The ‘Young Giant’ is Kaingaroa Forest: the largest plantation in the Southern Hemisphere, and one of the largest exotic forests in the world. 1,300 square kilometres produce “50 million cubic feet of timber a year” for pulp, paper, and building. Directed by Brian Cross, and made by the NFU for the forest’s then-managers — the New Zealand Forest Service — this documentary showcases the industry in the pines: scrub clearance for forest extension, burn-offs, machine planting, pruning, felling, grafting, and kiln-drying cones to extract seeds for sowing.
In this full-length episode, Lisa Chappell travels to Malaysia at the edge of South East Asia, and starts to wonder if she might be an inside-at-home, rather than intrepid, traveller. The geographically-impaired, self-confessed snake-phobic actor journeys into one of the world's oldest rain-forests, meets the nomadic Orang Asli people and enjoys a walk, 45 metres above the forest-floor. Things go downhill when she injures her back on a boat trip and tries to finish the trip early, before rediscovering the travel bug, shortly before flying out of Kuala Lumpur.
Award-winner Hidden Places: Ōkārito marked an early milestone for the Natural History Unit (later to become NHNZ) — it was part of the first series made by the unit. The 15 minute episode follows birds, such as white heron, Russian godwits and royal spoonbills, all of them flocking to Ōkārito's "unique world of sea, lagoon, rivers and forests". Logging of kahikatea, the tallest endemic forest tree, also features. Robin Scholes, later to produce movie Once Were Warriors, wrote and directed this episode. It won Best Documentary at the 1979 Feltex Television Awards.
This documentary turns the lens on acclaimed photographer Andris Apse. The Latvian war refugee later joined the Forest Service, where he was inspired by lensman John Johns and Fiordland; a chance break taking scenic shots for Air New Zealand empowered Apse to pursue his passion: wilderness photography. From his Okarito home and in the wild, Apse muses on the rugged demands of capturing an image and the "stubborn determination" of his craft. From Time to National Geographic, his photos have helped define Aotearoa as a theatre country of epic, elemental landscapes.
Simone Horrocks' first feature revolves around the disintegration of a man's life, after his daughter goes missing. Horrocks relocates Stephen Blanchard's novel The Paraffin Child from a washed-up UK coastal community to West Auckland/Piha. Outrageous Fortune talent Antony Starr plays the forest ranger who separates from his wife, then learns she is pregnant to the policeman investigating his child's disappearance. Horrocks says After the Waterfall investigates healing, resilience, and "how we live with unfinished business".
Marcus Lush travels from the vast Kaingaroa Forest to New Zealand's busiest rail junction (at Hamilton), in this instalment of his popular show about the country's railways. Along the way, he meets a legless train accident survivor turned motivational speaker; potter Barry Brickell and his 3km narrow gauge railway at Driving Creek in the Coromandel; and a collector with more than 2,700 rail related items. There's also a visit to Waihi. Transformed into a boomtown by gold and rail in the 1870s, it was home to the might and power of the Victoria stamper battery.
Kauri stand amongst the giants of the tree world, able to grow more than 50m tall and girths of up to 16 metres, and live over 2000 years. This NFU film looks at the ancient conifer and its relationship with people. A thoughtful narrative traces the kauri's utility, and contemporary efforts to preserve remaining trees — the tree’s timber and gum fuelled colonial growth, but milling devastated the great northern forests. Archive footage evokes the pioneer days: kauri dams, woodsmen dwarfed by felled trunks, and Dalmatian gum hunters scaling sky-scraping trunks.
This documentary tells the epic story of helicopter deer culling in the Southern Alps. Introduced deer had become destructive environmental pests; in the 60s entrepreneurs shifted culling from ‘man alone’ to machine-driven hunting, as deer were shot then later captured alive from helicopters. Deer Wars — Top Gun in choppers, over the beech forest — revisits the heady ‘gold rush’ days, when heli-cowboys calculated often fatal pay-offs between risk and reward. It features interviews with survivors and fearsome footage of men hanging from helicopters and leaping onto deer.
This trippy animation follows the spirit of a person killed in a motorway car accident. The life force (wairua) runs through forest and beaches on its journey to Te Rerenga Wairua (Cape Rēinga). En route it meets tourist buses and other spirits, before reaching the gnarly pohutukawa and making the leap towards Hawaiki-Nui. There's a real native joy in seeing contemporary 80s animation enliven ancient Māori spiritual concepts. Joe Wylie (Toy Love's Bride of Frankenstein) was in charge of the animation team; The Clean provide the soundtrack to the all-stops-out finale.
A girl is murdered and her body dumped in the forest. Nature's Way is a short film that explores the mind of a murderer who thinks he's gotten away with it. In Jane Shearer's haunting Cannes-nominated film, the dense native bush acts as witness to what the killer has done. In the absence of dialogue, Matthew (Out of the Blue) Sunderland's paranoid protagonist, sublime cinematography by award-winner Andrew Commis (The Rehearsal, Beautiful Kate) and an eerie, spare soundtrack by Rachel Shearer evoke the themes of utu at the suburban fringe.