Ian Morris got his start in the music industry as a recording engineer at Auckland's Stebbings Studio, where he did distinctive work on Hello Sailor classic 'Gutter Black'. A guitarist in Th'Dudes, he co-wrote some of the band's biggest hits with Dave Dobbyn (including 'Right First Time' and 'Bliss'). In 1987 he topped the charts as Tex Pistol with both his cover of 'The Game of Love' (which he performed, arranged, engineered and produced) and 'Nobody Else', with his brother Rikki. He worked with many iconic Kiwi musicians, and composed and recorded for television and commercials. Morris died on 7 October 2010.
Ruth Harley has been a leader and change agent across 30 years in the screen industry. She was commissioning editor at TVNZ, then the first Executive Director of NZ On Air. From 1997 she spent a decade as CEO of the NZ Film Commission, then crossed the Tasman to head the newly created Screen Australia for five years. In 1997 Harley was awarded an OBE, and in 2006 was named a CNZM.
Veteran producer and production designer Grahame McLean helped organise the shoots of a run of landmark Kiwi productions, from The Games Affair to Sleeping Dogs. Later he brought TV success Worzel Gummidge down under, and became the first — and will likely long remain one of the few — New Zealanders to direct two feature films back to back.
Aged 15, Lauren Jackson swapped high school and amateur theatre to star in movie Alex, inspired by the Tessa Duder bestseller about a teenage swimmer who competes in the Olympic Games. Time in Germany fuelled the writing of both Jackson's first play (the award-winning Exchange), and university studies on the German and Kiwi film industries. Since graduating from acting school Toi Whakaari in 2001, she has appeared on stage and screen, and directed two short films: family tale I'm Going to Mum's — which won four awards, and was invited to the 2013 Berlin Film Festival — and 2017 drama Tree.
John McKay is a veteran sound editor, sound designer, and mixer. He abandoned an early focus on directing to build a diverse, respected career in post-production. His credits include significant contributions to iconic films The Quiet Earth, Footrot Flats, Kitchen Sink, and Lord of the Rings. McKay is notable for an approach which combines creativity with a high level of technical craft and organisational rigour.
Ada (Holly Hunter) has been mute since she was six. She travels from Scotland with her daughter (Anna Paquin) and her grand piano to colonial New Zealand, for an arranged marriage. When her husband, a stoic settler (Sam Neill) sells the piano to Baines (Harvey Keitel), Ada and Baines come to a secret agreement. She can win her piano back key by key by playing for him, as he acts out his desire for her. An especially big hit in Europe, Jane Campion's Oscar-winning tale of sexual emancipation in the bush is the only NZ film to have won the top award at the Cannes Film Festival.
Tim Woodhouse has cut some of New Zealand’s most celebrated documentaries since crossing from Australia in 1989. Although he won a Best Editing award for drama Staunch, Woodhouse has largely specialised in documentary. En route he has worked with director Leanne Pooley on Haunting Douglas, Topp Twins hit Untouchable Girls, Beyond The Edge (about Hillary on Everest), and animated film 25 April.
Julie Christie, DNZM, is one of New Zealand's most successful television producers. She built her company, Touchdown Productions, into the country's leading producer of entertainment television and exporter of programme formats. In 2006 she sold Touchdown to global company Eyeworks in a multi-million dollar deal; she stayed on as managing director until 2012.
Allan Martin, OBE, worked as a television executive on both sides of the Tasman, but had his roots in programme making. He began making TV in England in the early 60s. Returning home, he developed influential programmes for the NZBC in Compass and Town and Around. Headhunted by the ABC in Australia, he returned to NZ in 1975 to set up the new second channel, and later became Director-General of TVNZ.
Cinematographer John Cavill was trained in the glory days of state television. After entering the industry at the age of 17, he went on to film everything from comedy to sports — then from the late 1990s, globally successful shows like Hercules, Xena and Spartacus. His CV reflects his experience in shooting action and visual effects. In 2018 Cavill won a Daytime Emmy for Chinese-American production Scars of Nanking.