In this acclaimed investigation for Three's current affairs show The Hui, Mihingarangi Forbes interviews four Māori men who were victims of abuse while in state care as boys. They talk about the lead-up to being in custody, the mental, physical and sexual abuse they suffered at the hands of other wards and staff, and the cycle it created. The screening drew public attention to systemic abuse, and played a key role in provoking the government to launch an official inquiry the following year. Warning: contains confronting themes and language.
Man. Dog. Sheep. This was an unlikely formula for Kiwi TV gold. A Dog's Show was familiar as a homespun in its long-running Sunday slot. The show featured sheepdog trials from around the country, with commentary provided by the wise, bearded John Gordon. In the final from a 1981 series, four farmers wield sticks and whistles, and put their dogs through their paces to wrangle the "sticky sheep". It's 1981, but the only riots here are ovine. Trivia: the opening tune is a version of the song 'Flowers on the Wall', also used in the film Pulp Fiction.
Michael Firth's follow-up to his 1977 Oscar-nominated ski documentary Off the Edge, but this time with a plot and scripted dialogue. Canadian Matt hitches from Auckland to meet a bunch of Kiwi extreme thrill-seekers at a southern ski field. They throw themselves off volcanoes, glaciers, mountains and into an Iron Man with "get more go" abandon. Cinematographer Stuart Dryburgh's first feature shoot — "I was relatively cheap and I could ski" — is notable for its action sequences (set to an 80s pop soundtrack) and Billy T James as a mad pilot.
This teleplay from writer Greg McGee is a satire of prejudice and the market economy set in the grey, divisive atmosphere of early 1980s New Zealand. Kate Harcourt plays the proprietor of Dot's Terminal Cafe, a cantankerous spinster who rails against 'bludgers' and 'foreigners'. One rain-soaked Wellington night, her lumpen clientele decide to stage a small but telling uprising — with the help of a dead mouse. It screened in early 1982, following the breakout success of McGee’s confrontational take on Kiwi conformity: rugby player losing-his-religion play Foreskin’s Lament.
Written by Tom Scott, Press for Service is a humorous take on the shenanigans of the parliamentary press as they battle with the prime minister over their journalistic freedom. With the idealism, sleaze and alcoholism, that traditionally go hand and hand with the job, we follow David Miller; striving to be a respected journalist. Miller writes a damning piece but forgets to check his sources. Opening and closing with John Toon's elegant aerial shots of Wellington and a buoyant score, the episode features prominent Wellington thespians Ray Henwood and Ross Jolly.
Man. Dog. Sheep. This was an unlikely formula for Kiwi TV gold. Showing sheepdog trials from around the country, A Dog’s Show ran from 1977 to 1992. In each trial a farmer, armed with an array of whistles and commands, instructed a sheepdog to wrangle a flock of recalcitrant sheep along a course or into a pen while the bearded, sagacious, Swannie-clad John Gordon provided the commentary. Trivia: the opening tune is a version of the Statler Brothers song ‘Flowers on the Wall’, also used in movie Pulp Fiction.
Māori Television’s flagship news show began in 2007, with a kaupapa of tackling current affairs from a Te Ao Māori perspective. Coverage of Waitangi Day, elections, plus investigations (eg into the Urewera Raids, Kiwi troops in Afghanistan, and management of the Kōhanga Reo National Trust) saw Native Affairs win acclaim, plus Best Current Affairs Show at the 2011 Aotearoa Film and TV Awards. Reporters have included Julian Wilcox, Mihingarangi Forbes, Renee Kahukura-Iosefa and Maramena Roderick. In 2015 the one-hour running time was reduced to 30 minutes.
Gaylene Preston's documentary follows a year in the life of trail-blazing politician Helen Clark. During filming the ex New Zealand PM was head of the United Nations Development Programme, and bidding to become the UN’s first female Secretary-General. Preston was keen to capture the empowering character of the woman ranked by Forbes magazine among the 25 most powerful in the world. "Helen is a formidable woman and leader, and I’m honoured she’s given my team access to tell this story." The documentary is set to screen at the 2017 NZ International Film Festival.
Though best known as a sports writer and radio DJ, Phil Gifford’s long career has also seen a number of noteworthy screen encounters — including top-selling rugby videos, an acclaimed feature film and sketch-writing for late legend Billy T James.