminder of a by-gone era in the city's transportation while a rug factory is a colourful if unexpected inclusion. Last stop is a visit to Kawau Island — home of Governor Grey's Mansion House — where the sun also shines and aquaplaning, sports and bush walks are the order of the day.
This 1949 episode of the National Film Unit’s Weekly Review newsreel series goes on a jaunty whistle-stop tour across the country. It takes off on TEAL’s new flying boat (Ararangi), from Wellington’s Evans Bay on a cruise over to the Marlborough Sounds and back. We then stop to smell the tulips on a South Canterbury tulip farm; before revving up for dusty motorhead bliss in Whanganui as a swarm of motorcyclists contest the Motorcycle Grand Prix. The reel pulls up in an Auckland factory for a fascinating look at the manufacture of glamourous nylon stockings.
This 1978 National Film Unit documentary chronicles the daily lives of New Zealanders in various places: factory, beach, hospital, oil rig, country town, sheep farm, market garden, Auckland produce market, art gallery and primary school. Narration-free, the film features montages of stills by photographer Ans Westra. The impression is of New Zealand as a busy nation of makers and growers, alongside singing ‘Oma Rapiti’ at the bach and visiting the art gallery. Terry towelling, walk shorts, and denim shirts are date stamps. The script is by onetime Variety film reviewer Mike Nicolaidi.
A forgotten slice of New Zealand TV history, A Going Concern was the country's second, short-lived soap opera. Launched in July 1975 — two months after rival soap Close to Home — it revolved around the staff of a South Auckland plastics factory. The characters were a mixture of Pākehā and Māori, plus a Brit (entertainer Ray Woolf, in his first acting role). Apart from this 23 second clip pulled from a 1975 variety show, the series is believed destroyed. A Going Concern won solid reviews, but the new channel's limited coverage affected audience numbers; it ended after a year.
Are workplaces a chance for mutual gain, or is it only the higher ups that benefit? Dean Parker's award-winning script for this Sunday TV drama certainly doesn't duck the awkward questions. Joel Tobeck and Luisa Burgess play Bosco and Selena, who get factory jobs as assembly workers, get it on, then take opposing sides on motivational talks by management. Conscious the story would be punctuated with advertisements, Parker decided to counterattack by slipping in occasional clips from an interview with legendary unionist Jock Barnes. Later Parker turned the film into a play.
This 1952 film ventures off the Bay of Plenty coast to New Zealand’s most active volcano: White Island. The National Film Unit production joins a team of DSIR scientists, supposedly the first humans in more than a decade to to view this “fantastic laboratory of nature”. They camp in the ruins of a sulphur mill, where the acidic fumes have disintegrated factory engines. Steam in fumeroles destroys thermometers — “mapping the land brings the party to many a scene like this: a scene from The Inferno”. Elsewhere, gannets nest, defying the inhospitable environment.
New Zealand Munitions was the 26th National Film Unit effort, and the longest made in the Unit's first year. The NFU was established in August 1941 to make films illustrating New Zealand's war effort. Completed in December of that year, this is a classic propaganda piece. As World War II intensifies, New Zealanders are reassured that the country has the heavy industry required to supply its army. Factories are converted to wartime needs and munitions pour out. A suitably bellicose script informs viewers "This is our striking power: men and munitions."
In 1976 Ian Johnstone became the first NZ TV journalist to visit apartheid South Africa. For this Feltex Award-winning report (one of three for Seven Days) he and a small crew strove — under the regime's close eye — to show apartheid's impact on blacks. Shots of Soweto, human rights meetings, and interviews (Bishop Tutu, students, campaigner Hector Ncokazi), undercut PM Johannes Vorster's case for separatism. Seeing Johnstone being denied service at a burger bar (he was with a black) unsettled Kiwi viewers, weeks before the All Blacks left for South Africa in mid-1976.
The quarter acre dream is in full flower in this colourful celebration of Kiwi gardening. Director Conon Fraser surveys the symbols (tool sheds, trimmed edges) and rituals (broken window, cricket ball), and muses on the role of gardens: from civic pride to “escape from the house”. A wide range of public and private landscapes are honoured, both reverentially — a time-lapse of blooms in Wellington's Lady Norwood Rose Garden — and whimsically — eg talking pests, and a couple rolling on the lawn in front of a knitting oldie. The film won top prize at a US Horticultural Society Festival.